PRICE,  25  CENTS. 


CATALOGUE 

OF  THE 

BERLIN  PHOTOGRAPHIC  COMPANY 


FINE  ART  PUBLISHERS 


NEW  YORK 

14  EAST  23D  STREET 

(Madison  Square,  South) 

1896 

BERLIN  LONDON 

PARIS 


Copyright,  1894 


BY 

BERLIN  PHOTOGRAPHIC  CO, 


Ube  Hmtcfeevbocfia-  ipieas,  HAcw  Iftocbellc,  TH.  HJ, 


CONTENTS 


PAGE 

Preface iv 

Part  I. — Artists’  Proofs  ........  i 

“ II. — Facsimile  Gravures  in  Colors 15 

“ III. — Photographs  and  Gravure  Prints  from  the 
Originals  by  Modern  Masters,  and  a Selected 
Number  from  Drawings  after  Classical  Pictures, 
Arranged  Alphabetically  According  to  the 
Names  of  the  Artists 19 

“ IV. — Synopsis  of  a Selection  of  Popular  Pictures 

Arranged  Alphabetically  According  to  Titles, 
with  Short  Explanations  of  Subjects  ...  63 

“ V. — Reproductions  from  Old  Masters,  Taken  from 

the  Originals  in  European  Galleries  ...  75 

“ VI. — Miscellaneous: 

The  Rembrandts  of  the  Cassel  Gallery  . . 106 

Secession  and  Max  Liebermann’s  Etchings  . . 107 

Art  Portfolios,  etc 108 

Sculptures  and  Views  . ....  no 

iii 


PREFACE. 


The  results  of  the  invention  of  photography  appear  more  and  more  wonderful 
every  year.  Those  of  us  who  are  old  enough  to  remember  its  beginnings  are  best 
able  to  appreciate  the  strides  towards  perfection  that  have  been  made  since 
Daguerre  gave  his  name  to  a discovery  from  which  it  is  to  be  regretted  that  his 
name  was  ever  separated.  There  was  something  in  those  early  daguerreotypes  that 
appealed  strongly  to  the  imagination  ; they  seemed  in  their  veiled,  yet  clear  beauty, 
to  be  softly  emerging  from  the  invisible  world,  the  first  dawnings  of  a creation  that 
was  yet  so  pleasing  to  the  sense  of  wonder  as  to  make  us  incurious  of  what  the  full 
day  might  bring  forth.  And  even  now,  when  we  open  those  already  antiquated 
cases,  and  look  at  their  mysterious  contents — having  much  the  same  charm  that 
we  find  in  the  drawings  made  by  the  artists  of  the  Renaissance  with  the  silver 
point — we  are  sometimes  inclined  to  question  whether  the  fruits  of  the  tree  planted 
by  Daguerre  are  really  better  worth  having  than  these  blossoms  of  the  early  spring. 

But  the  world  likes  to  be  moving.  It  is  never  content  with  any  past  were  it 
ever  so  excellent  ; and  since  the  discovery  of  the  principle  that  underlies  the  inven- 
tion of  Daguerre — the  action  of  light  in  fixing  images  on  sensitive  surfaces — scien- 
tific men  and  laymen  have  been  steadily  extending  the  application  of  that  principle, 
and  bringing  it  nearer  to  perfection.  So  much  has  been  already  accomplished  that 
it  is  difficult  to  see  how  the  process  of  reproduction  can  be  materially  improved  ; 
nor  indeed  is  there  much  left  to  desire  in  the  treatment  of  mere  black  and  white. 
The  most  promising  field  for  discovery  in  photography  to-day  is  in  the  reproduction 
of  colors.  Here,  in  spite  of  all  the  time,  money,  and  skill  that  have  been  expended, 
we  are  still  on  the  outside  of  the  promised  land.  What  has  been  done  is  just 
enough  to  make  us  eager  for  more. 

While  the  reproduction  by  photography  of  works  of  art, — of  pictures,  statues, 
famous  buildings,  engravings — has  vastly  increased  the  pleasure  of  the  world,  open- 
ing up  to  the  general  public  a domain  that  has  been  hitherto  the  almost  exclusive 
property  of  a few  to  whom  wealth  and  leisure  gave  the  key  ; the  usefulness  of  the 
invention,  the  practical  side,  has  valid  claims  upon  our  respect.  Students  of  art 
are  indebted  to  it  for  light  thrown  on  many  a problem  for  whose  solution  compari- 
son was  necessary  of  work  scattered  through  the  public  and  private  collections  of 
Europe  : collections  often  far  apart,  and  in  many  cases  difficult  of  access.  In  how 
many  instances  that  might  be  cited,  students  of  such  problems  have  been  led  astray 


IV 


preface. 


v 


by  dependence  on  copies,  paintings,  or  engravings — the  only  authorities  accef  ole — 
and  in  all  such  copies  it  is  inevitable  that  the  copyist  should  infuse  sor  ething 
at  least  of  himself  into  his  work.  To-day  all  such  dependence  has  ceased,  a A no 
art-student  engaged  in  the  investigation  of  any  serious  problem  would  no.,  be 
satisfied  without  calling  in  the  aid  of  photography  to  illustrate  his  argument  f^j 
readers. 

The  work  that  has  been  accomplished  already  in  providing  the  material  for 
such  comparative  study  is  enormous  in  quantity,  and  in  quality  so  near  perfection 
that  it  may  be  said  nothing  is  wanting  in  the  case  of  the  great  etchers  and  engrav- 
ers, and  of  all  artists  in  whose  work  color  does  not  play  an  important  part. 
Among  the  agencies  that  have  been  most  active  in  this  good  work  of  increas- 
ing the  public  enjoyment,  and  disseminating  valuable  knowledge,  no  one  has  been 
more  conspicuous  or  has  earned  a more  solid  reputation  than  the  Berlin  Photo- 
graphic Company.  Its  name  might  seem  to  limit  its  activity  to  the  field  of  the  great 
collections  of  the  chief  German  city  ; but  to  judge  so,  would  be  to  do  it  great 
injustice.  Its  publications  include  reproductions  in  photography  and  photogravure 
of  the  chief  works,  ancient  and  modern,  that  enrich  the  Museum  of  Berlin,  and  this 
would  in  itself  be  a great  service,  for  this  museum  is  fast  earning  a place  among  the 
foremost  collections  of  Europe.  But,  beside  these  masterpieces  of  the  National 
Collection,  other  great  European  galleries  are  to  be  put  under  contribution,  and  their 
choicest  works  reproduced  in  photography  and  photogravure. 

Amid  all  this  abundance  of  reproduction,  disseminating  and  popularizing  the 
pictures  of  the  older  masters,  the  works  of  modern  painters,  in  public  or  private 
galleries,  are  by  no  means  neglected  ; and  the  whole  history  of  the  development  of 
modern  art  in  Europe  in  all  the  chief  cities  is  to  be  traced  in  the  photographs 
published  by  the  Berlin  Photographic  Company.  The  masterpieces  of  men  who 
have  carried  their  fame  over  the  whole  world  are  here  put  before  us  in  a form  that 
makes  us,  in  all  but  the  one  respect  of  color,  independent  of  the  originals.  And  in 
many  cases,  even  the  coloring  is  suggested  by  the  masterly  employment  of  modern 
discoveries  that  give  to  the  blues  and  reds  and  yellows  of  the  originals  their  true 
value  in  relation  to  the  whole  color-scheme.  And  it  may  be  said  that  in  some  cases 
where  a deficiency  in  the  artist’s  color-sense  has  obscured  the  merits  of  his  concep- 
tion and  arrangement,  the  photographs  of  his  pictures  restore  him  to  his  true  place, 
and  explain  him  to  those  who,  on  seeing  his  works,  may  have  found  him  unequal 
to  his  reputation. 

Several  thousand  pictures  of  modern  and  ancient  artists  are  now  represented 
in  this  remarkable  collection,  far  surpassing  in  size  and  quality  anything  that  has 
been  reproduced  anywhere  else.  The  work  of  the  Company  has  not  been  confined 
to  reproduction  by  photography  ; it  has  accomplished  remarkable  feats  in  the  de- 
rived art  of  photogravure.  In  this  field  the  Company  may  fairly  be  said  to  have 
outstripped  all  its  rivals,  and  even  to  challenge  the  finest  modern  engravers  and 
etchers  in  a trial  of  exquisite  skill  in  workmanship.  The  latest  publications  of  the 
Company  : the  Rembrandts  of  the  Cassel  Gallery , the  Sistine  Madonna — the  first 
photogravure  ever  made  from  that  painting — and  among  other  modern  productions, 


VI 


preface. 


the  works  of  the  so-called  “ Secessionists  ” of  Munich,  show  the  remarkable  progress 
that  has  been  made  in  this  branch  of  the  photographic  art ; the  very  touch  of  the 
artist’s  brush,  his  peculiar  manner  of  working — everything,  in  short,  that  distin- 
guishes the  technical  method  of  one  man  from  that  of  another,  with  the  sole  but 
confessedly  important  exception  of  color — is  translated  by  this  process  with  a 
perfection  that  seems  more  a work  of  nature  than  one  due  to  the  intelligence  and 
skill  of  man.  The  reproduction  by  photogravure  of  the  Cassel  Rembrandts  is  one 
of  the  notable  art-events  of  our  time. 

In  these  days,  when  so  much  attention  is  given  to  the  art  of  making  our  homes 
attractive  to  the  eye,  people  of  taste  have  been  quick  to  discover  what  pleasure 
of  a solid  and  enduring  sort  is  to  be  had  from  photographs  of  the  masterpieces  of 
painting  such  as  are  made  by  the  Berlin  Photographic  Company.  The  large  size 
in  which  many  of  these  can  be  had  gives  them  a very  decorative  effect  when 
framed  and  hung  upon  the  wall,  and  their  cost  is  so  much  less  than  that  of 
engravings  of  equal  artistic  value  as  to  make  them  especially  welcome  to  those 
whose  means  will  not  permit  them  to  buy  original  paintings  or  water-color  draw- 
ings. The  money  expended  in  fine  photographs  of  beautiful,  world-famous  pic- 
tures will  never  be  regretted,  but  it  is  a sheer  waste  of  money  to  buy  the  works  of 
inferior  or  even  of  second-rate  artists  ; and  besides  that  nothing  proves  a poorer 
investment  than  such  works,  nothing  palls  sooner  on  the  taste.  The  yearly  annals 
of  the  auction-room,  where  the  collections  of  amateurs,  living  and  dead,  are  dis- 
persed, records  far  more  misfortunes  in  picture-buying  than  successful  ventures, 
and  many  a man  whose  money  permitted  him  to  buy  what  he  would,  has  regretted 
that  his  taste  and  judgment  were  not  equal  to  his  wealth. 

But  modern  photography,  in  its  different  branches,  offers  the  lover  of  art  a 
wide  and  ever-growing  collection  of  the  noblest  and  most  beautiful  works  that  have 
been  produced  in  past  times  or  in  our  own  by  artists  whose  fame  has  become  the 
property  of  the  world  ; not  limited  to  their  own  country  nor  confined  to  the 
applause  of  the  cultivated  few.  And  these  splendid  examples  of  the  photographer's  art 
are  not  “ copies  ” in  the  ordinary  sense — attempts  by  some  artist-artisan  however  skil- 
fully trained  to  repeat  the  work  of  an  original  artist — they  are  reproductions — reflec- 
tions we  may  rather  call  them,  mirror-like  in  their  faithfulness  of  the  work  they  deal 
with , and  capable  of  giving  the  same  degree  of  pleasure,  differing  only  in  kind,  that  we 
owe  to  their  originals.  Secure  already  in  the  admiration  of  cultivated  amateurs  and 
artists,  they  need  only  to  be  known  more  widely  to  obtain  equal  favor  from  the 
general  public  of  art-lovers. 

Clarence  Cook. 


New  York,  July,  1894. 


CLASSIFICATION  OF  THIS  CATALOGUE. 


This  Catalogue  embraces  several  thousand  original  reproductions  of  the  works 
of  art  of  both  old  and  modern  masters.  All  classes  of  subjects  are  represented  in 
its  contents  : religious,  historical,  allegorical,  and  fancy  scenes,  female  heads  and 
figures,  hunting  and  sporting  scenes,  landscapes,  etc. 

The  classification  of  the  contents  has  been  made  according  to  practical  points 
of  view. 

Of  all  the  above  pictures,  with  exception  of  reproductions  from  the  origuials 
by  old  masters,  Part  III.  gives  a complete  list,  arranged  alphabetically,  according 
to  the  names  of  the  artists.  It  contains  principally  reproductions  from  modern 
masters.  The  limited  number  of  classical  paintings  contained  in  this  fart  are  but 
a selection  of  prominent  works  in  European  galleries.  These — in  opposition  to 
those  given  in  Part  V. — are  not  taken  from  the  originals,  but  from  highly  finished 
drawings  made  therefrom,  in  which  the  original  state  of  the  ancient  paintings,  now 
in  part  damaged  and  darkened,  has  been  in  a large  measure  restored. 

Part  IV.  is  intended  to  be  an  appendix  to  Part  III.  For  the  assistance  of 
persons  not  familiar  with  the  names  of  artists,  we  have  therein  given  a selection  of 
popular  pictures,  arranged  alphabetically  according  to  the  titles , with  short  explana- 
tions of  the  subjects.  It  contains  also  a list  of  portraits  of  prominent  persons. 

To  our  Artist  Proofs  and  Facsimile  Gravures  in  colors,  comprising  a kind  of 
e'lite  edition  of  some  of  our  best  publications,  we  have  given  the  first  place  in  Parts 
I.  and  II. 

Our  reproductions  taken  from  the  originals  by  old  masters  in  European  Galleries 
will  be  found  in  Part  V.,  arranged  alphabetically  according  to  the  artists’  names, 
while 

Part  VI.  gives  a list  of  Art  Portfolios,  Albums,  and  also  reference  to  Photo- 
graphs from  Sculptures  and  Views  published  by  us.  Special  attention  is  called  to 
our  recently  published  portfolio,  “The  Rembrandts  in  the  Cassel  Gallery,”  and  to 
the  portfolio  containing  works  by  the  Munich  “Secessionists,”  mentioned  in 
this  part. 


COPYRIGHT. 

We  publish  reproductions  of  such  modern  paintings  only  of  which  we  have 
acquired  the  sole  right  from  the  artist.  All  reproductions  of  the  pictures  men- 
tioned in  this  Catalogue,  not  bearing  in  full  the  name  of  our  firm  ( in  German : 
Photographische  Gesellschaft ),  are  not  taken  from  the  original  paintings,  but  are 
spurious  imitations  of  our  work.  They  must  needs  be  of  inferior  quality  and  can  by 
no  ?neatis  convey  an  adequate  idea  of  the  original  painting. 

We  take  pleasure  in  calling  special  attention  to  the  fact  that  all  the  pai?itings  pub- 
lished by  us  since  the  enactment  of  the  International  Copyright  Laiv  in  the  United 
States  are  protected  by  it,  and  we  will  accordingly  enter  suit  against  all  infringements 
of  our  rights. 

vii 


RETAIL  SHOWROOMS. 


Our  publications  are  open  for  a leisurely  inspection  in  any  of  the  following 
showrooms  : 

BERLIN — Donhofsplatz  and  U.  D.  Linden,  4a. 

LONDON  — 133  New  Bond  street. 

PARIS — 10  Rue  Vivienne. 

NEW  YORK — 14  East  Twenty-third  Street,  (Madison 
Square,  South.) 

Orders  by  mail  will  be  promptly  attended  to. 


FRAMING. 

We  are  prepared  to  furnish  pictures  framed  in  all  styles,  from  neat,  plain 
wood  to  the  most  elegant  fancy  frames.  Suggestions  on  framing,  estimates,  etc., 
will  be  gladly  furnished  on  application. 


ORIGINAL  PAINTINGS. 

In  our  possession  are  several  excellent  original  paintings,  which  will  be  sold 
at  extremely  low  prices.  Among  them  are  the  following  : 

C.  v.  Bodenhausen,  First  Love. 

Mother’s  Happiness. 

J.  C.  Herterich,  Adagio. 

Allegro. 

(Both  of  the  above  are  desirable  decorations  for  Public  Halls,  Concert  Rooms,  etc.) 

H.  Hofmann,  Christ  in  the  Garden  of  Gethsemane. 

H.  Kaulbach,  Gretchen  in  Church. 

O.  Lingner,  Springtime  of  Love. 

Roses. 

Violets. 

C.  Muller,  The  Holy  Night  (charcoal  drawing). 

(The  above  is  a companion  to  the  “ Holy  Family”  in  the  Metropolitan  Museum  of  Art  of 
New  York.) 

H.  Outin,  Voyage  de  Noces. 

G.  Schroedter,  Major  and  Minor. 

Springtime  of  Roses. 

Young  Love. 

H.  Sperling,  The  Five  Senses. 

P.  Thumann,  Art  Wins  the  Heart. 

Prices  of  the  above  will  be  gladly  furnished  upon  application. 

viii 


ARTISTS’  PROOFS. 


W.  DENDY  SADLER. 
CHORUS. 

“ Let  others  sing  the  praise  of  wine  ; 
Give  me  of  steaming  punch  a bowl. 
To  warm  the  heart  and  cheer  the  soul 
Fol  de  rol  le  ra  la  la.” 


I. 

ARTISTS’  PROOFS. 

It  is  well  known  that  the  first  impressions  from  an  etched  or  engraved  copper- 
plate are  highly  appreciated  by  all  collectors.  The  plate  is  liable  to  become  worn 
out  after  prolonged  use.  Therefore  the  first  impressions  taken  from  it  are  con- 
sidered the  best,  and  their  value  is  enhanced  when  they  are  characterized  as. 
Artists’  Proofs  by  the  original  signature  of  the  artist.  To  accommodate  this 
predilection  of  collectors  we  have  selected  a number  of  our  best  gravure  plates  for 
an  £lite  edition  as  artists’  proofs.  These,  being  the  first  impressions  from  a 
thoroughly  finished  plate,  printed  with  the  utmost  care,  are  submitted  to  the 
painter  of  the  original,  who,  as  an  approbation  of  their  adequateness,  signs  each  of 
them.  Besides,  these  proofs  are  numbered,  as  a guarantee  to  the  buyer  that  but  a 
limited  number  of  them  has  been  issued. 

How  much  those  published  by  us  are  appreciated  is  best  shown  by  the  fact 
that  a large  number  of  them  has  been  entirely  exhausted,  and  that  copies  of 
the  same,  if  accessible  at  all,  are  only  to  be  obtained  at  a price  much  higher  than 
the  original  one. 


2 


I.— Hrtists’  proofs. 


3 


Bouolas  Hfcants 

WOODCOCK  SHOOTING  (Size  13x21  inches.) 

200  India  Proofs  . . . . . $18  00 

THE  SALMON  POACHER  (Size  i2^x2oi  inches.) 

1 50  India  Proofs  . . . . . . . 18  00 

GOLDEN  AUTUMN  (Size  12x20^  inches.) 

75  India  Proofs  .......  18  00 

Xaura  Hlma='Ca55ema 

BATTLEDOOR  AND  SHUTTLECOCK  (Size  16x1 1 inches.) 

50  Japan  Proofs  .......  all  sold 

50  India  Proofs  .......  all  sold 

NOTHING  VENTURE,  NOTHING  HAVE  (Size  11x17  inches.) 

50  Japan  Proofs  .......  all  sold 

50  India  Proofs  .......  all  sold 

Xoren3  Hlina=XTa&ema 

AN  OLD  STORY  (Size  6x12  inches.) 

100  Japan  Proofs  ......  all  sold 

150  India  Proofs  .......  5 00 

A READING  FROM  HOMER  (Size  17x34  inches) 

1 20  India  Proofs  ......  all  sold 

AT  THE  SHRINE  OF  VENUS  (Size  22x28  inches.) 

50  Japan  Proofs all  sold 

200  India  Proofs  . ......  all  sold 

LOVE  IN  IDLENESS  (Size  17x32!  inches.) 

200  Japan  Proofs  ......  40  00 

200  India  Proofs  .......  30  00 

AN  EARTHLY  PARADISE  (Size  I5|x2gf  inches.) 

250  Japan  Proofs  ......  60  00 

250  India  Proofs  .......  48  00 

SAPPHO  (Size  1 o|xi 9^  inches.) 

200  India  Proofs  . . . . . . . 1 5 00 

PORTRAIT  OF  MR.  PADEREWSKI  (Size  10x13  inches.) 

50  Japan  Proofs,  signed  by  Messrs.  Alma  Tadema 

and  Paderewski  . . . . . . 18  00 

25  India  Proofs  . .....  all  sold 


4 


Berlin  ipbotograpbic  Co.,  IRevv  Uorfc. 


Xorens  Blma^ZTabema 


Copyright  1893,  by  Photographische  Gesellschaft. 

Unconscious  Rivals. 

UNCONSCIOUS  RIVALS  (Size  14x20  inches.) 

250  India  Proofs  .......  $30  00 

IN  MY  STUDIO  (Size  16x12  inches.) 

100  Japan  Proofs  ......  24  00 

100  India  Proofs  . . . . . 18  00 


3ean  Hubert 

LES  VOISINS  DE  CAMPAGNE  (Size  20^x15  inches.) 

100  Japan  Proofs  ......  20  00 

150  India  Proofs . . . . . . . 15  00 

£ugen  uon  Blaas 

A GOURMAND  (Size  21x14^  inches.) 

100  Japan  Proofs  ......  20  00 

150  India  Proofs  . . . . . . . 15  00 

PUNCH  AND  JUDY  (Size  20x28^  inches.) 

100  India  Proofs  . 


30  00 


i.— artists’  proofs. 


5 


Ubomas  Blinfts 

PARTRIDGE  SHOOTING  (Size  16x20  inches.) 

200  India  Proofs  . ...  . 

A I AIR  LEAD  ) (Size  of  each  20x14  inches) 
GOING  WELL  ) v 

125  India  Proofs  . ...  . 


A DAY  WITH  THE  OAKLEY — Series  of  four  paintings  : 
The  Draw  ) 

Hark  Away 

Full  Cry  i (Size  of  each  21x13  inches.) 

The  Finish 

125  India  Proofs  of  each 


M.  iFranfc  Calderon 

THE  ORPHANS  (Size  10x21  inches.) 

300  India  Proofs  .... 


3.  GulUn 

RACING  AT  EPSOM  DOWNS  (Size  17x29  inches.) 

150  India  Proofs  . .... 


Margaret  Btcfcsee 

THE  CHILD  HANDEL  (Size  15^x21  inches.) 
200  India  Proofs 

B.  3.  JElsler 

A DEAD  HEAT  (Size  21x13^  inches.) 

200  India  Proofs  .... 

GOOD  BYE  (Size  2ifxi6J  inches.) 

250  India  Proofs .... 

Xufee  jfilfces 

LA  ZINGARELLA  (Size  2ixi3f  inches.) 

100  Japan  Proofs 
1 50  India  Proofs  .... 


$18  00 


18  00 


18  00 


18  00 


18  00 


all  sold 


18  00 


18  OO 


all  sold 
15  00 


THE  VENETIANS  (Size  28fx2o£  inches.) 
275  Japan  Proofs 
175  India  Proofs  . 


40  00 
30  00 


6 


Berlin  photographic  Co.,  1Re\v>  Jl)ork. 


Maltber  if  trie 

HARMONY  (Size  26x23  inches.) 

1 50  India  Proofs  . ...  . 

/ibark  jfisber 

NOVEMBER.  EVENING  (Size  2oJxi4f  inches.) 

50  Japan  Proofs  . ...  . 

75  India  Proofs  . ...  . 

3.  THH.  (Bobwarb 

AT  THE  FOUNTAIN  (Size  21x14  inches.) 

50  Japan  Proofs  . ...  . 

50  India  Proofs  . ...  . 


$30  00 


20  00 
15  00 


24  00 
18  00 


Copyright  1893  by  Photographische  Gesellschaft. 

Maud  Goodman — Hush  ! 


/Ibaub  (Boobman 

HUSH  ! (Size  14^x21  inches.) 

200  India  Proofs  . . . . . . . 18  00 

H.  C.  (Bow 

AFTER  WATERLOO  (Size  24^x34^  inches.) 

175  Japan  Proofs  ......  60  00 

150  India  Proofs  .......  40  00 

Ikeelep  Ibalswelle 

HIGHLANDS  AND  ISLANDS  (Size  12x21  inches.) 

50  Japan  Proofs  .......  20  00 

100  India  Proofs  . . . . . . . 15  00 


I.— artists'  proofs. 


X.  G.  Ibenles 


SUSPENSE 

CONFIDENCES 


(Size  22x14  inches.) 


100  India  Proofs  of  each 


William  if.  Ibulk 

SOLITUDE  (Size  2o|xi  1 J inches.) 

100  India  Proofs  .... 


IB.  W.  3os 

TRUTH  (Size  2i|x8  inches.) 

50  fapan  Proofs  . 

50  India  Proofs  . 


6.  0.  Ikilburne 

ALL  OVER  BUT  THE  SHOUTING  (Size  9x13  inches.) 

100  India  Proofs  ....... 

IRtbOwav?  Ikmcjbt 

SHE  HAS  LOST  HER  WAY  (Size  19x15^  inches.) 

100  India  Proofs  ....... 

36.  W.  XeaDer 

THE  VALLEY  OF  THE  LLUGWY  (Size  17x28^  inches.) 

200  India  Proofs  ....... 

EVENTIDE  (Size  i6|xi9  inches.) 

250  India  Proofs  ...... 

JE.  36latr  XetQbton 

A QUESTION  (Size  n|xg  inches.) 

200  Japan  Proofs  ...... 

200  India  Proofs  ....... 

PIOURS  OF  IDLENESS  (Size  10x16  inches.) 

50  Japati  Proofs  ....... 

100  India  Proofs  ....... 

TWO  STRINGS  (Size  11^x9  inches.) 

200  Japan  Proofs  ...... 

200  India  Proofs  ....... 

SUNDAY  MORNING  (Size  n£x8£  inches.) 

50  Japan  Proofs  ...... 

100  India  Proofs  ...... 


all  sold 


$15  00 


24  00 
18  00 


12  00 


18  00 


all  sold 


36  00 


18  00 
all  sold 


18  00 
12  00 


18  OO 
all  sold 


18  00 
12  00 


6 


Berlin  photographic  Co.,  IHcvv  H>orfc. 


Copyright  1894,  by  Photographische  Gesellschaft. 

A.  J.  Elsley — Good  Bye. 

Sir  jfrefcericft  Xeigbton 

CAPTIVE  ANDROMACHE  (Size  18x36  inches.) 

250  India  Proofs  .......  all  sold 

BATH  OF  PSYCHE  (Size  22x8  inches.) 

100  Japan  Proofs  ......  all  sold 

150  India  Proofs  . ......  all  sold 

GREEK  GIRLS  PLAYING  AT  BALL  (Size  18x30^  inches.) 

100  Japan  Proofs  ......  $40  00 

200  India  Proofs  .......  30  00 

PERSEUS  AND  ANDROMEDA  (Size  29x16  inches.) 

150  Japan  Proofs  ......  36  00 

150  India  Proofs  .......  24  00 

AT  THE  FOUNTAIN  (Size  2oJxii|  inches.) 

150  Japan  Proofs  ......  24  00 

250  India  Proofs  . . . . . . . 18  00 

6.  S>.  Xeslte 

ROSE  QUEEN  (Size  20IX15  inches.) 

100  India  Proof  s .......  18  00 


i. — Brttsts’  proofs. 


9 


TTCl.  Xogsbail 

ST.  MARTIN-IN-TH  E-FI  ELD  (Size  igjxi6  inches.) 

50  Japan  Proofs  ...... 

100  India  Proofs  ...... 

E.  Xong 

THE  SQUIRE’S  DAUGHTER  (Size  20^x14^  inches.) 

75  Japan  Proofs  ...... 

150  India  Proofs  . ..... 


$20  00 
15  00 


20  00 
15  00 


G.  f.  Xowcocli 

A LOVE-LETTER  (Size  gjxrsf  inches.) 

100  Japan  Proofs  . . . . . . 15  00 

100  India  Proofs  . . . . . . . 10  00 

Marie  Seymour  Xucas 

WE  ARE  BUT  LITTLE  CHILDREN  WEAK  (Size  10x16  inches.) 


100  India  Proofs  . . . . . . 12  00 


lb.  TKH.  /Ibesbao 

LE  MATIN 

LE RETOUR  DES  BARQUES  DEPECHEURS 
100  India  Proofs  of  each 


20x16  inches.) 


15  00 


Sir  3obn  /iDtllats 

THE  VALE  OF  REST  (Size  i6fx28f  inches.) 

100  Japan  Proofs  ......  40  00 

100  India  Proofs  .......  30  00 


II).  /Iboore 

THE  CLEARNESS  AFTER  RAIN  (Size  2ox2g|  inches.) 

100  India  Proofs  .......  all  sold 


WRECKED  AT  THE  HARBOR’S  MOUTH  (Size  175x30  inches.) 

150  India  Proofs  . . . . . . . 15  00 


jfr.  Morgan 


A HEAVY  LOAD 
THE  TIRED  GLEANERS 


(Size  22^x15  inches.) 


150  India  Proofs  of  each 


A GENTLE  REMINDER  (Size  1 1x13  inches.) 

100  India  Proofs  .... 


WATCHING  AND  WAITING  (Size  16x20  inches.) 

150  India  Proofs  ..... 


all  sold 


all  sold 


15  00 


IO 


Berlin  fl>botocjrapbtc  Co.,  IRew  HJorfc. 


X.  G.  IRiabtingale 


A FORETASTE  OF  SUMMER 
50  Japan  Proofs  . 
100  India  Proofs  . 

A CORNER  OF  TIIE  LAKE 
50  Japan  Proofs  . 
100  India  Proofs  . 


(Size  io^x20j  inches.) 

. . . . . . all  sold 

all  sold 

(Size  io|x2o|  inches.) 

$24  00 

18  00 


DAWN  OF  SUMMER  (In  progress.) 


Copyright  1893,  by  Photographische  Gesellschaft. 

Th.  Bunks. — A Day  with  the  Oakley.  “ Hark  Away.” 


1R.  ipoetselberger 

OLD  SONGS  (Size  13x20  inches.) 

200  India  Proofs . . . . . . 12  00 

JEfcvw  3.  pointer 

A CORNER  IN  THE  MARKET-PLACE  (Size  15x15  inches.) 


150  India  Proofs  . ......  all  sold 

DIADUMENE  (Size  20x12  inches.) 

100  India  Proofs  .......  all  sold 

A VISIT  TO  HiSCULAPIUS  (Size  19^x29  inches.) 

100  Japan  Proofs  ......  40  00 

175  India  Proofs  .......  30  00 


i. —artists'  proofs. 


ii 


ID.  C.  prtnsep 

FIRST  AWAKENING  OF  EVE  (Size  16x19  inches.) 

75  India  Proofs  ...... 


Henrietta  IRae 

A NYMPH  (Size  21x13^  inches) 

75  India  Proofs  .... 

SPRING  FLOWERS  (Size  9x18  inches.) 

150  India  Proofs  . 


IRafael 

SISTINE  MADONNA.  The  first  gravure  published  ajter  the 
masterpiece  (Size  35x26  inches.) 

Proofs  before  letters  on  India  Paper 

Gustav  IRicbter 

QUEEN  LOUISE  (Size  35^x22  inches.) 

Proofs  before  letters  on  India  Paper  . . 

W.  2>en0v  SaOler 

CHORUS  (Size  23^x30  inches.) 

50  Japan  Proofs  ...... 

250  India  Proofs  ...... 


5.  Sant 

LITTLE  STELLA  (Size  18x15  inches.) 
75  India  Proofs  . 


Solomon  3.  Solomon 

THE  JUDGMENT  OF  PARIS  (Size  25x17  inches.) 

250  India  Proofs  .... 


NARCISSUS  (In  progress.) 


1b.  Sperling 

THE  FIVE  SENSES  (Size  18x37  inches.) 

200  India  Proofs  .... 

Util.  IRepnolb  Stephens 

SUMMER  (Size  I4ix28f  inches.) 

200  India  Proofs  .... 


$15  00 


all  sold 


6 00 


36  00 


36  00 


48  00 
36  00 


15  00 


24  00 


24  00 


30  00 


12 


Berlin  photographic  Co.,  TRcw  H?orft. 


J.  X.  Stewart 


A Baptism. 


A BAPTISM  (Size  193x29.) 

200  India  proofs  .....  $36  00 


Mr.  Stewart  is  the  son  of  American  parents,  but  was  born  in  Paris,  where  he 
has  always  lived  and  worked.  In  his  adopted  country,  and  amid  the  swarm  of 
clever  artists  that  crowd  the  capital,  he  has  earned  a place  by  himself  as  the 
accomplished  painter  of  the  amusements  and  social  functions  of  the  Atnerican 
colo?iy — that  fashionable  world  within  the  world  of  Paris,  whose  doings  add  so 
much  to  the  gavety  of  nations.  His  “Hunt  Ball,”  and  his  “Five  O’clock  Tea,” 
have  made  his  name  familiar  to  the  public  on  both  sides  the  water,  and  in  the 
present  picture,  his  latest  work,  he  will  no  doubt  continue  to  please  those  to  whom 
his  former  pictures  have  so  successfully  appealed.  Here  are  the  same  naturalness 
in  the  attitudes,  the  same  accuracy,  without  pettiness,  in  the  details,  and  the 
modern  curiosity  about  personalities  is  pleasantly  excited  by  the  assurance  that  all 
the  dramatic  persona  of  this  domestic  scene  are  portraits  of  people  who  are  con- 
spicuous members  of  this  gilded  world. 


i.— artists'  proofs. 


Marcus  Stone 

IN  LOVE  (Size  20x30  indies.) 

200  India  Proofs  ...... 

THE  RETURN  OF  THE  LOVER  (Size  23x1  ii  inches.) 

1 50  India  Proofs  ...... 

BRIGHT  SUMMER  (Size  19^x12  inches.) 

125  Japan  Proofs  ...... 

125  India  Proofs  ...  . . 

3.  M.  Strubwlcfe 

ELAINE  (Size  21x15  inches.) 

100  Japan  Proofs  ...  . . 

100  India  Proofs  ...... 

Ittt.  Strutt 

WATCHING  FOR  STRAGGLERS  (Size  ii£x2oJ  inches.) 

50  India  Proofs  ....... 

Paul  XEbuinann 

ART  WINS  THE  HEART  (Size  20x15!  inches.) 

225  Japan  Proofs  ...... 

175  India  Proofs  ...... 

M.  lb.  Uroob 

BREAKFAST  (Size  14x21  inches.) 

150  India  Proofs  ..... 


S,  t£.  Mailer 

THE  RUINED  SANCTUARY  (Size  21x15!  inches.) 

350  India  Proofs  .... 


£.  B.  Waterlow 

THE  NURSERY  (Size  I3fx2i  inches.) 

50  India  Proofs  . ...  . 

3.  Ibapnes  Williams 

THE  MINIATURE  (Size  io|xi3f  inches.) 

75  India  Proofs  ..... 


all  sold 


$18  00 


24  00 
18  00 


20  00 
15  00 


18  00 


20  00 
15  00 


15  00 


15  00 


18  00 


all  sold 


NO  THOROUGHFARE  (Size  22x15  inches.) 

100  India  Proofs  .... 


.1 8 00 


14 


JBcrlin  ipbotograpbtc  Go.,  TRevv  |)ork. 


G.  Wuennenberg 

WOOING  (Size  21x12^  inches.) 

50  Japan  Proofs  ......  $24  00 

50  India  Proofs  . . . . . . . 18  00 


Copyright  1893,  by  Photographische  Gesellschaft. 

Wm.  Strutt. — Watching  for  Stragglers. 


u. 

FACSIMILE  GRAVURES  IN  COLORS. 


15 


The  demand  for  good  reproductions  in  colors,  from  paintings, 
has  always  been  a loud  one.  The  cheaper  forms  of  this  work, 
however,  as  oleographs,  lithographs,  etc.,  could  not  satisfy  any 
but  a very  modest  artistic  taste.  Since  the  rapid  progress  of 
reproductive  art  made  by  the  invention  of  photography  and 
kindred  methods,  it  has  been  a desirable  problem  to  produce  a 
superior  process  for  coloring  in  combination  with  the  above. 
While  the  results  in  the  line  of  photography  in  colors  obtained 
hitherto  are  no  more  than  interesting  experiments,  we  have 
devoted  special  study  to  a process,  which,  while  rendering  the 
colors  of  the  original  painting  as  faithfully  as  possible,  does  also 
equal  justice  to  the  delicate  softness  of  tints  and  to  the  richness 
of  every  detail  of  the  qualities  of  our  Photographs  and  Gravures. 

Our  Facsimile  Gravures  in  colors  are  the  result  of  this 
labor.  They  are  made  by  hand  in  combination  with  our  Gravure- 
process,  and  printed  from  one  plate  into  which  the  colors  are 
rubbed.  They  will  be  found  very  satisfactory  specimens  of 
really  artistic  reproductions  in  colors  in  the  sense  above  pointed 
out. 


16 


II. 


FACSIMILE  GRAVURES  IN  COLORS. 


Hardy,  Heywood.  Rotten  Row. 

n|  X 21  inches. 

Hernandez,  Daniel.  Winter.  (Fancy  subject.) 

io  X 7 inches. 


$18.00 


6.00 


The  Original  of  this  picture , which 
has  been  exhibited  with  an  enormous 
success  in  different  large  cities  of  this 
country , is  in  the  possession  of  the 
Berlin  Photographic  Co. 

For  photographic  editions  see  Part 
III. 


Hofmann — Christ  in  Gethsemane. 


Hofmann,  H.  Christ  in  Gethsemane. 

21  X 15  inches. 


Kaemmerer,  F.  H.  The  Return. 

20  X 14  inches. 
17 


15.00 


15.00 


i8 


Berlin  ipbotograpbtc  Co.,  IRcw  Uorfc, 


Miiller,  Carl.  St.  Anne  with  Little  Mary. 

19  X 9 inches. 

— St.  Joseph  with  Jesus  Child. 

19  X 9 inches. 


Companions. 

each 


Perez,  A.  En  Excursion. 
— ■ L’  Arrivee. 

— La  Rencontre. 

— Au  Jardin. 


14  X IO  inches. 


10  X 14  inches. 


10  X 7 inches. 


10  X 7 inches. 


Companions. 

each 


De  Schryver,  L.  Street  Scene  in  Paris  (Avenue  du  Bois). 

8 X 9j  inches. 


Thumann,  Paul.  Art  Wins  the  Heart. 

20  X 15  inches. 


$15. 00 


1 2.00 


12.00 


6.00 


6.0a 


15.0a 


Perez,  en  Excursion. 


III. 


PHOTOGRAPHS  AND  GRAVURE  PRINTS 


FROM  THE  ORIGINALS  BY  MODERN  MASTERS,  AND  A SELECTED  NUMBER 
FROM  DRAWINGS  AFTER  CLASSICAL  PICTURES,  ARRANGED  ALPHA- 
BETICALLY ACCORDING  TO  THE  NAMES  OF  THE  ARTISTS. 


19 


The  reproductions  mentioned  in  this  part  are  principally  such  of  ?nodern 
paintings. 

The  classical  pictures  represented  therein  and  marked  by  an  “ a ” added  to 
the  number  are  but  a small  selection  of  prominent  works  in  European  Galleries. 
They  are,  however,  not  taken  from  the  originals  themselves,  but  from  highly 
finished  drawings  made  after  them.  A list  of  our  reproductions  after  old  masters, 
taken  directly  from  the  originals , will  be  found  in  Part  V. 


PHOTOGRAPHS. 


Most  of  the  photographs  are  published  in  different  sizes,  indicated  by  the 
letters  e,  n,  i,  r,  f,  after  each  title,  as  follows  : 


e = Extra,  size  of  mount  35^x47  inches 

n — Normal,  size  “ 31^x43  “ 

i — Imperial, size  “ 26  X33J  “ 

r = Royal, size  “ 194x25!  “ 

f — Folio,  size  either  mounted  as  Boudoir  Cards  o)i  black 

cardboard , size  about  8x10  inches 

Or  as  Folio  on  India  Paper  15x20  inches  . . . . 


Price,  $15  00 

U 

IO  OO 

4 00 

U 

3 00 

I OO 

<< 

I OO 


GRAVURES. 

We  beg  to  call  special  attention  to  the  Gravure  editions  of  pictures  men- 
tioned in  this  part. 

The  invention  of  the  Gravure  (also  called  Photo-  or  Helio-Gravure)  is  con- 
sidered one  of  the  most  important  improvements  in  the  line  of  photographic 
reproduction.  The  process  is  based  upon  transferring  the  photograph  on  a copper 
plate,  which  is  then  etched  and  impressions  made  from  it  in  the  same  way  as  from 
an  engraving  plate.  This  method  has  been  justly  characterized  as  a very  success- 
ful combination  of  both  a good  photograph  and  engraving. 

We  publish  every  gravure  in  one  size  only,  of  which  we  give  the  dimensio?is  of  the 
plate  ( not  of  the  mount)  and  the  price  after  each  number. 


20 


III. 

PHOTOGRAPHS  AND  GRAVURE  PRINTS 


ARRANGED 

ALPHABETICALLY  ACCORDING  TO  THE  NAMES  OF  THE  ARTISTS. 


No. 

ARTIST  AND  TITLE. 

Photographs 
Sizes. * 

Gravures. 
Size.  Price. 

1301 

Achenbach,  Andreas.  Ostende  .... 

f 

2003 

— 

Moonlight  Night  ...... 

t 

f 

15X20 

$5 

1116 

Achenbach,  Oswald.  Marketplace  in  Amalfi  . 

* 

f 

1120 

Adam,  Fr.  Retreat  of  the  French  in  Russia,  1812 

f 

1 1 21 

— 

The  Cavalry  Engagement  near  Floing  in  the  Battle  of 

Sedan  ....... 

e 

i 

f 

2221 

Adams,  Douglas.  Woodcock  Shooting 

1 24x23 

5 

2249 

— 

The  Salmon  Poacher  ...... 

124X23 

5 

2250 

— 

Golden  Autumn  ....... 

12X23 

5 

1343 

Alma-Tadema,  Laura.  In  Winter  .... 

f 

1344 

— 

The  Sisters ........ 

f 

1555 

— 

Bible  Lesson  ....... 

/ 

2036 

— 

Nothing  Venture,  Nothing  Have 

r f 

IOXl6 

3 

2063 

— 

Battledoor  and  Shuttlecock 

r f 

15X10 

3 

844 

Alma-Tadema,  Lorenz.  An  Audience  at  the  Palace 

of 

Agrippa  ....... 

A Sculptor’s  Model  ...... 

i 

r f 

9r7 

— 

e 

i 

f 

959 

— 

Y oung  Girl ........ 

f 

1161 

— 

A Hearty  Welcome  ...... 

i 

/ 

1276 

— 

A Portrait 

/ 

1277 

— 

“ Ave  Ctesar  ! Io  Saturnalia  ” .... 

i 

/ 

1342 

— 

Sappho.  (Companion  to  No.  1672) 

e 

i 

/ 

IlXlg^ 

5 

1434 

— 

Portrait  of  Hans  Richter  ..... 

i 

/ 

1435 

— 

Barnay  as  Mark  Anthony  ..... 

i 

/ 

1549 

— 

Portrait  of  my  Daughter  ..... 

/ 

1550 

— 

Idyl 

/ 

1570 

— 

Portrait  of  the  Singer  Georg  Ilenschel 

/ 

1603 

— 

An  Old  Story  ....... 

rf 

6x12 

3 

1672 

— 

A Reading  from  Homer.  (Comp,  to  No.  1342  and  2200) 

e 

i 

f 

16x33 

12 

1798 

— 

Anthony  and  Cleopatra  ..... 

e 

i 

f 

1899 

— 

At  the  Shrine  of  Venus  ..... 

e 

1 

1 

21X27 

12 

2200 

— 

Love  in  Idleness  (Companion  to  No.  1672)  . 

e 

i 

f 

17x33 

12 

2226 

— 

An  Earthly  Paradise  ...... 

e 

i 

f 

16x29 

12 

232Q 

— 

Portrait  of  Paderewski  (for  Artist’s  Proofs  see  Part  I 

■) 

r f 

10X13. 

3 

2328 

— 

Unconscious  Rivals  (for  Artist’s  Proofs  see  Part  I.) 

i 

f 

144x20 

5 

2349 

— 

In  My  Studio  (for  Artist’s  Proofs  see  Part  I.) 

r f 

356 

Amberg,  W.  Oracle  of  Love  ..... 

i 

r 

460 

— 

Returning  from  the  Matins  ..... 

r f 

461 

— 

Dressing  for  the  Matinee  ..... 

1 

r 

462 

— 

Welcome  ........ 

1 

r 

586 

— 

At  Sea  ........ 

i 

r 

733 

— 

Quite  Absorbed  ....... 

r f 

814 

— 

Hero.  Grecian  Female  Figure.  (Companion  to  No.  1209) 

i 

r f 

815 

— 

A Severe  Lecture  ...... 

r 

889 

— 

A Young  Noble  Lady.  ..... 

f 

8go 

— 

In  Summer  ....... 

f 

1025 

— 

Sour  Grapes  ....... 

/ 

1126 

1127 

— 

DownDale  \ Companions  .... 

1 

f 

f 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


21 


22 


Berlin  ipbotograpbfc  Co.,  IRew  Uorfc, 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


Gravures, 
Size.  Price. 


5) 


1102) 


13x20  $5 


1128  Amberg,  W.  Justification.  (Companion  to  No.  1225) 

1209  — Sappho.  Grecian  Female  Figure.  (Companion  to  No.  814) 

1225  — En  Passant.  (Companion  to  No.  1 128) 

1226  — Sorrowful  Thoughts  . 

1305  — An  Echo  .... 

1329  — The  Parson’s  Cook 

1339  — In  Autumn  (Young  Woman) 

1340  — An  Uninvited  Guest  . 

1389  — Bear  Destiny’s  Decree  (Companion  to  No.  1441) 

1390  — Misdroy  ...... 

1441  — Fickle  Favor  (Companion  to  No.  1389) 

1515  — Meeting  in  the  Woods  (Companion  to  1540) 

1516  — Steamer  in  Sight 

1517  — The  Waitress  of  the  Inn 

1538  — The  Country-joiner 

1539  — In  the  Loam-pit . 

1540  — At  the  Forester’s  House  (Companion  to  151 

1576  — Marion  (Study-head)  . 

1577  — Solitude  (Young  woman) 

1585  — Resting  .... 

1601  — A Letter  from  Him  . 

1602  — The  Defile  .... 

1611  — Good  Morning  (Study-head) 

Amberg  Album.  See  Part  VI. 

1932  Andreotti,  F.  A Cup  of  Coffee 
2062  — Teresa  (Study-head)  . 

2080  — In  the  Park 

93  Angeli,  H.  v.  Honor  Avenged 
376  — Absolution  Refused  . 

618  — Emperor  Frederick  (In  the  uniform  of  Curassiers)  . e 

619  — Empress  Frederick  (Companion  to  No.  618)  . . e 

667  — Emperor  William  I.  (Companion  to  No.  618) 

841  • — Mary,  Duchess  of  Edinburgh 

842  — Prince  Frederick  Charles  (Companion  to  618  u.  667) 

997  — Princess  Charlotte  of  Meiningen 

1102  — Ludwig  IV.,  Grand-duke  of  Hesse 

1103  — Alice,  Grand-duchess  of  Hesse  (Companion  to  No 

1210  — Fieldmarshall  von  Manteuffel 

1318  — Emperor  William  II.  when  Prince  of  Prussia 

1319  — Empress  Augusta  Victoria,  when  Princess  William 

1617  — Emperor  Frederick  (Curassier  uniform,  Bust) 

2342  Archer,  James.  “ From  the  Ballad  of  Sir  Patrick  Spens  ” 

817  Arnim,  v.  The  last  Moments  of  King  Henry  IV.  of 
England  .... 

1861  Assmus,  R.  Departure  from  Sakkingen 
2029  — At  the  Green-Leaf  Inn 

2215  — Arrival  at  Sakkingen  . 

2000  Aubert,  J.  Les  Voisins  de  Campagne 
2320  Axilette,  A.  Arthemise 
2240  Ballavoine,  I.  Le  Printemps 

1963  Barison,  G.  Rendezvous  . 

1964  — Proposing  ..... 

616  Barth,  F.  Choosing  the  Caskets 
714  — The  God  of  Wine 

833  — Tasso  and  the  Two  Eleonores 

3a  Battoni.  Penitent  Magdalen.  (Dresden) 

188  Becker,  C.  Venetian  Lady  ......  n 

298  — Albrecht  Diirer  in  Venice  ......  e 

428  — The  Alderman’s  Toilet 

530  — Street  Musicians 

531  — Venetian  Lady  . 

6ox  — The  Lute-player 

656  — Gentlewoman 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


/ 

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18x14! 


12x21  5 

12x21  5 
20U1 5 5 
20x29^  12 
20x14  5 


20x29^  12 


28x34  15 


in.— pbotociranbs  anb  ©ravuirc  prints, 


a 3 


1&72.  Alma-Tadema. — A Reading  from  Homer. 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


666 

678 

689 

6qo 

799 

820 

821 

822 

825 

826 

827 
849 

968 

969 

970 

975 

976 
1024 
1093 
1136 
1158 
1162 

1168 

1169 
1202 
1203 
1252 

1377 

1378 
1384 

1490 

1575 

1613 


Becker,  C.  The  Marriage  of  Figaro  . 

— Viola  and  Olivia 

— Dolores  (Study-head)  / n 

T , tv,'  . 9 . ' - Companions 

— Ladv  Playing  Lute  ) r 

— Charles  V.  at  Fugger’s 

— Birthday-morning 

— Mandolinata  ... 

— A Nurse  ..... 

— Ulrich  von  Hutten  being  crowned  with  Laurel  by 

Emperor  Maximilian  at  Augsburg 

— Spanish  Lady 

— Study-head  ) 0 

— Study-head  [ Con,Pamons  _ l| 

— A Venetian  Embassy  begging  Emperor  Maximilian 

for  Peace  after  the  Capture  of  Verona 

— A Girl  from  the  Spree-Forest 

— A Cup  of  Coffee  (Study-head) 

— Welcome  Guests 

— Toilet  for  the  Walk 

— Italian  Girl  in  Church 

— Rivals 

— • Happy  Return  . 

— A Reminiscence  of  Venice  (Young  lady) 

— - Starting  for  the  Hunt 


Study-head  ) Compa 


rf 

rf 

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f 

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— Study-head 

— Expectation 

— Study-head 

— Othello  narrating  his  Adventures  to  Desdemona  and 

her  father  Brabantio.  (Companions  Nos.  1678,  1490) 

— The  Offended  Lover  ....... 

— Ave  Maria  . . _ [companions] 

— A Petitioner  before  the  Doge  of  V emce  ) r / 

— Romeo  and  Juliet  at  the  Friar’s.  (Companion  to  No. 

1678,  1252)  . . . . . . . 

— Carnival  in  Venice.  (Companion  to  No.  1678)  . 

— Faust  and  Margaret  ....... 

* The  letters  e n i r f indicate  the  sizes  in  •which  the  photos  are  published.  For  prices  see  p.  2c. 


/ 

/ 

/ 

/ 

/ 

/ 

/ 


27x3ii  $15 


29x32  15 

i8|xi4|  5 


24 


Berlin  ipbotograpbfc  Co.,  Ittew  Uorfc, 


No 

ARTIST  AND  TITLE. 

Photographs 
Sizes.  * 

Gravures, 
Size.  Price. 

*-/8 

Becker,  C.  Othello’s  Defence  before  the  Duke  and  Senators  of 

Venice  against  Brabantio’s  accusation.  (Companion 
to  Nos.  1252,  1490,  1575) 

e 

i 

/ 

25^x33^ 

$15 

1679 

— A Venetian  Romance  . 

i 

/ 

1785 

— The  newly  found  Statue  of  Apollo  of  Belvedere  Viewed 

by  Pope  Julius  11.  and  his  contemporaries  . 

e 

i 

/ 

25x34 

L5 

1952 

— A Great  Temptation  ....... 

i 

/ 

1953 

— After  Reading  the  Will 

n 

i 

/ 

2095 

— In  the  Time  of  the  Medici  ..... 

e 

i 

/ 

2344 

— On  the  Balcony  ........ 

Becker-Album.  See  Part  VI. 

i 

/ 

2144 

Beckert,  P.  Portrait  of  Emperor  William  II. 

i 

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2207 

— Portrait  of  Admiral  v.  d.  Goltz  . 

i 

/ 

816 

Beckmann,  C.  Holiday-folks 

e 

i 

r 

1194 

Begas,  A.  Midsummer  ....... 

f 

1553 

— The  Summer  of  Life  ....... 

i 

f 

1566 

— Pan  and  Nymphe  ....... 

f 

1325 

Begas,  O.  Eve.  (Companion  to  Graef,  No.  1629) 

i 

/ 

1791 

Behmer,  F.  H.  The  Vision  of  the  Novice  . 

/ 

609 

Benczur  Gyula.  Louis  XV.  and  the  Countess  Dubarry 

e 

i 

r f 

410 

Bendemann,  E.  The  Jews  led  into  Babylonian  Captivity  . 

e 

i 

r f 

1282 

Biermann,  G.  Esther 

i 

f 

1453 

— At  the  Window  ........ 

f 

2184 

— Christ  Ascending  on  High  ...... 

i 

f 

2185 

— Spring  of  Life  (Female  Bust)  ..... 

f 

2260 

— Devotion  ......... 

r f 

2204 

Bisson,  E.  La  Fiancee  ....... 

i 

f 

18^X14^ 

5 

2237 

2238 

— Serapliine  ) \ 

- Floreal  [Companions j 

i 

i 

f 

f 

20x1 4 J 
20x14! 

5 

5 

2272 

2355 

— L’Echo  } r . ( 

- L’Attente  ) ComPamons \ 

i 

i 

f 

f 

20X14 

5 

2380 

— Satania  ......... 

i 

f 

1905 

Blaas,  E.  v.  Rosina  ........ 

i 

f 

20^x14 

5 

1913 

1914 

— Bianca  ) „ . t 

- Camilla  f ComPamonS } 

r f 
rf 

1942 

1943 

— Marianna  1 „ i 

- Graziella  [Companions ] 

i 

i 

f 

f 

20JXI4 

5 

1944 

— Angiolina  ......... 

r f 

1979 

— Giulietta  ......... 

f 

2176 

— A Gourmand  ........ 

i 

f 

2IXI4J- 

5 

2234 

— Punch  and  Judy  ........ 

n 

i 

f 

20X29 

12 

2361 

169 

— The  Wedding  ........ 

Bleibtreu,  G.  Arrival  of  the  Bavarians  under  Command  of 

71 

i 

f 

General  von  Hartmann  before  Paris  . 

e 

r f 

754 

— Capitulation  of  Sedan  ) „ . ) 

— Council  of  War  at  Versailles  j ompanions  . . ^ 

e 

i 

r 

755 

e 

i 

7 ‘ 

805 

— Battle  of  Koniggriitz  ....... 

e 

i 

* f 

1227 

— The  Dying  Heroes  ....... 

i 

f 

1293 

— The  Crownprince  Albert  of  Saxony  in  the  Battle  of 

Gravelotte  ....... 

1 

f 

1323 

— Episode  from  the  Battle  of  Worth  .... 

e 

i 

f 

1816 

— The  Prussian  Army  landing  at  Alsen  .... 

e 

i 

f 

2259 

Blinks,  Th.  Partridge  Shooting  ..... 

f 

16x20 

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2263 

— A Fair  Lead  ........ 

1 

20X14 

5 

2264 

— Going  Well 

i 

f 

20X14 

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2322 

— The  Draw  J 

1 

f 

13x21 

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2323 

— Hark  Away  [A  Day  with  the  Oakley 

i 

f 

13x21 

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2324 

— Full  Cry  ( For  Artist’s  Proofs  see  Part  I.  . 1 

1 

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13X21 

5 

2325 

— The  Finish  J ( 

i 

f 

13X21 

5 

1416 

Blume,  E.  A Shower  in  the  Drawing-Room 

/ 

1422 

— A Pouting  Model  ....... 

i 

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1684 

Bochenek,  J.  Immaculate  Conception  .... 

1 

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1118 

Bochmann,  G.  v.  Wharf  in  Southern  Holland  . 

f 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published. 

For  prices  see  p.  20. 

hi.— photographs  anD  (Sravmre  prints, 


25 


No, 

ARTIST  AND  TITLE. 

Photographs 
Sizes.  * 

Grav 

Size. 

2040 

Bodenhausen,  C.  v.  First  Love 

. n i f 

21x14  $*, 

2228  — Mother’s  Happiness  ...... 

Originals  in  possession  of  the  Berlin  P hotographic  Company. 

n i f 

21x14  5 

IO9I 

tSoecklin,  A.  The  Regions  of  Joy 

i f 

130 

Boeker,  C.  In  the  Museum 

. i r 

571 

— The  Extravagant  Hotel-bill 

. i r 

1639 

— Your  Health  ! . 

i f 

1658 

— Morning  Walk  of  the  Princess  . 

. e i f 

2375 

Bohrdt,  H.  H.  M.  Yacht  Hohenzollern 

i f 

921 

Bokelmann,  L.  Before  the  Smash  . 

. e i f 

1173 

— Opening  the  Will 

■ * / 

1356 

— The  Arrest  ...... 

. e i f 

42a 

Bol.  Repose  on  the  Flight  into  Egypt  (Dresden) 

f 

43a 

— Jacob’s  Dream  (Dresden)  .... 

f 

Copyright,  1892,  by  Photographische  Gesellschaft. 

2238.  Bisson. — Floreal. 


For  the  assistance  of  persons  who 
are  not  familiar  with  the  names  of 
the  artists , there  is  given  in  PART 
IV.  a classification  of a selected  num- 
ber  of  popular  subjects , arranged  ac- 
cording to  their  titles , with  a short 
explanation  of  the  subjects. 


168 

271 

561 

1144 

1324 

1509 

1702 

1703 


Borckmann,  A.  Mozart  and  Beethoven  j| 

— Beethoven  and  the  Rasumowsky  Quartette 

— Goethe  in  Sesenheim 

— ADinnerin  Honorof  Mozartat  Schikane- 

der’s 


Com- 

panions 


| Com- 
j panion 


— In  the  Berlin  Museum 

— The  Philosopher  of  Sanssouci  ) 

— Frederick  William  I.  in  his  Labora- 

tory  at  Berlin  ) 

* The  letters  e n i r /indicate  the  sizes  in  ivhich  the  photos  are  published.  For  prices  seep.  20. 


Companions  -! 


f 1 r f 

1 r f 

( 1 r f 

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20 


JBerUn  ipbotograpbfc  Co.,  IRew  H?orb. 


No. 

70k 

2197 

1371 

1372 
1908 

2139 

2140 
2177 

1736 

1763 

2002 

2051 

2303 

9°3 

904 

1149 

1295 

5a 

1460 

1582 

1790 

1823 

1834 

1835 
1855 

1687 

2248 

170 

234 

318 

613 

614 

615 

756 

757 

784 

802 

933 

948 

949 

1043 

1081 

1174 

1218 

1304 

1313 

1314 

1360 

1381 

1413 

1482 

1483 


ARTIST  AND  TITLE. 


Photographs  Gravures. 

Sizes.*1  Size.  Price, 


Com- 

panions 


of  his 


Bottcher,  C.  F.  Sunday  on  the  Rhine 
Bource,  H.  Hercules  and  Omphale  .... 
Bracht,  Eugen.  After  Sundown  at  the  ) 

Dead  Sea  v Companions 

— Moonlight  Night  in  the  Desert  ) 

Brausewetter,  O.  General  York’s  Address  to  the  Prus- 
sian Deputies  on  February  5th,  1813 

— Luther  ) ^ 

r , . r Companions 

— Copernicus  ) r 

— Christ  on  the  Cross  .... 

Bredt,  F.  M.  Arabian  Lady  Boating  ) ^ 

n ki-  c -i.  • t • ° • Compann 

— Public  Scribe  in  1 unis  ) 1 

— Arabian  Bath  for  Women  in  Tunis 

— An  Arabian  Bathing-house  for  Women 

— “ Chopin  ” (fancy  subject)  .... 

Breitbach,  C.  A Joyful  Walk  ) n 

— A Sad  Return  [Companions  . 

— Children  Fishing  ..... 

— Holiday  Morning  in  the  Village  Inn  . 

Bronzino.  Duchess  Eleonore  (Dresden) 

Buerck,  H.  Sappho  and  Alcaeos 
Biilow,  P.  Emperor  William  II.  in  the  uniform 

Hussars  ...... 

■ — Emperor  William  II.  in  hunter’s  costume  . 

— Emperor  William  I.  ) ^ 

r t-  , - , - Companions 

— Emperor  r redenck  ) r 

— Emperor  Frederick  (Bust)  .... 

— Emperor  William  II.  (Bust) 

Calderon,  Ph.  H.  A Rose  of  Provence 
Calderon,  W.  F.  Orphans 
Camphausen,  W.  The  Great  Elector 

— Frederick  the  Great 

— Emperor  William  I.  and  his  Generals  ) 

Emperor  William  I.  (On  horse-back)  . 

— Frederick  the  Great  at  the  Bier  at  Schwerin 

— Episode  from  the  Battle  at  Rossbach  . 

— Emperor  William  I.  Entering  Berlin  in  July,  1871,  at 

the  Head  of  his  Victorious  Army 

— General  Seydlitz  (Equestrian  Portrait) 

— Emperor  Napoleon  Conducted  to  Emperor  William 

by  Bismarck  after  the  Battle  of  Sedan 

— Diippel  (Danish  War,  1864) 

— General  Zieten (Equestrian  Portrait)  . 

— Emperor  William  I.  and  his  Paladins  Before  Paris,  1870 

— Emperor  William  I.  (Full  figure) 

— ■ The  Great  Elector  in  the  Battle  of  Fehrbellin 

— Emperor  Napoleon  and  Prince  Bismarck  Conferring 

Together  After  the  Battle  of  Sedan 

— Frederick  William  I.,  King  of  Prussia  (Equestrian 

Portrait)  . 

— ■ Emperor  William  I.  and  Crownprince  Frederick  Wil- 
liam .... 

— Horsemen  in  Cromwell’s  Time  . 

— Head  of  a Gray  Horse  ) ^ 

TT  , r t,  *y T V Companions 

— Head  of  a Bay  Horse  ) 1 

— Stag  Hunt  ..... 

— Prince  Bismarck  Meets  Napoleon  III.  after  the  Battle 

of  Sedan  ...... 

— The  Great  Elector  at  the  Battle  of  Fehrbellin 

— Emperor  William  I.  . 

— Emperor  William  I.,  Emperor  Frederick  and  their 

Suite  ..... 

— Emperor  William  I.  (Standing  figure)  . 

* The  letters  e n i r f indicate  the  sizes  in  which  the  photos  are  Published. 


) Companions  1 
> Equestrian  -j 
Portraits.  ( 


* / 

*'  / 
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i-  f 

i f 

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i r 

i r 

i r 

i r f 


e i r f 
i r f 

e i r f 
i rf 
1 r f 
e i f 

1 f 
1 f 


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i f 
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1 f 

For  prices  see  p.  20. 


19X  9 $5 

10X201  5 


1535 


27 


hi.— pbotograpbs  anb  ©ravure  prints. 


No. 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


Gra-  s, 
Size  .'rice. 


1547  Camphausen,  W.  Revenge  ...... 

1560  — Friedrich  Haase,  the  Actor,  as  Lord  Bolingbroke 

1636  — Maria  Theresia  (Equestrian  Portrait)  .... 

1689  — Emperor  Frederick  (Equestrian  Portrait,  oval) 

1697  — The  Evening  After  the  Battle  of  Leuthen  . 

1787  — Tilsit,  1807  ) „ . ( 

1788  - Sedan,  1870  fC°mpam0nS  ■ ■ ■ ■ \ 

60a  Canaletto.  The  Marketplace  of  Pirna  (Dresden) 

18a  Caracci.  The  Genius  of  Glory  (Dresden)  . . . . 

1828  Carrington,  J.  Yates.  P'amiliarity  Breeds  Contempt 

2024  Carstens,  J.  V.  A Flower  Girl 

1976  Cecchi,  A.  II  Racconto  del  Nonno  (Grandfather’s  Story)  . 

1820  Chelminski.  J.  v.  Lost  Trail  ...... 

1821  — An  Afternoon  in  Hyde  Park  . . . . . 

1839  — The  Empress  of  Russia  Fox  Hunting 

1840  — Part  of  above  picture  ...... 

1841  — Prince  Leopold  of  Bavaria  Reviewing  the  I.  Cavalry 

Brigade  ........ 

2170  Chelmonski,  J.  Hunting  the  Mountain  Cock 

2171  — Frog  Concert  ....... 

2172  — Night  ......... 

10a  Cima  da  Conegliano  Christ  (Dresden)  . . . . 

2392  Cipolla,  E.  A Present  of  Love  ...... 

2098  Commans,  Fr.  H.  The  Mother  of  the  Good  Shepard 


i 

i 

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e i 


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16x16  $5 


16x10  3 


16x19  5 

23x35  15 

24x35  15 


7^x10  2 


Copyright,  1893,  by  Photographische  Gesellschaft. 

2263.  Blinks — “A  Fair  Lead.” 


To  accommodate  out-of-town 
customers , we  are  prepared  to 
send  selected  SAMPLE-COP- 
IES IN  SMALL  SIZES  ON 
APPRO  VAL.  Where  such 
selections  are  desired , we  would 
request  some  information  as 
to  subjects,  etc.,  preferred. 
Transportation  charges  both 
ways  must  be  paid  by  the  party 
ordering. 


* The  letters  e n ir / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


28 


Berlin  ipbotocirapbic  Co.,  IHevv  lorb. 


No. 

885 

1028 

1178 

1236 

I980 


8a 

9a 
63a 
108a 
161a 
162a 
1 66a 
66a 
2168 
812 

1138 

1373 

2147 

1474 

1607 

1909 

1982 

937 

1044 

1045 

1046 
1134 
1156 
1208 
1213 
1219 
1248 
1267 
1300 
1334 
1368 

1376 

1408 

1409 
1420 
1427 
J499 

75i 

466 

611 

864 

2265 

1766 

2052 

2053 

2069 

2070 

2071 

2088 
2206 

2089 
2113 
2124 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


Gravures, 
Size.  Price. 


(Figure  of  a girl 


Conrad,  A.  Pay  Before  You  Leave 

— Poultry  Market  . 

— On  the  Aim 

— Scene  in  a Tyrolean  Inn  . 

Conti,  T.  Happiness 
Cornelius,  P.  v.  The  Four  Horsemen  in  the  Books  of 

Revelations  ...... 

— Cartoons  of  the  Frescoes  in  the  Glyptothek  at  Munich 

and  Cartoons  of  the  Campo  Santo,  see  Part  VI 
Correggio.  Penitent  Magdalen  (Dresden) 

— Madonna  of  St.  George  (Dresden) 

— The  Holy  Night  (Dresden) 

— Jupiter  and  Antiope  (Paris) 

— Io  and  Jupiter  (Berlin) 

— Head  of  Io  (Berlin)  . 

— Leda  Bathing  with  Her  Playmates 
Correggio’s  School.  St.  Margaret  (Dresden) 

Corregio,  M.  Spring 
Courten,  A.  de  Two  New  Victims 

— The  Victor 

— At  the  Well 

Cullin,  J.  Racing  at  Epsom  Downs 
Czachorski,  W.  v.  Hamlet  and  the  Players 

— A Question  .... 

Daelen,  E.  Rhinegold  (Female  head) 

— Cupid  in  Disgrace 
Dahl,  H.  In  the  Norwegian  Highlands. 

— Too  Late  (Companion  to  No.  1427) 

— Evening  in  the  Norwegian  Highlands 

— Fishermen  Returning  Home 

— At  the  Mercy  of  the  Waves 

— A Child  of  the  Mountains  (Companion  to  No.  1420) 

— On  the  Way  to  Church 

— On  the  Ice 

— The  Return 

— The  Extreme  Unction 

— On  the  Shore 

— Fisherfolk  Rowing  to  the  Market 

— Critical  Remarks  (Companion  to  No. 

— Norwegian  Fishing-boat 

— Female  Attraction  (Companion  to  No 

— Young  Ladies’  Boarding-school  on  the  Ice 

— Hay-time  in  Norway 

— Norwegian  Peasant-Girl  (Companion  to  No.  1156) 

— Toll  Paid  First  (Companion  to  1044  and  1376) 

— Hunting  Partridges  ..... 
Dahl-Album.  See  Part  VI. 

David,  J.  L.  Bonaparte  Crossing  the  Alps 
Defregger,  F.  Italian  Beggars  ) n 

— The  Brothers  _ f Companions  . 

— The  Victors  Returning  Home 

— The  New  Pipe  .... 

Deger,  E.  The  Crucifixion 

— Crucifixion  ) „ . 

— Madonna  and  Child  ) ompanion. 

— Madonna  ..... 

— Madonna  (in  the  mountains) 

— Christ’s  Entrance  into  Jerusalem 

— St.  Joseph  . 

— St.  Sebastian 

— The  Saviour’s  Heart 

— Madonna  and  Child 

— The  Ascension  . 

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29 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


2125 

2126 

2127 

2128 
2i2g 

1 198 

1199 

1200 
M54 
1455 

1526 
1553 

1643 

1644 
1677 

1694 

1695 

1768 

1769 
1890 
2266 
2369 
2378 
1122 
1333 
23H 
2404 
1382 

1680 

1681 
1848 
2225 
1135 
1191 
1274 

1527 

1528 

1529 

1530 

1781 

1782 
1902 
1938 
1954 
1872 

2181 

2286 

4a 

150a 

169a 


( 


Deger,  E.  Last  Judgment 

— Pouring  Out  of  the  Holy  Ghost  . 

— Head  of  Christ  ..... 

— David  ...... 

— Adam  and  Eve  at  the  Body  of  Abel  . 

Deiker,  C.  F.  Before  the  Fight  ) „ 

— The  Victor  ^Companions 

— Boar  at  Bay  ..... 

— Stag  in  Rutting-time  .... 

— Pointer  and  Setter  ) Companions.  Another  Com 

— Take  Care,  Doggy  ) panion:  No.  1643 

— Hallali  ! 

— Danger  Ahead  (Companions  Nos.  1455  and  1526) 

— After  the  Combat 

— Boar  Fighting  (Companions  No.  1695  and  1890] 

— Foxes  at  Home  ...... 

— Boar  Hunt  (Companions  No.  1677  and  1890) 

— Deer  in  Autumn  ..... 

— Mountain-cock  Calling  .... 

— Boars  Fighting  (Companions  No.  1677  and  1695) 

— Well  Retrieved  .... 

Delort,  Ch.  E.  Le  Depart 
Dettmann,  L.  “ Das  Volkslied  ” 

Deutsch,  R.  v.  The  Rape  of  Helena 

— Penelope  ..... 

Dicksee,  M.  Child  Handel  (for  Artist’s  Proofs,  see  Part  I. 

— The  F'irst  Audience  (in  progress) 

Dieffenbach,  A.  A Secret. 

— Diligence 

— Greediness  J 

— Waiting  for  his  Share 

— Expectation  ..... 

Dielitz,  K.  Emperor  Frederick  (Full  figure) 

— Prince  Bismarck  (Companion  : Lenbach,  No.  1616)  . 
A Fairy  of  the  Alps  (Companion:  Spangenberg,  No.  1152) 

r 


Companions  (Scenes  of  childhood) 


Com-  J 
panions  | 


Air  (Ride  of  the  Valkyries) 

— Fire(Wotan’s  F'arewell  from  Brunnhild) 

— Water  (The  Rhine  Daughters) 

— Earth  (Siegfried  Slaying  the  Dragon) 

— Emperor  William  I.  (Half  figure) 

— Emperor  William  I.  (Bust) 

— Bulgarian  Girl  ..... 

— Old  Friends  ..... 

— “Grace”  ...... 

Dietrich,  A.  Come  to  Me  All  Ye  Who  Are  Weary  and 

Heavy  Laden  and  I Will  Give  You  Rest 

— The  Crucifixion  ...... 

Doerstling,  E.  Kant’s  Philosophic  Dinner  Party 
Dolci.  Christ  Blessing  the  Bread  (Dresden) 

— St.  Cecilia  (Dresden)  . 

Mary  Magdalen  (Florence) 


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Donadini,  E.  The  Entry  of  Flora  .... 

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Dou.  The  Hermit  (Dresden)  ..... 

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— The  Silvery  Moon  ...... 

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Dubufe  fils.  G.  Le  Printemps 

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Diicker,  E.  Eventide  on  Rtigen  .... 

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Diirer.  Christ  on  the  Cross  (Dresden) . 

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van  Dyck.  Charles  I.,  King  of  England  ) 

— Henrietta  Maria,  Queen  of  England  - Companions 

j e 1 f 

(Dresden)  ) 

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Photographs 
Sizes.  * 

Gravures, 
Size.  Price. 

36a 

van  Dyck.  The  Children  of  Charles  I.  (Dresden) 

e i 

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178a 

— Thomas  de  Carignan  (Berlin)  .... 

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157a 

— Pieta  (Berlin)  ....... 

f 

2270 

Ebner,  L.  The  Dream  (Female  figure) 

i 

f 

1987 

Ehrenberg,  C.  The  Nornes  ..... 

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2112 

Ehrlich,  F.  The  Prayer  (Female  figure) 

r'f 

582 

Ekwall,  Knut.  Ten  Minutes  for  Dinner  . 

. i 

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1665 

— Evening  Hours  ....... 

. i 

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2281 

Elsley,  A.  J.  A Dead  Heat  ..... 

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2393 

— Good-bye  (for  Artist’s  Proof,  see  Part  I.)  . 

1448 

Encke,  F.  Ariadne  ....... 

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1237 

Engel,  Fr.  Fisher-wife  ...... 

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485 

Epp,  R.  The  Uninvited  Guest  ..... 

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370 

Erdmann,  O.  Indiscretion  ..... 

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425 

— The  Love  Letter  ...... 

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1554 

— Trying  to  Steal  a Kiss  ..... 

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2405 

— Mandolin  Player  ...... 

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1187 

Ernst,  O.  v.  Riding  to  the  Hounds  .... 

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1393 

— The  Meet  Before  the  Fox-Hunt. 

. i 

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743 

Eybel,  A.  The  Great  Elector  in  the  Battle  at  Fehrbellin 

. e i 

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1751 

Falat,  J.  Prince  William  of  Prussia  Bear-hunting 

i 

1946 

— Return  of  Emperor  William  II.  from  a Bear-hunt 

e i 

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1971 

— The  Taming  of  the  Shrew  ..... 

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2104 

— Elk-hunting  in  Winter  ..... 

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2105 

— Hunters  Chasing  the  Bear  with  Spears 

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2199 

— - Emperor  William  at  the  Hunt  .... 

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2137 

Falero.  Marina  {Female  figure  on  the  sea  shore) 

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2390 

— La  fumeuse  d’opium  ...... 

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2278 

Fechner,  H.  Expectation  ) Com  nions 

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2279 

— A Love  Story  ) companions 

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19JX14 

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22g2 

Fehr,  F.  Friends  ....... 

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1814 

Ferrazzi,  Luigi.  Mother’s  Delight  .... 

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f 

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Feuerbach,  A.  The  Symposium  of  Plato  . 

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712 

— On  the  Sea-shore 

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1969 

Fildes,  Luke.  La  Zingarella  (Gipsy-Girl)  .... 

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2152 

— The  Venetians  ........ 

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29x20®  12 

2258 

Firle,  W.  Harmony  ........ 

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26x23  12 

2295 

— On  Thee  I Think  ...... 

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f 

2039 

Fisher,  M.  November  Evening  . . . . . . 

if 

20®xI4®  3 

1348 

Fisher,  S.  M.  We  Three  ..... 

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f 

1349 

— A Moment  of  Idleness  ...... 

i 

f 

2362 

— Southern  Belle  ....... 

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1622 

Flamm,  A.  View  towards  Cumas  ..... 

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882 

Fleischer,  Ph.  Bitter  Medicine 

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1507 

— Three  Village  Beauties  ...... 

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7a 

Francia.  Madonna  and  Child  (Dresden)  . 

f 

45 

Freese,  H.  Flying  Stags  ....... 

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Freyberg,  C.  Prince  Frederick  Charles  Arriving  on  the 

Battlefield  of  Vionville  ..... 

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884 

— Surrender  of  Metz 

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1080 

— Count  Lehndorff  ....... 

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1125 

— Emperor  William  I.  ...... 

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1179 

— Before  Le  Mans  ....... 

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1296 

— Skirmish  of  the  V.  Armee  Corps  at  Weissenburg 

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1383 

— Prince  Charles  of  Prussia  (Equestrian  portrait)  . 

i 

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1387 

— Emperor  Frederick  (Equestrian  Portrait)  . 

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1433 

— Spring  Review  at  Potsdam  ..... 

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1546 

— Prince  Frederick  Charles  at  Corny  Castle  Reviewing 

Conquered  French  Standards  .... 

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1630 

— Frederick  Francis,  Grand  Duke  of  Mecklenburg- 

Schwerin  ........ 

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Emperor  William  I.  . 

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1873 

— Four-in-Hand  (Portrait  of  Count  Lehndorff) 

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2054 

— Emperor  William  II.  (Equestrian  portrait)  . 

e 

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1966 

Fritze,  M.  Emperor  William  II.  .... 

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1569 

Gabl,  Alois.  Vaccination  in  a Village  .... 

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412 

426 

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1298 

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1524 

467 

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1355 

1467 

1784 

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1287 

2186 

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1868 
1188 
1638 

455 

456 
474 

577 

578 

627 

628 
•650 
669 
742 
780 
782 
853 


ARTIST  AXD  TITLE. 


Photographs 
Sizes  * 


Gallegos,  J.  Procession  in  Venice 

— La  Confession  . 

Gaupp,  G.  The  Well 

— - Sacking  a Monastery  . 

Gebhardt,  E.  v.  The  Last  Suppe 

— Christ  Crucified  . 

— The  Crucifixion  . 

— Christ  (Panel  of  an  Altar) 

— Christ  on  the  Waves  . 

— The  Ascension  . 

— Disputation 

— At  Work  . 

— The  Crucifixion  . 

Gebler,  O.  Art  Critics 

Geissler,  W.  “ When  the  Cat 's  Away,”  etc. 

Gentz,  W.  Crown-Prince  Frederick  Entering  Jerusalem 

— A Reading  from  the  Koran 

— Festival  in  Memory  of  Rabbi  Isaac  Barchischat 

— Idyl  in  Thebes  ...... 

— Evening  on  the  Nile  ..... 

— Crown-Prince  Frederick  of  Prussia  Visiting  the  Tombs 

of  the  Califs  Near  Cairo 
Genzmer,  B.  The  Black  Man  . 

Gessner,  A.  Psyche  . 

— Longing  (Female  figure) 

Gilli.  Congress  of  Dogs  for  Emancipation  from  Master 
Gimignano.  Madonna  (Dresden) 

Godward,  J.  W.  At  the  Fountain 

— Yes  or  No?  (for  Artist’s  Proofs,  see  Part  I.) 

Goldmann,  O.  A Secret  ..... 

Goodman,  M.  Hush  ! (for  Artist’s  Proof,  see  Part  I.) 

Gow,  Andrew.  After  Waterloo 
Graef,  G.  Felicie  (Companion  to  Kraus  No.  1234) 

— Lady  in  the  Costume  of  the  16th  Century  . 

— Philomene  . 

— Fairy  Tale  (Companion  to  Begas  No.  1325) 

— Bianchina  . 

— Ophelia 

— For  Love  of  Fatherland  (Scene  in  the  wars  in  if 

— Claire  .... 

Grass,  A.  The  Nativity 

— Madonna  .... 

— The  Immaculate  Conception 

— Funeral  in  the  Catacombs  . 

Greuze.  The  Broken  Pitcher  (Paris) 

— Head  of  a Girl  (Berlin) 

— Head  of  a Child  (Berlin) 

Grosch,  Cl.  Farewell  (Young  lady) 

Grosse,  Th.  The  Souls  Entering  the  Land  of  Penance 

— The  Judgment  of  Midas 
Griitzner,  Ed.  Brother  Butler  ) r 

— The  Wine-Taster  ) c 

— In  the  Cloister’s  Cellar 

— The  Butler’s  Breakfast  (Companion  to  No.  669) 

— Self-Content  (Companion  to  No.  628) 

— The  Hunter's  Story  (Companion  to  No.  650) 

— The  Favorite  Mark  (Companion  to  No.  578) 

— The  Maiden’s  Dilemma  (Companion  to  No.  627) 

— Cook  and  Butler  (Companion  to  No.  577) 

— Music  Lesson  ..... 

— Time  of  Praying  in  the  Monastery  Inn 

— A Friend  of  Birds  .... 

— Recreation  (Companion  to  No.  982)  . 

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companions 


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Size.  Price. 


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hi.— lpbotocirapbs  an<>  Gravure  prints.  33 


No. 

ARTI5T  AND  TITLE. 

Photographs 
Sizes.  * 

Gravures 
Size.  Pr 

891 

Griitzner,  Ed.  Falstaff  and  His  Page 

e i 

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19x15 

892 

— 

Here  I Lay  and  Thus  I Bore  My  Point  1 

e i 

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893 

— 

In  Boar’s  Head  Tavern  | . 

e * 

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22x35 

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894 

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Falstaff  on  the  Battlefield 

€ Z 

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895 

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Falstaff  at  Mistress  Ford's 

e i 

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896 

— 

Falstaff  Recruiting 

e i 

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897 

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“ I Know  Thee  Not,  Old  Man  ” 

e i 

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— 

An  Old  Master  ) 

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911 

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A Modern  Artist  J Co™Pamons  • • • j 

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971 

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The  Connoisseurs  ...... 

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982 

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Summer  Beer  in  the  Monastery  (Companion  to  No.  853)  i 

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1 166 

— 

The  Card-Players  1 

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1189 

— 

An  Amusing  Story  V Companions  . . - 

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II9O 

— 

Old  Friends  ) 

f 

I9XI4 

5 

1204 

— 

An  Antiquarian  ....... 

i 

f 

1317 

— 

Siesta  in  the  Monastery  ..... 

. e i 

/ 

Copyright,  1893,  by  Photographische  Gesellschaft. 

2314.  Dicksee — Child  Handel. 


1321 

1470 

1475 

1525 

1537 

1856 

1959 

2136 

2161 

2223 

1625 

1818 

1819 
1878 

920 


— A Trio  in  the  Monastery  ...  . 

— The  Cooperage  of  the  Monastery  .... 

— A Theatrical  Performance  in  the  Country  . 

— ‘ ‘ The  Silesian  Drinker  and  the  Devil  ” (Poem  by  Kopisch) 

— A Gin-Shop  ........ 

— A Snug  Corner  ...... 

— In  Honor  of  His  Eminence  ..... 

— Kitchen  in  a Monastery  ...... 

— The  Old  Chronicle  ....... 

— Falstaff  and  Bardolph  ...... 

Griitzner- Album.  Falstaffbilder.  See  Part  VI. 

Gude,  H.  Norwegian  Coast  ...... 

Gunther,  J.  Little  Grandmother  . ._  • 

— Rural  Scene  (from  Voss’  epical  poem  “ Louise”) 

— Diligence  ...•■•••• 
Gysis,  N.  A Greek  Betrothal  ...... 

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i 

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i 

i f 
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i f 

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1 r f 

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ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


'534 
1545  — 

1571  — 

‘572  — 

1573  — 

1605  — 

1626  — 

1627  — 

1632  — 

1837  - 

1838  — 
45a  Hals 

2091 
2044 
2132 
2389 


243 

244 
272 

1159 

1177 

1290 

2135 

2076 

2077 
1962 

1591 

1592 
2174 

1940 

1941 

2115 

2116 

247 

248 

249 
476 

479 

480 
800 

2353 

435 

1633 

1660 

1661 
674 

1777 

1862 


Harrach,  Graf.  In  the  Vineyards  of  Worth  ) r 
— Outposts  before  Mount  Valerien  j ompani 


Hafften,  C.  v.  A Wreck  on  a Northern  Rocky  Coast 

— Hamlet  (Scene  on  the  platform)  Companion  to  No.  1627 

— Coast  of  Northumberland  ) t 

— The  Road  of  Dieppe  >•  Companions  . . -] 

— Coast  of  Genoa  ) ( 

— Rising  Moon  on  the  Rhine  .... 

— Coast  of  Ireland  (Dunraven  Castle) 

— Macbeth  and  the  Witches  (Companion  to  No.  1545) 

— Sappho  and  Her  Companions  (Landscape)  . 

— Hero  (Landscape)  ...... 

— San  Remo  ........ 

Portrait  of  a Man  (Dresden)  .... 

Halswelle,  Keeley.  Highlands  and  Islands 
Handler,  P.  Between  Love  and  Duty 

— Queen  Louise  of  Prussia  Visiting  a Poor  Family 
Hardy,  Heywood.  Rotten  Row  (for  facsimile  gravures,  see 

Part  II). 

10ns  j 

— A Sea-King’s  Grave  . 

— The  Denial  of  St.  Peter 

— Christmas-Eve  . 

— Evening  at  the  Lake  of  Thun 

— Moltke  on  His  Death-Bed  . 

Hasse,  F.  Just  from  School 
Heichert,  O.  Thy  Word  Giveth  Light 
Hein,  Fr.  The  Holy  Legend  of  Gmiind 
Hencke,  A.  Stag  on  the  Alert  ) 

— Roes  ) 

— Evening  in  Autumn 
Hendrich,  H.  Atlantis 

— Voyage  of  the  Vikings 

Henley.  Suspense  ) 

7,  ,,  r } Companions 

— Confidences  ( 1 

Henneberg,  R.  Reception  of  the  Victors 

— Return  of  the  Warriors 

— Little  Cupids  .... 

— The  Pet  ..... 

— Farewell  ) „ 

— Taking  Home  the  Bride  [ Companions 

— The  Hunt  After  Fortune  ..... 
Hernandez.  Winter.  (Published  as  facsimile  gravure  only.) 

See  Part  II. 

Herpfer,  C.  The  Rose  in  Danger  ..... 

Hertel,  A.  Scene  on  the  Norwegian  Coast .... 

— Mythological  Landscape  ...... 

— Rest  on  the  Flight  into  Egypt ..... 

Hertel,  C.  Young  Germany  ...... 

H-eAllegrJo  C'  AdaSi°  \ Companions  . . . j 


Compan 


The  originals  are  in  possession  of  the  Berlin  Photographic  Company. 

489  Herzog,  H.  Waterfall  in  Norway  ..... 
1801  Heydeck,  J.  Queen  Louise  on  her  Flight  from  Konigsberg 
to  Memel  in  Winter  1807  .... 

1875  Heydel,  P.  At  the  Cobbler’s  ..... 

2042  — The  Best  Shot  ....... 

2043  — Two  Souls  with  But  a Single  Thought 

2121  — Spring  ........ 

2160  — The  Lioness  of  San  Marco  (Female  head)  . 

2201  — Violets  ........ 

401  Heyden,  A.  v.  Princess  Clemence  ..... 

1228  — The  Rescue  of  Wittich  ...... 

1415  — The  Vandals  as  Prisoners  before  Margrave  Gero  (963) 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photbs  are  published. 


Gravures, 
Size.  Price. 


12X21  $5 


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For  Prices  see  p.  20. 


15X20 


21X13 

21X13 


17x33  12 


21X13  5 


in.— pbotograpbs  anD  iSravurc  prints. 


ARTIST  AND  TITLE 


Photographs 
Sizes.  * 


1207 

1645 

1667 

166S 

1653 

1700 

1701 

1876 

1897 

1907 

2005 

2006 
2111 
2235 

1734 

1765 

120 

121 
306 

527 

584 

749 

875 

925 

1132 

1133 
1634 

1685 

1879 

1880 

1974 


F orest 


Heyden,  C.  Before  the  Ball 

— Little  Red  Riding  Hood 

— In  the  Poultry-vard  ) ^ 

— Before  the  Sheep-fold  i -ompamons 
Heyden,  Ch.  The  Caricaturist 

— My  Mother-in-Law 

— The  Corporal 

— A Dealer  in  Works  of  Art 

— A Serenade 

— In  the  Dress  Circle 

— The  Student 

— German  Students 

— Peasant  Girl  from  the  Blac' 

— Pierrette 

Heyser,  F.  The  Bird's  Nest 

— The  Flower’s  Revenge 
Hiddemann,  F.  Nemesis  ) n 

— The  First  Shave  [Companions 

— An  Interrupted  Winter  Amusement 

— Examination  in  a Country  School 

— First  Class  Compartment  ) r 

— Third  Class  Compartment  ) omP‘ 

— Prussian  Enlisters  at  the  Time  of  Frederick  the  Great 

— Westphalian  Funeral  .... 

— A Match  of  Convenience  [ Companions 

— kittle  Red  Riding  Hood  J Companions 

Hirth  du  Frenes,  R.  The  Little  Acrobat  . 

— Behind  the  Scenes  .... 

Hoesslin,  G.  v.  Venetian  Girl  . 


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Gravures. 
Size.  Price. 


1SX13  $5 

18x14  5 


2123.  Thumann — Art  Wins  the  Heart. 


We  beg  to  call  special  attention  to 
the  FACSIMILE  GRAVURES 
IAr  COLORS  of  this  picture  men- 
tioned in  Part  II, 

The  original  painting  is  in  the 
possession  of  the  Berlin  P holographic 
Co.,  with  a number  of  others  as 
quoted  on  p.  viii. 


* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  io. 


34 


JBcrlin  jpbotocirapbic  Co.,  IRevv  Uorfc. 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


‘975 

2037 


Hoesslin,  G.  v.Florentine  Lady  ..... 
Hofmann,  H.  Christ  in  the  Garden  of  Gethsemane  . 

(Published  also  as  facsimile  gravure,  see  Part  II 
The  original  is  in  possession  of  the  Berlin  Photographic  Compan 
54a  Holbein,  the  Younger.  Madonna  (Dresden) 

— Madonna  [bust]  (Dresden) 

(For  editions  from  the  original  in  Darmstadt,  see  Part  V.) 
— Hubert  Morett  (Dresden)  .... 
Holtzbecher,  H.  Emperor  William  II. 

— Empress  Augusta  Victoria  (Companion  to  No.  1882) 

Hiibner,  E.  Iphigenie 

Hiibner,  J.  The  Golden  Age  ..... 

Hulk,  W.  F.  Solitude  ...... 

Hiinten,  E.  The  Hessian  Division  in  the  Battle  of  St.  Priva 
— The  nth  Ulans  Taking  a French  Battery  at  Loigny 
— The  53d  Prussian  Regiment  at  Colombey,  1870-71 
— The  Staff  of  the  21st  Division  at  Worth 
— The  2d  Squadron  of  Dragon-Guards  Repulsing Frencl 
Curassiers  at  Vionville  .... 

— French  Curassiers  Attacking  Elsasshausen  (Worth) 

— Outposts  ........ 

— The  Bremen  Regiment  in  the  Battle  of  Loigny  . 

— The  39th  Fusiliers  at  Gravelotte  (Aug.  18,  1870) 

— - Last  Quarters  of  the  Grand  Duke  of  Hesse  Before  the 
War  of  1S70-71 


62a 

55a 

1882 

1918 

1269 

803 

2252 

274 

652 

677 

723 

761 

857 

1035 

1500 

1688 

2131 

537 

538 

539 

640 

641 
873 
879 
927 
998 

1436 

1857 

1858 
i860 

2018 

2019 

2020 

2021 

2064 

2065 

2066 

2067 

2068 
2086 

2101 

2102 

2103 
1337 

2156 

2157 
1476 
1096 
1712 
2333 
I3f>7 
1950 


Ittenbach,  F.  Madonna  Enthroned  (Middle  panel 
following  two  numbers)  . 

— ■ St.  Francis  of  Assissi  ) ^ 

>■  Companions 


o the 


( 


Companions 
Companions 


Companions 


e 1 
i 


8x10 

8x10 


— St.  Elisabeth  of  Thuringia 

— ■ Ecce  Agnus  Dei  ) ~ 

,,  , ? , r Companions  . 

— Mater  Amabilis  ( r 

— The  Handkerchief  of  St.  Veronica 

— Ecce  Cor,  Quod  Munclum  Tantopere  Dilexit 

— The  Holy  Family  in  Egypt 

— ■ Ego  Dilecto  Meo,  et  ad  me  Conversio  Eius  (Madonna 
and  Child) 

— Maria  Virgo  ) 

7 c , T b - Companions 

— Infant  Jesus  ) r v 

Other  Companions  : Sinkel,  Nos.  1795,  1806. 

— John  the  Baptist 
■ — The  Holy  Family 

— St.  Hubert  and  St.  Elisabeth  ) r,  ■ ( 

— St.  Frederick  and  St.  Theresa  J 

— St.  Peter  and  St.  John  ) 

— - St.  Paul  and  St.  Maurus 

— Madonna  ..... 

— Madonna  with  Christ  and  St.  John 

— St.  George  ) r, 

— St.  Donat  } Companions  . . 

— Pilgrims  Before  Rome 

— Mater  Christi  .... 

— Queen  of  Heavens 

— St.  Anne  with  Infant  Mary 

— St.  Joseph  with  Infant  Jesus 

Jacobides,  G.  Creusa 

Jacobsen,  S.  Landscape  in  Winter  ) 

— Moonlight  Night  f Companions 

Jansen,  P.  The  Childhood  of  Bacchus 
Janssens,  Jos.  Madonna  and  Child  ... 

Jochmus,  Harry.  Spring-time  ......  rf 

Joy,  G.  W.  Truth  (for  Artist’s  Proofs,  see  Part  I.) 

Kahler,  C.  The  Queen  of  the  Season  ....  f 

Kampf,  A.  “ Bon  Soir,  Messieurs  ” . . . . . e if 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


e 1 
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Gravures. 
Size.  Price. 


21x15  $5 


18x15  5 


I.9XI4  5 


9x16]  3 


20^x14  5 


10x4 

10x4 

21x14 

21x14 


in.— ipbotograpbs  ani>  Gravure  prints. 


No. 

ARTIST  AND  TITLE.  Photographs 

Sizes.  * 

Gravures. 
Size.  Price. 

2305 

Kaemmerer,  F.  H.  Le  Retour.  ..... 

i f 

20X14 

$5 

(Published  also  as  facsimile  gravure,  see  Part  II.) 

747 

Kannegiesser.  (Jueen  Louise  of  Prussia  .... 

i r 

56a  Kauffmann,  Angelica.  Vestal  Virgin  (Dresden) 

e i f 

726 

Kaulbach,  r . A.  Baby’s  h irst  Outing  .... 

i r 

1663 

— Baby’s  First  Outing  (Part  from  the  above)  . 

f 

490 

Kaulbach,  H.  Mozart’s  Last  Days  (Companion  to  Rosen- 

thal,  No.  740) 

e i r f 

830 

— Frederick  the  Great  and  Sebastian  Bach 

i r f 

988 

— Love  in  Olden  Times  ...... 

i f 

1 2 1 S 

— Princess  Eboli  ........ 

i f 

1444 

— I.ucrezia  Borgia  ........ 

e i f 

1885 

— - A Visit  to  the  Monastery  ...... 

f 

1935 

— The  Piper  of  Hameln  ...... 

i f 

1936 

— Werther  and  Lotte  ) t 

i f 

I9XI4 

5 

1937 

— Goethe  and  Friederike  >-  Companions 

i f 

I9XI4 

5 

1999 

— Gretchen  in  Church  J ( 

i f 

I9XI 3 

5 

The 

original  of  No.  1999  is  in  the  possession  of  the  Berlin 

Photographic  Company. 

2303.  Bredt — “ Chopin.” 


863 

1015 

1262 

1292 

1375 

1385 

1431 

1662 

1934 

1947 

1970 

1124 

2318 


Kiesel,  C.  In  the  Library  .......  i 

— Birthday  Morning  .......  i 

— Plans  for  the  Holidays  (Female  figure)  ) Compan-  j i 

— ■ Good  News  ) ions  ( 2 

— Mother’s  Care  ........  i 

— - Revery  .........  2 

— Jealousy  .......  . e 1 

— Mother’s  Darling  (Part  of  No.  1375)  .... 

— Auguste  Victoria,  German  Empress  . . . e 1 

— “ (Bust  of  above)  . . . . n i 

— “ (Half  length)  . . . . e i 

Kiessling,  P.  The  Three  Sisters  . ....  i 


Kilburne.  All  Over  But  the  Shouting  (for  Artist’s  Proofs  see 
Part  I.) 


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* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p 20. 


5 


38 


JBcrlttt  photographic  Co.,  IWew  J^orh. 


Mo. 


334 

1181 

1182 
1445 

1565 

1809 

1927 

r949 

1674 

1735 

1767 

1815 

1824 

1486 

1487 

1488 

1489 
2154 
2162 
2326 

240 

280 

305 

398 

587 

617 

647 

648 
811 
834 

1000 

1100 

1180 

1220 

1265 

1345 

1450 

1583 

1584 

1600 

1614 

1711 

1786 

1800 

18S7 

1888 

2 ICO 
222() 
2230 

2239 

409 

1369 

1370 
I606 
1635 
1850 

1491 

2208 

824 

H83 

1330 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


Gravures. 
Size.  Price. 


{ 


100) 


Kindler,  A.  Fandango  .... 

Kirberg,  O.  A Victim  of  the  Deep 

— The  Interrupted  Musician  . 

— Fair  in  Holland  ..... 

— A Serious  Question  .... 

Kirchmayr,  C.  Cupid  and  Psyche  (Children) 

Klein,  F.  E.  The  Last  Signature  of  Emperor  William  I 

— The  Judgment  of  Paris 
Klenze,  H.  v.  A Lonely  Death  ) 

— Victor  and  Victim  >■  Companions 

— Cornered  ) 

— Black  Game 

— Chamois  and  Bearded  Eagle 
Klever,  J.  v.  Russian  Forest 

— Autumn 

— In  the  Forest 

— Falling  Leaves  . 

Klimsch,  E.  A Crime 

— Recreation . 

Klinger,  M.  Pieta 
Knaus,  L.  In  Great  Distress 

— The  Luncheon  . 

— The  Funeral 

— His  Royal  Highness'  Journey 

— The  Little  Pirate  ) ^ 

— The  Heir  to  the  Farm  f ComPamons 

— The  Young  Gamblers 

— The  Lectured  Rivals 

— The  Holy  Family 

— As  the  Old,  So  the  Young  (Companion  to  2 

— The  First  Profit  . 

— Valuable  Instruction  . 

— Chimney-Sweep  . 

— Little  Mother  . 

— A Bad  Customer 

— Rural  Festival  . 

— Study-Head 

— Professor  von  Helmholtz  . 

— Professor  Mommsen  . 

— The  Village  Witch 

— A Gipsy  Team  (Children)  . 

— I Can  Wait 

— Charity  .... 

— Sic  Transit  Gloria  Mundi  . 

— The  Artiste  and  Her  Model 

— Springtime 

— A Pic-nic  Party  (Companion  to  No.  834) 

— A Fight  Behind  the  Fence  . 

— A Gipsy  Girl 
Knaus-Album.  (See  Part  VI.) 

Knight,  Ridgway.  She  Has  Lost  Her  Way 
Knille,  O.  Tannhauser  and  Venus 

— The  University  of  Paris  in  the  Xlllth  Cen- 

tury 

— The  Humanist  Welcome  the  Reformers 

— Weimar  1803 

— Venetian  Lady  ..... 

— “But  Lo,  I am  With  You  Always  Even  Unto  the  End  ’ 
Knochl,  H.  Scene  from  Schiller’s  Ballad  “The  Iron-mill” 

— Foot  Soldier  ....... 

Knorr,  G.  In  a Boarding-School  for  Young  Ladies  . 

— Out  Into  the  Wide  World  ..... 

— Church  Collection 


Com- 

pan- 


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17x26  10 


15x21 

21x15 

8xg|- 

15X21 

i6x2oJ 

9x7^ 

19x15 

16x16^ 


10x35  10 


* The  letters  e n i r / indicate  the  sizes  in  •which  the  photos  are  published.  Tor  prices  see  p.  jo. 


ill.— Ipbotograpbs  anb  Gravure  prints. 


39 


No. 

716 

Il6o 

1261 

1338 

1423 

1424 
H25 
2256 
2273 

2296 

2304 

411 

606 

1624 

1789 

2099 

44a 

1391 

1392 

1459 

1792 

1825 

l8g6 

974 

1195 

1 196 

1234 

1235 
1322 
1402 
1548 

1804 

1805 

1859 

1881 

1889 

38 

75 

78 

132 

300 

486 

518 

622 

660 

692 

739 

848 

1016 

1139 

1233 

1464 

713 

1119 

1312 

1417 

1595 

1596 
1604 
1609 
1686 
2202 


ARTIST  AND  TITLE. 


Photographs 
Sizes  * 


Lithuania 


j 


63) 


Kniipfer,  d.  The  River’s  Bounty 
Koch,  G.  A Critical  Moment 

— False  Start. 

— Hurdle-race 

— At  the  Watering  Place 

— Biting  Critics 

— The  Sick  Foal  . 

Koch,  H.  Sweethearts  ) „ 

— The  Trysting  Tree  [ Companions  . 

Koenig,  H.  The  Gardener’s  Daughter 

— Lazy  Land  ..... 

Kolitz,  L.  Transport  of  Prisoners  near  Metz 

— On  the  Retreat  Near  Le  Mans  . 

— Scene  From  the  Skirmish  Near  Vendbme 

— Before  Paris  ..... 

Koner,  M.  Emperor  William  II. 

Koning.  The  Hermit  (Dresden) 

Wierusz-Kowalski,  A.  v.  Sledge  Riding  in 

During  the  Carnival 

— Starting  for  the  Boar-hunt  . 

— Circassians  .... 

— Across  the  Plains  in  Winter 

— The  Return  from  the  Bear-hunt  . 

— - The  Guests  are  Coming 

Kraus,  F.  Before  the  Ball 

— Critics  on  Art 

— Study-head  .... 

— Bacchant  Awaking  (Companion  to  Graef  N< 

— Revery  ..... 

— Childish  Amusement  . 

— Renaissance  .... 

— The  Don  Juan  of  the  Court-yard 

— Dolce  Far  Niente  (Study-head)  . 

— A Quiet  Nap 

— Singing  Lesson  .... 

— Nobody  at  Home 
Kray,  W.  Pausias  and  His  Flower-Girl 
Kretzschmer,  H.  In  the  Village  Church  ) n 

— The  Village  Doctor  f Companions 

— The  Cat’s  Luncheon  ) „ _ 

— Little  Sweet-tooth  f Companions 

— The  Village  School 

— Caught  ! . . . . 

— Honeymoon 
— ■ Grateful  Patients 

— Returning  Home  From  School 

— Chambermaid’s  Vanity 

— The  First  Cradle 

— A Marriage  at  Gretna-Green  in  the  Last  Century 

— Sold  Out  (Figure  of  a child)  ) Com-  ( 

— Un  Baiacco,  Signore  (Figure  of  a child)  \ panions  I 

— The  Village  Street 

— The  Milk  is  Boiling  Over 
Kroner,  Chr.  Deer  in  Winter 

— Stags  in  Autumn 

— Rutting  Stag 

— Breaking  Through  (Companion  to  No.  1686) 

— Morning  (Deer  and  Stags) 

— Challenge  (Stag)  Companions 

— In  Autumn  (Deer  in  the  mountains)  J 

— The  Beat  (Boar-hunt)  (Companion  to  No.  1417)  . 

— Stags  Feeding  ........ 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published. 


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For  prices  see  p.  20. 


Gravures. 
Size.  Price. 


21x14  $5 
20x15  5 


11x19  5 


12x19  5 

i8|xi4  5 
18^x14  5 
18x14  5 
185x14  5 
12x19  5 


JBerlln  ipbotograpblc  Co.,  IHcw  Jt>orb. 


3 


jt° 


One  of  the  reasons  why  our  GRA  V- 
URES  are  so  highly  favored  by  artists 
is  that  the  tints  chosen  for  printing  are 
in  each  case  adapted  to  the  individual 
character  of  the  painting. 


2327.  Blair-Leighton— Two  Strings. 


No. 

2203 

1726 

2107 

2406 

2194 

2299 
I924 

934 

935 

1058 

1059 

629 

2034 

2013 

2014 
2341 
1811 
2268 
2354 
2298 
1851 

1985 

1986 

2300 
2224 
2290 

2327 

2356 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


A Winter  Day 


a Ca 


Kroner,  Chr. 

— ^ tag  . 

— At  Early  Dawn 

— 11  are  Hunting 

Kroyer,  S.  Session  of  the  Committee  of  French  Artist 
at  Copenhagen 
Kuehl,  G.  Choristers 

Kuhnert,  W.  Arabian  Spies  Finding  the  Trail  o 
Kuntz,  G.  A.  In  the  Studio 

— A Roman  Pilgnm-Girl 

— The  Confession  . 

— All  Saints’  Day  on  the  Capuchins’  Cemetery 
Kurzbauer,  E.  The  New  Picture  Book 
Laasner,  H.  Blind  Man’s  Buff  . 

Lauenstein,  H.  Beatrice  ) n 

.,  r Companions 

— Santa  Ducia  ) r 

Laupheimer,  A.  Flirtation 
Laurenti,  C.  Frons  Anitni  Interpres . 

Leader,  B.  W.  Valley  of  the  Llugwy 

— Eventide  (for  Artist’s  Proofs,  see  Part  I.) 

Leeke,  F.  Love’s  Service  .... 

Lefler,  H.  A Dream  ..... 

— Congratulation  ) „ 

T V Companions 

— Dancing  Lesson  ( 1 

Leibl,  W.  Grouse  Shooting  in  Autumn 
Leighton,  Blair  E.  A Question 

— Hours  of  Idleness  .... 

— Two  Strings  ..... 

— Sunday  Morning  (for  Artist’s  Proofs,  see  Part  I.) 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices 


Gravures. 
Size.  Price. 


22X29 

13x21 


$12 


17x29  10 


21x14 


I4|x20 

11^x9 

1 1 Jxg 
lljxg 
see  p.  20. 


hi.— Ipbotograpbs  attb  Gravure  lprfnts, 


41 


IQ2Q 

2072 

2096 

2212 

2254 

2383 

I9I9 

1640 

1871 

1961 

278 

279 
1430 

1615 

1616 
1664 
1817 
1895 
2282 

804 

1303 

2045 

2046 

1752 

1753 
1764 

2030 

2031 
2117 
2134 
2241 
2317 
2316 
1598 

1696 

59a 

1461 


Part 


I.) 


I 

1664 

1615 


ARTIST  AMD  TITLE. 

Leighton,  Sir  Fr.  Captive  Andromache 

— Greek  Girls  Playing  at  Ball 

— Bath  of  Psyche  . 

— Perseus  and  Andromeda 

— At  the  Fountain  . 

— Atalanta  (for  Artist’s  Proofs,  see 
Leinweber,  R.  An  Arabian  Song 
Leisten,  J.  New  Music 

— A Concert  at  Richelieu’s 

— In  the  Waiting-room  . 

Lenbach,  F.  v.  R.  Wagner  / 

— Fr.  Liszt  \ ComPanlo»s 

— Prince  Bismarck  (Crayon-drawing) 

— Count  Moltke  (Half  Length)  Companion  to  No. 

— Count  Moltke  (Bust)  Companion  to  No.  1817 

— Prince  Bismarck  (Half  Length)  Companion  to  No 

— Prince  Bismarck  (Bust)  Companion  to  No.  1616 

— Charlotte,  Hereditary  Princess  of  Saxony-Meiningen 
Leslie,  G.  D.  Rose  Queen  (for  Artist's  Proofs,  see  Part  I 
Lessing,  K.  Fr.  Huss  Before  the  Execution 

— Thunder-storm  in  the  Eifel-Mountains 
Leu,  A.  The  Faraglioni  near  Capri  ( 

— Sunset  near  Capri 
Lieck,  J.  Peasant  Girl 

— Styrian  Girl  I n 

Lyjja  \ companions 

— Joy  of  I.ife  .... 

— Happiness  ..... 

Linderum.  The  Monastic  Flute-player 

— Monk  Reading  .... 

Lingner,  O.  Springtime  of  Love 

— Roses  ..... 

— Violets  ..... 

Lipps,  F.  Spring  (Child  with  flowers)  ) CoraDanions 

- — Summertime  (Child  with  flowers)  ) * 

Liotard.  Vienna  Chocolate-Girl  (Dresden) 

Lowe,  Marg.  Scene  from  the  Merry  Wives  of  Windsor 


Photographs 
Sizes.  * 

e i f 

e i f 

it  i f 


Companions 


1 r f 

f 
f 
f 
f 
f 
>■  f 
f 
r I 

r f 
f 
f 
f 


f 

f 


Gravures 

Size.  Price. 


i6ix35  $1 
19x34  1 

21x7 
29x16  1 

2olxi8 


1SX14 
1 Sx  1 4 
soils 


I4lx2ll 

16x21 


21x13 


Portfolios  containing  each  ij  photographs 

of  the  best  pictures  of  the  following  artists  : 

L.  KPT  A US ' 

IV.  AMBERG 

at 

E.  GRUTZNER 

B.  VA  UTIER 

$ 10 

ME  YER  von  B RE ME AT  . . ' . 

MAMS  DAHL 

each. 

CARL  BECKER 

GUST  A V RLCIITER  at  $14. 

For  particulars  see  Part  VL. 

Copyright  1893,  by  Photographische  Gesellschaf  t, 

2255.  Rae — Spring  Flowers. 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


42 


Berlin  ipborograpbtc  Co.,  IHcw  Jllorfc. 


2092 

2090 

1223 

1690 

1691 
29a 
30a 

1 86a 

995 

1084 

1145 

2153 

2339 

1117 

887 

888 

1307 

1440 

1443 

1457 

1485 

1722 

2008 

1874 

1670 

1891 

1892 

1893 

1894 

2082 

2083 

2084 

2307 

2308 

2309 
2347 
2253 

697 

698 
960 

1285 

1374 

1494 

2078 

2079 

2164 

2165 

2166 
2038 
1395 
1481 
1217 

1637 

1948 

610 

1463 

1704 

1705 

1757 

1758 

1883 

1884 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


Weak 


307) 


Companions 


Logsdail,  W.  St.  Martin-in-the-Field 
Long,  E.  The  Squire’s  Daughter 
Lonza,  A.  The  Interrupted  Performance  . 

— An  Interesting  Story  ) „ 

— In  the  Park  [Companions 

Claude  Lorrain.  The  Flight  Into  Egypt  (Dresden) 

— Coast  of  Sicily  (Dresden)  . 

— Heroic  Landscape  (Berlin)  . 

Lossow,  H.  Confidences  . 

— Interesting  News 

— The  Milliner  . ... 

Lowcock,  C.  F.  A Love-Letter 
Lucas,  M.  Seymour.  We  Are  But  Little  Children 

(for  Artist’s  Proofs,  see  Part  I.) 

Ludwig,  C.  The  St.  Gotthard’s  Pass 
Liiben,  A.  Young  Talents  .... 

— There ’s  a Fine  Business  .... 

— Wooing  (Companion  to  No.  1443) 

— Political  Discussions  ..... 

— Trying  to  Make  his  Peace  (Companion  to  No.  1 

— After  the  Christening  ..... 

— Rendezvous  ...... 

— The  Morning  Glass  ..... 

Lybaert,  Th.  Madonna  ..... 

Mader,  G.  Trio 

Maffei,  G.  v.  Attacked  by  Foxes 

— Spring  ) 

— Summer 

— Autumn 

— Winter  J 

— A Wild  Boar  Track 

— Startled 

— Snipe 

— A Corner  of  the  Fens 

— The  End  of  the  Chase 

— Marauders  . 

— A Duel 

Maillard,  E.  Apres  la  Tempete 
Makart,  H.  Abundantia  (Bounty  of  the  land)  . 

— Abundantia  (Bounty  of  the  sea)  . 

Malchin,  C.  A Flock  of  Sheep  .... 

— Winter  Landscape  (Motive  from  Thuringia) 

— Evening  in  Autumn  ..... 

— Winter  Landscape  (Motive  from  Mecklenburg) 

— Coast  Scene  (Mecklenburg) 

— Winter  Landscape  ..... 

— Winter  Landscape  ..... 

— Summer  . ...... 

— Summer  Morning  ..... 

Maltzahn-Vidal,  A.  v.  In  Good  Keeping 
Marchetti,  L.  The  Bust  of  the  Nabob  . . . 

— The  Winner  of  the  Grand  Prize  in  Paris 
Marr,  G.  Ahasver  ...... 

Marshall,  J.  The  Sisters 

Matifas,  L.  Winter  Landscape 
Max,  Gabriel.  Autumn  ..... 

— Homeward  Bound  ..... 

— Magdalen  ....... 

— Angel  Gabriel  ...... 

Mi'gnon6'1  [ Companions  (Study  heads) 

— Lost  in  Thought  (Study  head) 

— Vestal  Virgin  (Study  head) 

* The  letters  e n i r f indicate  the  sizes  in  which  the  photos  are  published. 


f 
f 
f 
f 
f 
f 
f 
f 
f 
f 

1 f 

rf 

r f 

f 

1 r f 

r f 
i f 
f 

i f 

* f 

* f 
i f 

r f 

f 
f 
f 
f 
f 
f 
f 
f 
f 
f 
f 
f 
f 


n i r f 
n i r f 

f 

f 

f 

f 

f 

f 


r f 
r 

f 

i r f 
1 r f 

f 

For  prices  see  p.  20. 


Gravures. 
Size.  Price. 


20x16  $5 
20^x15  5 


i8|xi2  5 


9x16  3 

10x16  3 


15x29  10 


18x13  5 


18x29  10 


17x14  5 

17x14  5 


in.— ipbotograpbs  anO  t3rav>ure  prints. 


43 


No. 

ARTIST  AND  TITLE. 

Photogr 

Sizes. 

1923 

Max,  Gabriel.  Lacrima  (Tears) 

• i 

1933 

— Trust 

i 

1972 

— Laura 

1973 

— Beatrice 

2049 

— - Homesick  . 

i 

2130 

— - Hope  .... 

2340 

— Virgin  Mary 

2382 

— Herodias  . 

2399 

— Phantom 

47a  van  der  Meer.  J.  Young  Woman  Reading  at  a Window 
(Dresden)'  ...... 

182a  — Young  Woman  with  Necklace  of  Pearls  (Berlin) 

2085  Meisel,  E.  Sunshine ....... 

2011  Melida,  E.  First  at  the  Rendezvous  .... 

57a  Mengs.  Portrait  of  Himself  (Dresden) 

58a  — Cupid  (Dresden)  ...... 

2175  Menshausen,  Frieda.  Bound  for  Helgoland  . 

1 Menzel,  A.  Concert  at  the  Court  of  Frederick  the  Great 
1610  — Rolling  Mill  ....... 

2023  Menzler,  W.  Expectation  ..... 

2213  Merritt,  A.  L.  When  the  World  Was  Young  . 

2182  Mesdag,  H.  W.  On  the  Coast  Near  Scheveningen  at 

Flood-tide  .... 

2183  — Sunrise  ...... 

2242  — Le  Matin  ) 

2243  — Le  Retour  Des  Barques  de  Pecheurs  f 

2010  Metzmacher,  C.  En  Arret 
1205  Meyer,  E.  L.  After  a Restless  Night 

5 Meyer  v.  Bremen.  The  Messenger  of  Love  ) 

6 — On  the  Way  Home  f 

11  — Saying  the  Prayer  .... 

15  — Blind  Man’s  Buff  .... 

16  — The  Love  Letter  (Companion  to  No.  349) 

32  — The  Declaration  of  Love  . 

36  — Expectation  .... 

42  — - Girl  Knitting  ..... 

43  — Without  a Home 


Compan- 

ions 


Compan- 

ions. 


/ 
/ 
/ 
/ 
/ 
r f 
r f 
r f 
f 

f 

f 

* / 
« / 
/ 
/ 

\ f 

e i r f 

i f 
r f 


i f 
l f 


i r 
i r f 


1 r / 


Gravures. 
Size.  Price. 


i9XI5  $5 
18x14  5 


22x314  15 


16x20  5 
16x20  5 
20x16  5 
20x16  5 
2oixi6  5 


2178.  Munthe — Winter. 

* The  letters  e n i r f indicate  the  sizes  in  which  the  photos  are  Published.  For  prices  see  p.  20. 


14 


JScrltn  photographic  Co.,  IRew  Jliorfc, 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


46  Meyer,  v.  Bremen.  Secret  Correspondence 


49 

— 

The  Portrait  of  Her  Lover.  .... 

r 

60 

— 

The  Toilet  (Companion  to  No.  77) 

i r 

61 

— 

Fisher  Woman  } ~ 

Cv  1 1 - Companions  .... 

Shepherdess  \ ‘ 

j' 

i r f 

62 

— 

( 

i 7 • f 

67 

— 

Rest  of  the  Model  ...... 

i r 

71 

76 

— 

A Little  Joker  / 

T , J - Companions  .... 

Luncheon  ( r 

(’ 

It 

r 

r 

77 

— 

Birthday  Morning  (Companion  to  No.  60)  . 

i r 

80 

81 

— 

In  the  Twilight  \ n 

Before  the  Bath  [ Companions 

{' 

r 

r 

82 

— 

Thoughtful  ....... 

7' 

113 

— 

The  Sick  Pet  ....... 

r 

153 



At  the  Fountain  ) „ 

l 

i 7’  f 

163 

— 

- Companions 
Bo-peep  J 1 

) 

i r f 

183 

— 

Jealous  ) 

( 

1 7 ' 

205 

— 

Say  Yes,  Mother  V Companions  .... 

1 

i r 

206 

— 

He  Comes  ) 

1 

i r 

219 

— 

Come  Back  ....... 

i 

220 

— 

Leisure  Hour  ....... 

i 

221 

233 

— 

The  Beginning  ) ~ 

Tired  Out  [Companions  .... 

£ 

( 

i r 
i 7' 

245 

— 

The  Prayer  ....... 

i 7 ’ 

246 

— 

At  the  Cradle  ) „ 

j 

i r 

256 

— 

Mother’s  Care  [ Companions  .... 

( 

i 7' 

282 

— 

Domestic  Industry  (Companion  to  No.  357) 

i r 

347 

— 

Yes  or  No  ? 

i r 

349 

— 

Morning  Dream  (Companion  to  No.  16) 

i r f 

357 

— 

First  Say  Your  Prayer  (Companion  to  No.  282)  . 

i r 

430 

— 

The  Widow's  Prayer  ...... 

i r 

432 

— 

Flower  Girl  ....... 

. r 

438 

— 

Tired  of  Learning  ...... 

r 

573 

— 

Messenger  of  Love  ...... 

i r 

638 

— 

Resignation  ....... 

7' 

657 

— 

The  Children’s  Pet  ...... 

i r 

661 

— 

First  a Kiss  ! (Companion  to  No.  1221) 

i r f 

672 

691 

— 

What  Has  Mother  Brought  Plome?  ) 

In  Which  Hand?  [Companions 

1' 

i 7'  f 
i r 

700 

— 

Disappointed  ....... 

i r 

701 

— 

A Difficult  Sum  ....... 

7 ' 

702 

— 

A Penny  a Bunch,  Sir!  (Companion  to  No.  767) 

r 

703 

— 

For  Mother’s  Fire  ...... 

7 ' 

764 

— 

Confidential  Communication  .... 

i r 

765 

— 

Little  House-wife  ...... 

i r 

766 

— 

The  First  at  the  Well  .... 

7' 

767 

— 

Ruddier  than  a Cherry  (Companion  to  No.  702)  . 

7' 

785 

— 

Who  ’ll  Buy  a Rabbit  ? .... 

i r 

786 

— 

Village  Gossip  ....:.. 

i 7 - 

835 

— 

The  Little  Baby  (Companion  to  No.  867)  . 

i 7' 

836 

— 

Little  Wood  Brook  ...... 

7' 

837 

— 

A Love  Tale  ....... 

r 

867 

— 

Come  to  Me,  Darling  ! (Companion  to  No.  835)  . 

i 7 ' 

973 

— 

Going  to  School  ....... 

i r 

1141 

— 

Good  Morning,  Papa  !..... 

f 

1184 

— 

The  Dangerous  Path  ...... 

f 

1221 

— 

The  Study  in  Danger  (Companion  to  No.  661)  . 

i f 

1222 

1249 

First  a Kiss  ! ) ^ 

Hush,  Baby  Brother ’s  Asleep  ( ompanions 

1 

i f 
i f 

1442 

— 

Reading  a Love  Letter  ..... 

1 f 

1458 

— 

At  the  Well 

t J 

1518 

— 

Birthday  Morning  ...... 

i f 

1581 

— 

Who  Is  It? . 

1 y 

1590 

— 

The  Little  Thief  ...... 

* / 

Gravures. 
Size.  Price. 


17x12  $5 
17x12  5 


I 

* The  letters  e 11  i r f indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


hi.  {photographs  anb  ©ravure  prints, 


4 


N 


ARTIST  AND  TITLE. 


1659 

1692 

1693 

1727 

1728 

1729 
173° 

1731 

1732 

1733 

1745 

1746 

1747 

1748 


Meyer,  v.  Bremen.  Our  Darling 

— Siesta  ) n 

...  , , T i -Companions 

— 1 he  \\  ounded  Lamb  j 1 

— Old  Love  Letters 

— At  the  Toilet  .... 

— The  Little  Rogue 
— Girl  Reading  .... 

— Lessons  for  School 
— Obtaining  Pardon 
— An  Important  Secret  . 

— Morning  Toilet  .... 

— Bad  Notes  From  School 
— Little  Beggars  .... 

— Birthday  Preparations 


Photographs 
Sizes.  * 

Gravures. 
Size.  Price. 

*'  / 

t i f 

i6Jxi2  $5 

( * f 

i6|xi2  5 

f 

I 

f 

J 

J. 

/ 

f 

J 

f 

f 

Copyright,  1892,  by  Photographische  Gesellschaft. 

2219.  Naujok — St.  Cecilia. 


1749 

— At  the  Window  ...... 

/ 

1750 

1755 

— In  Charge  ....  . . 

■ — Trust  in  God  ...... 

/ 

Meyer  von  Bremen-Album.  (See  Part  VI.) 

i f 

1965 

Meyer-Mainz,  J.  Matinee  .... 

3i 

Meyerheim,  Paul.  Menagerie  in  the  Village 

. . V 

117 

— Young  Savoyards  Travelling 

. . /* 

171 

— After  the  Hunt  ....•• 

. . £?  1 

208 

209 

- Sheep-shearing)  Com  ions  . . . 

— Making  Hay  \ 1 

j i r 

( e i r 

679 

- — A Country  Show  ..... 

. . i r 

6S0 

— Down  the  Ilill  ...... 

. . i r 

953 

— Lions ........ 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  ]ror  prices  see  p.  so. 


6 


JBerUn  ipbotograpbic  Co.,  IRew  H?orfc. 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


Gravures. 
Size.  Price. 


954 

955 

956 

957 

958 

1251 

1326 

1327 

1357 

1807 

1849 

1776 

52a 

174a 

156a 

2267 

2289 

1812 

1813 

2148 

2149 
2232 
2287 
2041 
2120 

1826 

1827 
1906 
2146 
1308 
1796 

576 

1928 

2408 


No. 


954) 


gio)- 


The 


Proofs,  see 


Meyerheim,  Paul.  In  the  Palace  Court  (Companion  to  No.  958) 

— Roes  .... 

— Black-game 

— Twelve-horned  Stag  . 

— Small  Game  (Companion  to 

— Emperor  William  I.  . 

— The  Goat-dealer 

— Village  Street 
— - A Spring  Night  . 

— Chodowiecki 

— Veronica 

Meyn,  G.  Frederick  the  Great  (Half  length) 

Mieris.  The  Studio  of  the  Artist  (Dresden) 

Mignard.  Maria  Mancini  (Berlin)  . ■ 

Milanese  School  (formerly  attributed  to  Corregg 
Handkerchief  of  Veronica  (Berlin) 

Millais,  John.  The  Vale  of  Rest  (for  Artist’s 

Part  I.) 

Millet,  F.  D.  A Love  Letter 
Mion,  Luigi.  Early  Morning  ) „ 

— After  Mass  \ C°mPanloI« 

Molitor,  F.  The  Good  Shepherd  ) n 

— The  Prodigal  Son  f Companions 

— Sacred  Heart  .... 

— Sacred  Heart  of  St.  Mary  . 

Moore,  H.  The  Clearness  after  Rain 

— Wrecked  at  the  Harbor’s  Mouth 
Morgan,  Fr.  A Heavy  Load 

— A Gentle  Reminder  . 

— The  Tired  Gleaners  (Companion 

— Watching  and  Waiting 
Morten-Mtiller.  Norwegian  Lake 
Moscheles,  F.  Would  You  Like  It 
Miicke,  C.  Little  Pepita  . 

— Amusing  Baby  . 

Muller,  A.  St.  Cecilia 


to  N 


o.  i326) 


/ 
/ 
rf 
r f 
rf 
f 


17x25  $12 
I 2x20 ^ 5 


20X12  5 

20X12  5 

20X2gi  10 
l8x2gi  10 
21x14  5 

10X12  3 

21x14  5 

16x20  5 


The  FOLIO-EDI TION  of  our  photograph  s 
on  India  paper , with  zohite  margin , is  espe- 
cially adapted  for  portfolio-collections . 

We  have  artistic  PORTFOLIOS  for  this 
size  at  $4.00. 

With  an  order  for  2f  or  more  photos.  Folio 
size , they  will  be  given  free  of  charge. 


2118.  Schweninger — The  First  Cloud. 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


hi.— ipbotograpbs  and  Gravure  prints, 


4 


The  edition  of  our  photographs  in  small 
size  as  “ BOUDOIR  CA RD S," on  heavy 
black  cardboard , with  gilt  bevelled  edges, 
is  frequently  used  for  choice  Christmas 
and  New  Year’s  cards. 


1795.  Sinkel — Christ  Child  with  IVth 
Commandment. 


No. 


ARTIST  AND  TITLE. 


Photographs 
Sizes. * 


Cravures. 
Size.  Price. 


304 

Muller,  C.  Holy  Family  (Companion  to  Nos.  1589  and  1698) 

e 

i r f 

ibFxioi 

$5 

351 

— The  Holy  Virgin  ....... 

i r f 

783 

— Madonna  of  the  Grotto  ...... 

e 

i r f 

19x13 

5 

1164 

— Immaculate  Conception  ...... 

e 

i r p 

1446 

— St.  Anne  with  Infant  Marv  ) ^ t 

i r p 

19x9 

1447 

— St.  (oseph  with  Infant  Jesus  f omP‘‘“wlu  • 1 

i r f 

19x9 

5 

For  facsimile  gravures  in  colors  of  the  two  above  see  Part  11 

1589 

— The  Holy  Night  (Companion  to  Nos.  304  and  1698)  . 

e 

i r f 

i6ixl6^ 

5 

The  original  is  in  possession  of  the  Berlin  P hotographic  Company. 

1631 

— Immaculate  Conception  (Detail  from  No.  11O4)  . 

1 1 

1698 

— - Mary  and  Elizabeth  (Companion  to  Nos.  304  and  1589) 

e 

i r p 

l6Fxi6i 

5 

1845 

— Christ  and  the  Disciples  in  Emmaus  1 

e 

1 f 

1846 

— St.  Anthony  of  Padua  and  St.  Gertrude  1 Com-  J 

n 

i f 

1847 

— St.  Elizabeth  of  Thuringia  and  St.  Vincent  | panions  | 

of  Paula  J (_ 

n 

i f 

1958 

Muller,  Fr.  Sacred  Heart  of  Tesus  ..... 

i f 

2271 

— The  Annunciation  ....... 

i f 

19x14 

5 

2275 

— St.  Mary  ......... 

1 J 

19X14 

5 

360 

Muller,  G.  Renunciation  ....... 

1 r p 

2227 

Munier,  E.  Cupid  in  Ambush  ...... 

i f 

20x14! 

5 

2276 

— Bonjour,  Petite  Maman  ...... 

i f 

20X15 

5 

2178 

Munthe,  L.  Winter 

i f 

1 1x2 1 

5 

26a 

Murillo.  Madonna  (Dresden)  ...... 

f 

27a 

— St.  Rodriguez  (Dresden)  ...... 

~f 

109a 

— The  Birth  of  the  Virgin  (Paris)  ..... 

rf 

113a 

— Penitent  Magdalen  (Berlin)  .... 

1 r p 

119a 

— Immaculate  Conception  (Paris)  ..... 

e 

1 r / 

155a 

— St.  Anthony  of  Padua  (Berlin)  ..... 

e 

1 j 

i8ga 

— St.  Anthony  of  Padua  with  Christ  Child,  part  from 

above  (Berlin)  ....... 

i J 

2219 

Naujok,  G.  St.  Cecilia  . .... 

n 

* f 

20x1 5! 

5 

683 

Neal,  David.  Study  head  . .... 

i r 

778 

— Mary  Stuart  and  Ricci  ...... 

e 

i r f 

941 

— Study  head  ........ 

i t 

1201 

— La  Chatelaine  (Study  head)  .... 

i f 

1336 

— Consolation  ........ 

i f 

1473 

— Oliver  Cromwell  Visiting  John  Milton 

e 

i f 

14^x185 

5 

1925 

— Study  head  ........ 

p 

50a 

Netscher.  The  Letter-writer  (Dresden)  .... 

f 

* The  letters  e n i rf  indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


.8 


JBerlln  ipbotograpbic  Co.,  IHcw  l£ork. 


ARTIST  AND  TITLE. 


Photographs 
Sizes. * 


i 


1 


1451  Neuhaus,  F.  King  Frederick  William  I.  Meeting  a Troup 
of  Emigrants  from  Salzburg 
1580  — The  Great  Elector  at  The  Hague 

2163  — Marshall  “ Vorwarts  ” 

2357  Neuhaus,  H.  The  Prodigal  Son 
2384  — Poor  Lazarus  .... 

1478  Nicolet,  G.  In  the  Palmgarden  at  Spaa 
1699  Niethe,  E.  Corvette  in  a Calm  . 

2093  Nightingale,  L.  C.  A Foretaste  of  Summer  ( Com- 
2277  — A Corner  of  the  Lake  ) panions 

2402  — Dawn  of  Summer  (for  Artist’s  Proofs,  see  Part  I.) 

2193  Niss,  Th.  Summer  Night  ..... 

94  Noack,  A.  Religious  Discussion  at  Marburg 
2027  Nonnenbruch,  M.  Grecian  Girl  Bearing  a Vase 
2155  — Spring  Blossoms  ..... 

2396  — Christin  im  Gebet  ..... 

2400  — Bach  Idyl  ....... 

109  Nordenberg,  B.  The  Last  Journey  ) r 
122  — ■ The  First  Journey  \ nmPanl° 

1623  Oeder,  G.  A November  Day  .... 

1903  Oer,  A.  M.  v.  The  Annunciation  ) „ 

1904  — Birth  of  Christ  \ K 

2360  Oppler,  E.  Am  Klavier 
2133  Outin,  S.  Wasted  Explanations 

The  original  is  in  possession  of  the  Berlin  Photo 
2138  — Honeymoon  (Detail  from  the  above) 

2274  Pallik-Bela.  In  Mother’s  Keeping 

14a  Palma  Vecchio.  The  Three  Sisters  (Dresden) 

167a  — Female  Portrait  (Berlin) 

1332  Papperitz,  G.  After  Dinner 
1579  — Mother’s  Happiness  . 

1673  — Madonna  . 

1783  — Adrian  Brouwer  and  his  Models 

1836  — Idyl  . 

1898  — Hebe 

1939  — Honeymoon  (Companion  to  No 

1988  — Is  He  Thinking  of  Me? 

2004  — Romeo  and  Juliet 

2015  — The  Rising  Star  . 

2109  — After  the  Bath  . 

2110  — Queen  of  Heaven 

2210  — Nymph  with  Cupid 

2288  — Nymph 

2319  — Fisherman  and  Nymph 

2334  Parker,  Sybil  C.  Salvator  Mundi 

2335  — The  Good  Shepherd  . 

1831  Parlaghi,  Vilma.  Ludwig  Kossuth 

1832  — Ludwig  Kossuth  (Bust  of  the  above) 

241  Passini,  L.  A Reading  from  Petrarca  at  Chioggia 
408  — A Girl  from  Chioggia 

445  — Girls  from  Ampezza 

446  — The  Laundry-girl 

447  — The  Needle-woman 

448  — In  Church  . 

449  — A Magdalen 

450  — The  Rescue 

665  — Procession  in  Venice 

1302  — In  the  Vestry 

1593  — An  Interesting  Story 

1760  Paul,  H.  Iphigenia  . 

252  Paulsen,  Fr.  Mother’s  Pride  ( 

457  — A New  Toy  \ 

1335  — Servant’s  Employment  Office 

* The  letters  e n i r T indicate  the  sizes  in  'which  the  photos  are  published. 


1783) 


Companions 


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Gravures. 
Size.  Price. 


13x18  $5 

I0jx20g  5 
Io|x2o£  5 

19x16  5 


20x14  5 


20x14  5 

20IX9  5 

2o|xi4  5 

20JXI4  5 


1 J 

For  prices  see  f>.  20. 


hi.— photographs  anC»  ©ravure  prints. 


4' 


Our  reproductions  arc  the  only  ones 
taken  from  the  original  of  Richter's 
“ QUEEN  LOUISE''  in  the  Museum 
of  Cologne.  They  ere  published  in  the 
following  editions  : 

FULL  FIGURE. 

HALF  LENGTH  {Oval). 

BUST  {Oval). 

For  particulars  see  page  jj. 


1171.  Richter — Queen  Louise. 


ARTIST  AND  TITLE. 


20;  8 
2331 
2387 
2205 

2365 

2366 

2367 

2368 
2007 
2217 
22IS 
2057 
2060 
2145 
2391 
2310 

1618 

1619 

1641 

1642 
I647 
l6/5 
I O76 


Paulsen,  Fr.  A Visit  ...... 

Pausinger,  F.  v.  A Stag 

Pauwels,  F.  “ So  ihr  mich  von  ganzem  Herzen  suchet  ” 
Perez,  A.  La  Toilette  ...... 

— En  Excursion  'l 

t -V,'  *' te  - (See  Facsimile  gravures,  Part  II.) 

— La  Rencontre  v 

• — - Au  Jardin  | 

Perrault,  L.  Le  Miroir  Naturel  .... 

— Happy  Sleep  ...... 

— Diane  ....•■•■ 
Perrey,  L.  Liseuse  distraite  ..... 

— Phoebe  ) e. 

Diana  \ Companions  ..... 

— Stella 

Peske,  G.  Good  Friends  . . . . . • 

Pfannschmidt,  C.  G.  The  Adoration  of  the  Magi 

— The  Star  of  Bethlehem  ..... 

— The  Annunciation 

— The  Adoration  of  the  Shepherds 

— The  Resurrection  ...... 

— The  Three  Marias  at  the  Tomb  of  Christ  1 Compa 

— Angels  Announcing  the  Resurrection  of  - ~ ■ 1 

Christ  i IOnS 


Companions 


Photographs 

Sices. 


Gravures. 
Sizes.  Price. 


i f 
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f 


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18x13  $5 

18x13  5 


* The  letters  e n ir  / indicate  the  sizes  in  -which  the  photos  are  published.  For  prices  see  p.  20. 


50 


Berlin  ipbotograpbic  Co.,  mew  Jjlorfe, 


ARTIST  AND  TITLE. 


Photographs 
Sizes. * 


1709 

1710 

1737 

1738 

1739 

1740 

1741 

1742 

1743 

1744 

1771 

1772 

1793 

1794 
495 
1197 
1352 

752 

753 
2397 
1284 

1655 

2032 

2033 
2081 

2330 

1770 

28a 

185a 

1714 

1759 

2094 

1921 

1364 

2222 

2216 

2374 

2401 

720 

721 

722 

1612 

1866 

2255 


Companions 


Companions 


>ur  Calling 

° > Companions 
Virgins  I r 


il  )’ 

Compa 


Pfannschmidt,  C.  G.  The  Burial  of 
Christ 

— The  Women  at  the  Grave  of  Christ 

— Poor  Lazarus  J 

— The  Rich  Man  Feasting 

— Christ  Mocked  by  the  Soldiers 

— Crucifixion 

— Christ  Enthroned  'I 

— The  Saviour 

— The  Wise 

— The  Foolish  Virgins  J 

— Madonna  ...... 

— Suffer  Little  Children  to  Come  unto  Me 

— David  ) „ 

Cecilia.  1*  • • • • 

Piloty,  C.  v.  Wallenstein  on  His  Way  to  Eger 

— Girondists  on  Their  Way  to  the  Guillotine 

— The  Wise  and  Foolish  Virgins 
Plockhorst,  B.  Emperor  William 

— Empress  Augusta 

— The  Good  Samaritan 
Pohle,  Leon.  Portrait  of  Ludwig  Richter 

— Thuringian  Girl  .... 

Potzelberger,  R.  Old  Songs 

— Harmony  ..... 

— Tired  of  Waiting  .... 

— Farewell  ' 

Possin,  R.  The  Runaway 
Poussin.  Venus  Asleep  (Dresden) 

— Roman  Campagna  (Berlin) 

Poynter,  Edw.  J.  Diadumene  (Before  the  Bath) 

— A Corner  in  the  Market-Place 

— A Visit  to  /Esculapius 
Prell,  H.  Emperor  William  II.  on  Board  of  His  Yacht 

Hohenzcllern  .... 

Preyer,  P.  The  Time  of  Roses 
Prinsep,  V.  C.  First  Awakening  of  Eve  . 

Prion,  L.  Le  Billet  de  Logement 
Puig-Roda,  G.  Marchand  d’Oranges 

— Chez  le  Cordonier  .... 

Raab,  G.  Elisabeth,  Empress  of  Austria') 

— Francis  Joseph,  Emperor  of  Austria  (_  Companions 


— Rudolph,  late 
Austria 

Rae,  H.  Ariadne 
— A Naiad  . 

— Spring  Flowers 


Crownprince  of  f (painted  1875) 


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16x16 


* The  letters  e 11  i r f indicate  the  sizes  in  which  the  photos  are  published . For  prices  see  p.  20. 


ia 

Rafael.  Madonna  di  San  Sisto  ) 

. € 

i 

j 

61a 

— Madonna  di  San  Sisto  (Bust)  - (Dresden) 

. n 

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65a 

— Cupids  of  the  Sistine  Madonna  ) 

For  editions  from  the  original,  see  Part  V. 

n 

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101a 

— St.  Michael  (Paris)  ) r 

— St.  Marguerita  (Paris)  [ P 1 0 

j n 

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102a 

( n 

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103a 

— “ La  Vierge  au  Sommeil  ” (Paris) 

e 

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104a 

— Portrait  of  Young  Man  (Paris)  .... 

i 

r f 

105a 

— Princess  of  Arragonia  (Paris)  .... 

r f 

1 06a 

— “ La  Belle  Jardiniere”  (Paris)  .... 

— “ Madonna  Della  Sedia  ” (Florence)  . 

r f 

1 1 6a 

e 

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r f 

1 20a 

— “ Madonna  del  Cardellino  ” (Florence) 

. e 

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f 

I53a 

— “ Madonna  Colonna  ” (Berlin)  .... 

. e 

i 

f 

I54a 

— “St.  Cecilia”  (Bologna)  ..... 

e 

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f 

164a 

— “Fornarina”  (Florence)  ..... 

— “ Madonna  Terranuova  ” (Berlin) 

. e 

i 

f 

1 80a 

f 

Gravures. 
Size.  Price. 


$5 


14^x10  3 


15x19  5 


20X12 

I4XI4 

19x29 


5 

5 

12 


16x19  5 


21X14 


hi.— ipbotograpbs  ani>  0 ravine  prints. 


51 


No. 


ARTIST  AND  TITLE. 


Photographs  I Gravures. 

Sizes.  * 1 Size.  Price. 


iSia 


89a 

90a 

91a 

92a 

93a 

94a 

95a 

96a 

97a 

98a 

99a 

1 00a 


1756 

1945 

1956 

1967 

138a 

163a 

165a 


Rafael.  “Madonna  del  Granduca  " (Florence)  . 

The  following  belong  to  the  “ Cupid  and  Psyche 
cyclus  ” in  the  Villa  Farnesina  at  Pome  : 

— Venus  Points  Out  Psyche  to  Cupid  .... 

— Cupid  Asking  the  Three  Graces  for  Their  Assistance  . 

— Venus  Relating  Her  Grievances  to  Juno  and  Ceres 

— Venus  on  Her  Way  to  Seek  Assistance  from  Jupiter  . 

— Venus  Desiring  the  Destruction  of  Psyche  . 

— Mercury  Descending  in  Search  of  Psyche  . 

— Cupids  Conveying  Psyche  to  Venus  .... 
— - Psyche  Presenting  Proserpine’s  Box  to  Venus 

— - Jupiter  Embracing  Cupid  and  Promising  Him  Aid 

— Mercury  Conveying  Psyche  to  Olympus 

— Venus  and  Cupid  before  the  Judgment  Seat  of  Jupiter 

in  Olympus  ....... 

— Feast  of  the  Gods  in  Olympus  at  the  Nuptial  of  Cupid 

and  Psyche  ....... 

Rafael’s  “ Cupid  and  Psyche  ” in  portfolio,  see  Part  VI. 
Rau,  E.  Amused  ........ 

Raudnitz,  A.  In  Good  Keeping  ..... 

— An  Apt  Pupil . . 

— In  Bad  Temper.  ....... 

Rembrandt.  Samson  Threatening  His  Father-in-La\v  for 

Withholding  His  Wife  from  Him  (Berlin) 

— Portrait  of  Himself  (Berlin)  ..... 

— Portrait  of  Himself  (Berlin)  ..... 


/ 

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Copyright,  1894,  by  Photographische  Gesellschaft. 

2397.  Plockhorst — The  Good  Samaritan. 

* The  letters  e ni  r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  seep.  20. 


52 


J6crlin  ipbotograpbic  Co.,  Ittcw  jporfc. 


No.  ARTIST  AND  TITLE. 


172a  Rembrandt.  Portrait  of  His  Wife  Saskia  (Berlin) 
37a  - — Bust  of  a Laughing  Girl  (Dresden) 

38a  — Rembrandt  and  His  Wife  (Dresden)  . 

39a  — Bust  of  a Man  (Dresden)  .... 

19a  Guido  Reni.  Venus  and  Cupid  (Dresden)  . 

20a  — Ecce  Homo  (Dresden)  .... 

112a  — Ecce  Homo  (London)  .... 

n_|a  — Mater  Dolorosa  (Berlin)  .... 

117a  ■ — ■ Aurora  (Rome)  ...... 

137a  — Beatrice  Cenci  (Rome)  .... 

Rethel,  A.  Posthumous  Works.  See  Part  VI. 

2025  Rettig,  H.  Called  to  Her  Calling 

2026  — Two  Friends  ..... 


Photographs 

Sizes.* 

‘ { f 
f 

e 1 f 


Gravures. 
Size.  Price. 


16U13  $5 


Copyright,  1893,  Photographische  Gesellschaft. 


2258.  Firlf. — Harmony. 


uSa  Reynolds.  Angels’  Heads  (London)  ) f c 

187a  — Samuel  (London)  1-  Companions  . -J 

1 88a  — The  Age  of  Innocence  (London)  ) ( 

23a  Ribera.  St.  Maria  of  Egypt  (Dresden)  .... 

1808  Ribustini,  U.  Madonna  of  the  Holy  Rosary  . . e 

1901  — Portrait  of  Leo  XIII.  ...... 

2371  Ricci,  A.  L’Improvisateur  Toscane  a la  Noce  . . .11 

25  Richter,  G.  Egyptian  Girl  ) f n 

26  — Neapolitan  Boy  [-  Companions  . . -!  n 


69  — Odalisque  ) ( n 

158  — Roman  Girl  ........ 

397  — Nicolai  Alexandrowitsch,  Grand  Duke  of  Russia 

406  — Gipsy-Boy  .........  n 

427  — Building  the  Pyramids  ......  e 

588  — Mother's  Happiness  ) „ . ( e 

5?9  - Father’s  Joy  [Companions  . . ■ \ t. 


* The  letters  e n i rf  indicate  the  sizes  in  which  the />Jiotos  are  published. 


i r f 

i f 

i f 

f 

i f 

i f 

i f 

i r f 

l6ixn^  5 

i r f 

i6|xii|  5 

i r f 

i r 

i r f 

i r f 

i r f 

i r f 

i r f 

For  prices  see  p.  20. 

in.— jpbotograpbs  atiD  Gravure  fljrlnts. 


53 


ARTIST  AND  TITLE. 


Photographs 
Sizes. * 


Gravures. 
Size.  Price. 


612 

545 

693 

725 

730 

731 
776 
856 
go  I 
9T4 

1053 

T075 

1076 

1129 

1171 

1243 

1257 

1419 

1519 

1561 

1646 

1864 

548 

549 
269 
922 

1657 

1912 

1713 

2262 

1810 

2351 

2352 

2411 

2412 
2209 
2394 

2a 

1780 

664 

671 

740 

902 

1098 

1316 

1426 

2179 

22a 

64a 

2376 

1439 

1501 

1502 

1437 

1438 
1514 

1563 

1723 

2055 

31a 

32a 

33a 


of  Russia 


esden) 


by  I 


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18x15 


34x21  15 


8x1 61 


Richter,  G.  Gipsy  Girl 

— The  Two  Brothers 

— Gipsy  Girl  ..... 

— Maria  Paulowna,  Grand  Duchess  Wladimi 

— Oriental  Lady  .... 

— Dusting  the  Pictures  . 

— Revery  (Companion  No.  1419)  . 

— Jairus’  Daughter 

— Emperor  William  I.  (Cuirassier  Uniform,  full  length) 

— Riding  the  Lion 

— Emperor  William  I.,  (Bust) 

— Portrait  of  a Boy 

— Portrait  of  Countess  K. 

— Empress  Augusta 

— Queen  Louise  ........  e 

— Portrait  .........  e 

— Gipsy  Girl  from  Tauria 

— Far  Away  (Companion  to  No.  776)  . 

— Portrait  of  Himself  .... 

— Study- Head  for  Queen  Louise  . 

— Queen  Louise  (Bust)  .... 

— Queen  Louise  (half  length) 

Richter-Album.  See  Part  VI. 

Richter,  H.  Piccolo  ) n 

~ Piccola  ) Companions  . . 

Riefstahl,  W.  The  Pantheon  of  Agrippa 

— Forum  Romanum  .... 

Riepenhausen,  J.  Madonna 
Riley,  Th.  By  Brink  of  Cooling  Stream 
Ring,  M.  Water-Witch  .... 

— Revery  ...... 

da  Rios.  L.  Father ’s  Not  Coming  . 

Rodig,  ! . Beethoven  (Full  figure)  . 

— Be  ^oven  (Bust)  .... 

— Mr  '.art  (Full  figure)  .... 

— Mozart  (Bust)  ..... 

Roeber,  F.  The  Holy  Night 
v.  Roessler,  A.  Reveille  .... 

Giulio  Romano.  “Madonna  Della  Catina  ” (D 
Rosen,  G.  v.  Nordenskjold 
Rosenthal,  Toby  E.  Elaine  . 

— Alone  Excluded  from  Spring  ! (From  Poem 

— Morning  Prayers  at  Sebastian  Bach’s 

— The  Alarmed  Boarding-School  . 

— Forbidden  Longings  .... 

— Mother’s  Darling  (From  poem  by  Immer 

— A Vacant  Place  .... 

Roskovics,  J.  Hungarian  Peasant  Woman 
Rotari.  St.  Magdalen  (Dresden) 

Rotermund.  The  Entombment  (Dresden) 

Roth,  A.  Pieta 

Rotta,  A.  Niente  da  Fare 

Ji  ( . j.  Companions 

— lentaziomdi  Micio  ) 1 

Rotta,  S.  The  First  Prayer 

— Les  Amoureaux  .... 

— The  Story  Book  .... 

Roubaud,  Fr.  Lesghiens  .... 

Roux,  Jean.  Vestal  Virgin’s  Offering 
Royer,  L.  Telemachus  on  the  Isle  of  Calypso 
Rubens.  The  Judgment  of  Paris  (Dresden) 

— The  Garden  of  Love  (Dresden)  . ...  i 

— Rubens’  Sons  (Dresden)  . . . . . . if  I 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


21X15 


23X34  15 


1 


Jficrltn  photographic  Co.,  IRew  HJorfc. 


No. 


158a 
1 59a 
I73a 
I79a 

1955 

1984 

2169 

48a 

2395 

1399 

1405 

1931 

2114 

I75a 

2022 

1754 

1264 

1363 

1852 

859 

1492 

1493 

1504 

1822 

1193 

1087 

1421 

155 

1452 

1510 

1511 

1512 

1513 
1559 
1568 

1648 

1649 

1650 

1761 

1762 
2236 
2306 
1706 

781 

874 

1123 

1092 

1669 

696 


734 

871 

2050 

2142 

2143 

2001 

2047 

2198 

2231 

2257 

2302 


ARTIST  AND  TITLE. 


Photographs 
Sizes. * 


Gravures. 
Size.  Price. 


— The  Raising  of  Lazarus  (Berlin)  .... 

— Infant  Christ  and  Infant  St.  John  with  Angels  (Berlin) 

— St.  Cecilia  (Berlin)  ....... 

— Portrait  of  a Child  of  Rubens  (Berlin) 

Rudow,  L.  The  Reigning  Princes  of  Germany 

— The  Imperial  Family  ...... 

Rusinol,  S.  A Bohemian  ....... 

Ruysdael.  The  Hunt — Landscape  (Dresden) 
Dendy-Sadler,  W.  Chorus  (For  Artist’s  Proofs,  see  Part  I) 
Salentin,  H.  Art  Lover  ) n i 

— The  Young  Shepherdess  f ompanions  . . -j 

Saltzmann,  C.  Emperor  William  II.  Arriving  at  Kronstadt 

Sant,  R.  A.  Little  Stella 

Savoldo.  Venetian  Lady  (Berlin)  ..... 

Scalbert,  J.  La  Douche  ....... 

Schaefer,  M.  In  the  Nursery  ...... 

Schauer,  G.  “It  Is  I , Mr.  Bailiff  ” (from  “ William  Tell  ”) 

— Brigand’s  Wife  on  the  Flight  ..... 
Schennis,  Fr.  v.  Park  of  Versailles  ..... 
Scherres,  C.  Inundation  (Companion  to  No.  1822)  . 

— Hut  in  the  Woods  After  a Thunderstorm  . 

— Winter  Landscape  ....... 

— Landscape  on  the  Havel  ...... 

— Landscape  in  April  (Companion  to  No.  859) 

Scheurenberg,  J.  The  Lord’s  Day 

Schloesser,  H.  Pandora  Before  Prometheus  and  Epimetheus 

Schmaedel,  M.  v.  Vanity 

Schmidt,  Max.  Solitude  (Companion  to  No.  1559)  . 

— Hut  on  the  Lake  (Companion  to  No.  1648) 

— Polyphemus  J 

— Nausikaa  ! Companions  (Landscapes  from  the  | 

— Calypso  | Odyssee)  . . . . ] 

— Eumaeos  J [ 

— Forest  (Companion  to  No.  155)  . 

— The  Game-keeper’s  Hut  ...... 

— Landscape  with  Lake  (Companion  to  No.  1452) 

— At  the  Spring  ........ 

— On  the  Downs  ........ 

— Landscape  with  Castle  ) r<  ■ \ 

— Sea  View  [Companions.  . . -j 

Schmidt-Constant.  A Question  ..... 

— Honeymoon  ........ 

Schmitzberger,  J.  A Good  Bag  ..... 

Schneider,  H.  Van  Dyck  Painting  the  Children  of  Charles  I. 

— An  Encounter  on  the  Sea  ...... 

Schobelt,  P.  Venus  and  Bellona  ..... 

Scholtz,  J.  Volunteers  in  1813  before  King  Frederick 

William  III.  of  Prussia  in  Breslau  . 

— Herman  and  Dorothy  (from  Goethe’s  epic  poem) 

Schrader,  J.  Frederick  I.,  Elector  of  Brandenburg,  re- 
ceiving the  Oath  of  Allegiance  from  Berlin  and 
Colin,  1415  ....... 

— Cromwell  in  Whitehall  ...... 

— Young  Noble  Lady  ....... 

Schrader,  R.  Racing  Day  in  Charlottenburg 

— An  Anxious  Moment  ....... 

— Steeple  Chase  ........ 

Schroder,  A.  An  Explanation  ) „ . \ 

— Parental  Joy  f Companions  . . } 

Schroedter,  G.  At  the  Well  ...... 

— Major  and  Minor  } ~ ( 

— 1 ime  of  Roses  \ r ( 

— Young  Love  ........ 


e i 
e i 


e i 
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I4|x29^  $10 
18x15  5 


13x18  5 


13x18  5 

20x13  5 

20x13  5 


e i r f 
e i r f 
i r f 

i f 
1 f 

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* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


nr.— photographs  anh  ffiravurc  prints, 


5 


2046.  Leu — Sunset  near  Capri. 


No. 


2386 

2370 

2385 

839 

1013 

1508 

2244 

2301 

2348 

1799 

2379 

2075 

2158 

1996 

1997 

1998 

2058 

2059 

21 18 

2150 

1597 

1886 

2159 
1977 
2315 
2377 

801 

1259 


ARTIST  AND  TITLE. 


Schroedter,  G.  Forget  Me  Not 

de  Schryver,  L.  L’arrivee  du  Transatlantique  . 

— Avenue  du  Bois  (published  as  facsimile  gravure 

see  Part  II.) 

Schuch,  Werner.  Hard  Times 

— Escort  of  the  Corpse  of  Gustavus  Adolphus  from 

Liitzen  to  Wolgast  ...... 

Schuler,  Max.  General-fieldmarshall  von  Manteuffel 
Schuller,  C.  Gardeuse  d’oies  ...... 

Schultheiss,  K.  The  Bee  Keeper  . . . . . 

— Old  Heads  and  Young  Hearts  ..... 

Schultze,  C.  Landscape  with  Mill  (Eifel  Mountains) 
Schiirman,  F.  Pheasant  Shooting  ..... 
Schwabe,  E.  Old  Christmas  Joys  . . . . . 

— A Delegation  of  Workmen  ..... 

Schweninger,  C.  Tete-a-Tete 

— Poetry  ......... 

— Reminiscences  ........ 

— The  Garden  of  Love  ....... 

— Hildegard  ......... 

— The  First  Cloud  ) n l 

t,  > Companions  ...  7 

— Evening  \ r ( 

Schwenzen,  H.  A Flower  of  the  Heath  .... 

— The  Little  Truant  ....... 

Schwiering,  H.  A Children’s  Party 

Seifert,  A.  Hypatia 

— A Vow 

Seitz,  O.  A Wave  ........ 

Sell,  Chr.  Battle  of  Koniggratz  ..... 

— Laying  the  Cable  Between  Berlin  and  Cologne 


Photographs 
Sizes. * 


/ 

*’  / 


Gravures. 
Size.  Price. 


* r f 

e i f 


r f 
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i f 
f 
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' f 
f 

i f 
i f 
i f 
f 


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i<|x2o|  $5 


14x21  5 


* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  ao. 


56 


3BerUn  ipbotograpbfc  Go.,  IRcw  HJorfc. 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


Gravures. 
Size.  Price. 


1456 

1 1 13 

1 1 14 
1146 
1229 
1299 

1315 

1386 

1401 

1404 

1406 

1410 

1414 

1449 

1477 

1521 

1522 
1532 
1544 

1656 

1666 

1716 

1717 

1718 

1719 

1724 

1725 

1802 
1833 
1842 

1853 

1854 

igiO 

I9II 

1915 

1916 

19 1 7 
2009 
2017 
2035 
2048 

2363 

2364 
1142 
1176 
1206 
1214 

1359 

1403 

1520 

1564 

1567 

1594 

1651 

1652 

1797 

1803 

1957 

2073 

2233 

2087 

562 


Sellmer,  C.  The  Poacher’s  Revenge 
Sichel,  N.  Girl  from  Thebe 

— Little  Johnnie 

— Fellah-girl  (Companion  to  No.  1113) 
— ■ Grecian  Girl  .... 

— Water  Carrier  1 

— Sicilian  Flower-Girl  - Companions 

— Pompeian  Girl  ) 

— • Little  Fritz  .... 

— Cetheris  (Companion  to  No.  1410) 

— In  Distress ..... 

— At  the  Sea-shore  (Companion  to  No. 

— Cleopatra  ..... 

- — • Dalmatian  Girl  .... 

— A Duo  ..... 

— Deborah  ) „ 

f'' ■ 1 c t*  <.  -Companions 

— Girl  of  1 rastevere  j 1 


Alceste 

The  Favorite  ( 

A Messenger  of  Love 


- Companions 


— Gipsy  Queen  \ n 

- Companions 

— Bajadere  ) v 

— A Beauty  of  the  Harem 

— Egyptian  Princess 
— - Summer 

— Odalisque  . 

— Aspasia 

— Yum-Yum  . 

— Mignon 

— Fatme  (Companion  to  No.  1666) 

— Fellahwife  with  Child 
In  Bondage  ) ^ 

— Jephtha  ^Companions 

— Neapolitan  Girl 

— A Roman  Girl 

— Pascuccia  . 

— Judith 

— Lydia 
— ■ Turandot  . 

— Vestal  Virgin 

— The  Girls  of  Tanger 

— Montenegrinian  . 

Siemiradzki,  H.  de.  The  Living  Torches 

— The  Sword  Dance 
— ■ The  Beggar 

— He  and  She 

— The  Rock  of  Tiberius  at  Capri 

— A Priest  of  Isis  . 

— Cremation  of  A South  Russian  Chief  (Tenth  cen 

tury)  

— - Summer  Night  in  Old  Pompeii  . 

— Warriors  of  Swiatoslaw  at  a Ritual  Massacre 
— - The  Song  of  the  Slave  .... 

— Rural  Scene  ...... 

— At  the  Fountain  ..... 

— Follow  a Good  Example  .... 

— Follow  a Good  Example  (detail  from  the  above) 

■ — - Phryne  at  Eleusis  .......  e 

— Woman  or  Vase?  .......  e 

— Representation  Mimique  du  Jugement  de  Paris  . . n 

Siepen,  A.  “ Good  Luck  ” 

Sinkel,  H.  J.  The  Nativity 

* The  letters  e n i r f indicate  the  sizes  in  'which  the  photos  are  published. 


. i 

j 

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f 

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1404) 

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53)  . 

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s of  Nero  . 

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7 

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18x1 1 


J 
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For  prices  see  p.  20, 


18x35 

21X29 

13x29 


I 2 
12 
10 


in.— photographs  anh  ©ravurc  prints. 


5* 


No. 


ARTIST  AND  TITLE. 


Photographs 
Sizes. # 


Gravures. 
Size.  Price. 


1795 

1S06 

1291 

1468 

1469 
1484 

1495 

1926 

2012 

566 

1683 


I Compan-  \ 
ions  1 


Sinkel,  H.  J.  Infant  Christ  with  the  IVth  ) 
Commandment 

— Sancta  Maria  Virgo 

Other  Companions  : Ittenbach,  Nos.  1436,  1857 
Skarbina,  F.  A Serious  Word 

— At  Variance 

— Intimacy  . 

— At  the  Seaside  . 

— On  the  Dike 
Sohn,  C.  A Japanese  Girl 

— At  the  Masquerade 
Sohn,  W.  Flemish  Woman 

— At  the  Spinning  Wheel 


rf 

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/ 


8xgJ  $2 
8xgl  2 


The  number  of  sacred  subjects 
published  by  us  is  very  large. 

A tnong  them  are  works  by  art- 
ists of  the  famous  Diisseldorf 
School , such  as  DEGER , IT- 
TENBACH, CARL  MUL- 
LER, etc. , who  are  represented 
in  our  collection  by  their  best 
productions. 


i860.  Ittenbach — Holy  Family7. 

170a  Solario.  Christ  Bearing  the  Cross  (Berlin)  . 

171a  — Head  of  Christ  (from  the  above)  (Berlin) 

2195  Solomon,  J.  J.  The  Judgment  of  Paris  . . n i f 25x1^ 

2.(03  — Narcissus  (for  Artist’s  Proof,  see  Part  I.) 

989  Sonderland,  Fr.  The  Forgotten  Birthday  Poem 
1297  — Temptation  .... 

1306  — Pussy’s  Temptation 

1362  — Before  the  Soiree  ) r- 

1365  • — - A Message  of  Spring  ( ompamons 

1366  — Turned  Out  .... 

1418  — Brother  and  Sister 

1428  — The  Emperor’s  Favorite  Flower 

1496  — Performance  in  a Menagerie 

1531  — Con  Amore 

1587  — Behave  Yourself  [ r, 

1588  — Chronological  Lesson  I onlPanlons 

1654  — Puss  at  Play  j (_ 

* The  letters  e n i r f indicate  the  sizes  in  which  the  photos  are  published . For  prices  see  p.  20. 


/ 

/ 

/ 

f 

f 

f 

f 

f 

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53 


Berlin  photographic  Co.,  Ittcw  lorb. 


No. 


s8o 

838 

1052 

1152 

1250 

1707 

1708 
2345 

924 

2188 

2189 

2190 

2191 

2192 


2246 

2247 
2311 
2097 
2141 

14 

24 

159 

633 

634 

635 
642 
769 
779 
807 
832 

845 

846 
S98 
899 

943 

944 

945 

946 

993 

994 
1036 
1056 
1088 
1 109 

1150 

1151 
1186 
1247 

1253 

1254 

1328 

1361 

1380 

1432 

1465 

1466 
1682 
1930 
2196 
2398 


ARTIST  AND  TITLE. 


Photographs  Gravures. 

Sizes.*  Size.  Price. 


Sperling,  H. 

— Taste 
— Hearing 
— Scent 
— Feeling 
— Sight 


r f 

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33) 


— Portrait  of  a horse 

— Mare  with  Foals 

— Roes  Pursued 

— Portrait  of  a boy 

— Queen  Louise  and  Her  Two  Eldest  Sons  . . . e i J 19x14 

Steinmetz,  Fr.  Souvenir  of  the  9th  of  March,  1888 

Stephens.  Summer n i f 15x29  12 

Stewart,  J.  A Baptism  (for  Artist’s  Proofs,  see  Part  I.) 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published . For  prices  see  p.  20. 


/ 
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r 


Spangenberg,  G.  Luther’s  Arrival  at  Worms 

— The  Procession  of  Death  . 

— The  Path  of  Virtue  or  of  Vice  . 

— Will  o’  the  Wisp  .... 

— The  Three  Maries  at  the  Holy  Sepulchre 

— Young  Luther  at  Mrs.  Cotta’s  House 

— St.  John’s  Eve  at  Cologne  . 

Speier,  Chr.  A Cavalry  Song  . 

He  Comes  .... 

1 

Companions 

)■  “ The  five  Senses”  in  scenes  from  the 
life  of  dogs 

The  above  together  as  Paravent  (Screen),  folio-size,  $5.00 

— The  same , as  Photogravure  in  extra  size  . . . e 

The  originals  are  in  possession  of  the  Berlin  Photographic  Company 

— Visit  of  Condolence 

— Reveries 

— Saved 

Spielter,  C.  Hard  Times 

— The  Miniature  . 

Steffeck,  C.  Steeplechase  (Companion  to  No.  6 

— Emperor  William  (Bust  with  helmet) 

— On  Horseback  . 

— Hallali  (Companion  to  No.  14) 

— Visiting  the  111  Friend 
— - The  Dead  Foal  . 

— The  Victor 

— Before  the  Race 

— The  Victor  of  Weissenburg  and  Worth 

— Albrecht  Achill  in  Fight  with  the  Nuremberghers 

— Dogs  at  Play 

— A Gipsies’  Rest 

— Good  Hope  from  Buccaneer  and  Gosse 

— Mare  and  Young 

— Boy  and  Hound  .... 

— The  Quitzows  Marauding  . 

— Emperor  William 

— Insurgent  (Portrait  of  a horse)  . 

— Diedenhofen  (Portrait  of  a horse) 

— General-Fieldmarshall  v.  Manteuffel 

— Mare  ...... 

— Pug-dog  ..... 

— Gipsy-boys  on  Horseback  . 

— ■ Stallions  ..... 

— Vitus  from  Blue  Gown  and  Perfection 
— ■ Linton  (Portrait  of  a horse) 

— A Rest  at  the  Well 
— - Stolz  from  Rustic  and  Sweet  Home 
• — - Portrait  of  a horse 

— Verveville  (Portrait  of  a horse)  . 

— Plappeville  (Portrait  of  a horse)  . 

— Portrait  of  a horse 

— The  First  Victory 


r f 
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f 
f 
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15x21 


15x34  12 


hi.— IPbotograpbs  anD  0ravurc  prints. 


59 


No.  ARTIST  AND  TITLE. 


1773  Stocks,  M.  Hostile  Brothers 

1774  — Pussy  at  Home  ........ 

1775  — The  Evict . 

1863  Stone,  Marcus.  In  Love 

1968  — The  Return 

2220  — Bright  Summer  ....... 

2151  Strudwick,  J.  M.  Elaine 

2337  Strutt,  Wm.  Watching  for  Stragglers  . . . . 

2338  — A Cloud  of  Witnesses  (for  Artist's  Proofs,  see  Part  I.) 

1069  Stryowski,  W.  Ruthenian  Idyl 

2167  — A Summer  Night  on  the  Weichsel  .... 


Photographs  1 Gravures. 

Sizes.  * Size.  Price. 


/ 

/ 

/ 

f 19x29  $12 

f 23x11  8 

f 19x12  5 

/ 21x15  5 


/ 

/ 

7 


The  Berlin  Photographic  Co.  has 
among  its  publications  productions  of  the 
most  diverging  tendencies.  To  all  aid- 
lovers  watching  the  development  of  mod- 
ern art  the  portfolio  containing  the  works 
of  the  Munich  “ SECESSIONISTS ” 
will  be  of  great  interest. 

For  particulars  see  Part  VI. 


2033  POTZELBERGER — HARMONY. 


1536  Suykens,  H.  Day  of  Confirmation f ' 

176a  Teniers,  d.  J.  The  Backgammon-Players  (Berlin)  . . f 

41a  Terburg.  Lady  Washing  Her  Hands  (Dresden)  . . / 

183a  — Paternal  Instruction  (Berlin) f 

684  Teschendorff,  E.  Ariadne  ......  >- 

2291  Thoma,  H.  Spring  Roundelay  . ...  13x10  3 

2293  — Landscape  ...  ....  10x13  3 

2294  — Ideal  Summer  Day  .......  10x12  3 


2123  Thumann,  Paul.  Art  Wins  a Heart  (Published  also  as 

facsimile  gravure,  see  Part  II.)  . . . . n i f j 20x15  5 

The  original  is  in  possession  of  the  Berlin  Photographic  Company\ 

515  Tidemand,  A.  The  Bridal  Procession  . . . e i r 

643  — Past  and  Future  ) „ . \ r 

655  - Family  Prayers  f Companions  . • , 

737  — Grandfather’s  Benediction  . . . . . e i r 

* The  letters  e n i r f indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20. 


6c 


aSerUtt  photographic  Co.,  1ft evv  Jl)ork. 


No. 

777 

1599 
na 
1 2a 
13a 
67a 
107a 
115a 
I33a 
151a 
1 60a 
168a 
177a 
1621 
2261 
880 
1562 

1778 

1779 
1869 
2106 
2061 
2297 

65 

21a 

141 

216 

348 

353 

542 

572 

649 

676 

74i 

798 

860 

916 

950 

963 

1071 

1175 

1320 

1407 

1523 

1 900 
1978 

J993 

2214 

2407 

24a 

49a 

15a 

1 6a 
17a 
149a 
2056 
2108 
2280 
1472 

1994 

1995 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


/ 

1 f 
f 

1 / 
* / 
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1 r / 

/ 

* / 
* / 


r / 
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r / 
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7-  / 

r y 
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r y 
/ 


Compan 


( « 


20x 1 5 $5 


14x21  5 

16^x13  5 


Tidemand  & Morten-Miiller.  Colonel  Sinclair  Landing  at 
Romsdalen,  1612  .... 

Tischbein,  d.  A.  Portrait  of  Lessing  when  a Youth 
Titian.  The  Tribute  Money  (Dresden) 

— Madonna  and  Woman  in  White  (Dresden)  . 

— Reposing  Venus  (Dresden)  .... 

— Girl  with  Vase  (Dresden)  .... 

— Titian’s  Mistress  (Paris)  .... 

— Lavinia  (Berlin)  ...... 

— Portrait  of  a Daughter  of  Rob.  Strozzi  (Berlin) 

— Head  of  Sleeping  Venus  (Dresden) 

— Flora  (Florence)  ..... 

— “ La  Bella  di  Tiziano”  (Florence) 

— Portrait  of  Plimself  (Berlin) 

Tobias,  A.  The  Little  House-keeper 
Torna,  O.  On  the  Malarsee  .... 

Treidler,  Ad.  Charles  V.  and  Francis  I.  . 

— At  Ischia  ....... 

— • Maruccia  (Italian  Girl)  .... 

— Roman  Girl 

— Carneval  in  Rome 

— Limoni 

Trood,  H.  W.  Breakfast 
v.  Uhde,  F.  The  Actor 

Unknown  Artist.  Portrait  of  the  Countess  Potocka 
Varotari.  Study  Head  (Dresden) 

Vautier,  B.  The  Anniversary  Dinner 

— A Funeral  in  the  Country  .... 

— Dancing-room  in  a Suabian  Village 

— At  the  Solicitor’s  .......  e 

— Bible  Lesson  ........  e 

— - The  Mother’s  Illness  .......  e 

— - In  the  Cloisters  . 

— - Snubbed 

— The  Bride’s  Departure  from  Home 

— First  Dancing  Lesson  (Companion  to  No.  1071) 

— The  Toilet  ...... 

— Going  to  the  Magistrate  (Companion  to  Nos.  741  and  igoo)  e 

— A Curious  Occurrence  .... 

— Hypochonder  ...... 

— - A Pause  in  the  Dance  (Companion  to  No.  7gS) 

— - The  Cousin  (Companion  to  No.  1407) 

— In  the  Barber’s  Shop  ..... 

— Playing  Old  Maiden  (Companion  to  No.  1175) 

— - Without  the  Painter’s  Permission 

— The  Christening  (Companion  to  Nos.  741  and  91'  ) 

— Much  Ado  About  Nothing  . 

— - The  Morning  Bath 

— Not  embarrassed 

— Calling  on  the  Friend 
Vautier-Album.  See  Part  VI. 

Velazquez.  Portrait  of  a Man  (Dresden) 
van  de  Velde.  Ice-Sport  (Dresden)  . 

Veronese.  The  Marriage  at  Cana  (Dresden) 

— The  Adoration  of  the  Magi  (Dresden) 

— Christ  on  the  Cross  (Dresden) 

— Christ  bearing  the  Cross  (Dresden) 

Vinea  F The  Fortune-teller  ) c anions 

— A New  Cavalier  . . ) r 

— Viens  a mon  aide,  Amour  . 

Vogel,  H.  Luther  Preaching  at  the  Wartbur 

Voillemot,  Ch.  Spring r j 

— L’orangere  (Bust  of  a woman)  .....if 
* The  letters  e n i r /indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  ao. 


Gravures. 
Size.  Price. 


26x32  15 

13x19  5 

13x20  5 


14x19  5 
14x19  5 
13x20  5 


15x20  5 
15x20  5 
20x14  5 


in  — ipbotograpbs  anJ>  (Sravure  prints. 


6r 


No. 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


2173 

422 

423 

808 

1054 

1055 
1608 

1843 

806 

2251 

2313 

1268 

1497 

1552 

1331 

t877 

2283 

2332 

1990 

1991 

1992 
2016 

51a 

317 

532 

646 

695 

843 

855 

928 

929 

930 

931 

932 
1104 

1238 

1239 

1240 

1241 
1258 

1350 

1351 

1429 

1462 

1505 

1541 


1542  — 

1543  — 

1620  — 

1671  — 

1989  — 

2122  — 

2321  — 


2409 

717 

I294 


Volker,  H.  Old  Ferry  near  Stralsund  .... 
Voltz,  Fr.  A Summer  Day  ) „ 

— Dusk  . . . j Companions 

Wach,  K.  W.  Psyche  and  Cupid  ..... 
Wagner,  C.  Emperor  William  the  Victorious  ) ^ 

— The  Victor  of  Worth  (Emperor  Frederick)  ) companions 

T^i-smnrrk  at  Vprcnillpc 


Gravures. 
Size.  Price. 

13x201  $5 


r / 


r f 


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21x16 

14x21 


21x16 


Bismarck  at  Versailles 

— Emperor  William  I.  and  his  Suite 
Waldmiiller,  F.  G.  After  School 
Waller,  S.  E.  The  Ruined  Sanctuary 
Waterlow,  E.  H.  The  Nursery 
Weese,  M.  A Surprise 

— Morning  in  the  Nursery 

— Two  families 

Weiser,  J.  Disturbed  smoking-party 

— Her  New  Mama. 

Weishaupt,  V.  In  the  Meadow 

— Cattle  .... 

Weisz,  A.  L’odorat  . 

— The  New  Model 

— An  Act  of  Courage 

— Easter  Holidays  . 

van  der  Werff.  The  Expulsion  of  Iiagar  (Dresden)  . 

Werner,  A.  v.  Count  Moltke  in  his  Study  at  Versailles 

— Count  Moltke  before  Paris  ..... 

— General-Fieldmarshall  Count  Moltke  . 

— Frieze  on  the  Victory-column  at  Berlin 

— La  festa  ........ 

— King  William  of  Prussia  proclaimed  Emperor  of  Ger- 

many, Versailles.  January  18,  1871  . 

— King  William  I.  arriving  at  Saarbriicken,  1870  . 

— Emperor  Frederick  and  Prince  Frederick  Charles 

— Victoria  (Allegory)  ...... 

— Prince  Bismarck  and  Fieldmarshall  Count  Moltke 

— The  Germans  assaulting  the  Heights  of  Spichern,  1870 

— The  Tribute  Money  ....... 

— Emperor  Frederick  . . . J ( 

— Prince  Frederick  Charles  . . (Companions  | 

— Prince  Bismarck  f (Bust,  oval)  I 

— General-Fieldmarshall  Count  Moltke  J 

— The  Baptism  ........ 

— The  Congress  at  Berlin  in  1878  . . . . . e 

— Emperor  William  I.  at  the  Mausoleum  of  Charlotten- 

burg  before  leaving  for  the  War,  1870  . . e i 

— Founding  the  Order  of  the  “ Black  Eagle.”  . . i 

— Baptism  of  Emperor  William’s  Great-grandson,  18S2  i 

— Silesian  Rifles  No.  5 at  Floing,  1870  . ...  i 

— General  Reille  delivering  Napoleon’s  Letter  of  Sur- 
render to  King  William  . . . . . e i 

Meeting  of  Bismarck  and  Napoleon  on  the  Mainroad 

of  Donchery  . . . . . . . e i 

— Moltke  at  Sedan  watching  the  Progress  of  the  Battle  . i 

— The  Capitulation  of  Sedan  ......  e 

— King  William  of  Prussia  proclaimed  Emperor  of  Ger- 

many at  Versailles,  1871  . . . . . e 

— Emperor  William  II.  (half  length)  . . . e i 

— Konigsberg,  June  18,  1701  (Companion  to  No.  1671)  . e i 

— Opening  of  the  Reichstag  through  Emperor  William  II. 

the  25th  of  June,  1888.  (Published  only  in  extra 
large  size,  29x49  inches  at  $50) .... 

— In  the  Quarters  before  Paris,  1870  ....if 

Widman,  F.  Spoils  of  the  Chase i r 

Wieschebrink,  H.  Ave  Maria  ......  f 1 

* The  letters  e n i r f indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  20, 


28x33  15 


62 


Berlin  lpbotograpbfc  Co.,  IRcvv  JlJork. 


ARTIST  AND  TITLE. 


Photographs 
Sizes.  * 


2388 

1865 

2359 

1867 

221X 

1105 

1106 

1 107 

1108 

2245 

1286 

46a 

2285 

528 

2346 

1870 

2312 

1506 

1829 

1830 
25a 


Companions 


J 


/ 

r f 

f 

f 

f 

f 

f 

f 

f 

f 

f 

r 

f 

f 

f 

f 

f 

7 

/ 


Gravures 
Size.  Price. 


Wilke,  H.  Socrates  taking  Leave  of  his  Pupils 
Williams-Haynes,  J.  The  Miniature 

— No  Thoroughfare.  (For  Artist’s  Proofs  see  Part  I.) 

Wimmer,  R.  Portrait  of  Emperor  William  II.  (Bust.) 

— Emperor  Wilhelm  II.  on  horseback  . 

Wislicenus,  H.  Spring 

— Summer 

— Autumn 

— Winter 
Wolff,  W.  Hedda 

Woltze,  B.  Lovers  ..... 

Wouwerman.  Starting  for  the  Hunt  (Dresden) 

Wunderlich,  H.  Holy  Handkerchief  of  St.  Veronica 
Wiinnenberg,  C.  The  First-born. 

— Wooing  (for  Artist’s  Proof,  see  Part  I.) 

Zaak,  G.,  How  Happy  Could  1 Be  with  Either 
Zieger,  H & Becker,  Evening  Idyl  . 

Ziegler,  Th.,  Dr.  Martin  Luther  (after  Lucas  Cranach) 

Zimmermann,  C.,  Stag  and  Roes 

— Stag  in  Spring 
Zurbaran,  St.  Coelestin  (Dresden) 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p. 


10x14  $3 


20|xI2i  5 


Copyright  by  Photographische  Gesellschaft 

2248.  Calderon — Orphans. 


IV. 

SYNOPSIS  OF  A SELECTION  OF  POPULAR  PICTURES 


ARRANGED  ALPHABETICALLY  ACCORDING  TO  THE  TITLES,  WITH  SHORT 
EXPLANATIONS  OF  SUBJECTS 


03 


This  Part  contains  a selection  of  popular  pictures  from  Part  III. 

It  is  arranged  alphabetically,  according  to  their  titles,  including  a list  of 
portraits  of  prominent  persons,  and  is  intended  for  the  use  of  those  not  familiar 
with  the  names  of  the  artists. 


54 


1 17a.  Guido  Reni — Aurora 


IV. 

Synopsis  of  a selection  of  popular  pictures,  arranged  alphabetically, 
according  to  titles,  with  short  explanations  of  subjects. 

Full  particulars  of  the  editions  published  of  the  pictures  mentioned  in  the 
following  list  will  be  found  in  Part  III.,  under  the  names  of  the  respective  artists. 


TITLE.  ARTIST.  NO. 

ADAGIO J.  C.  Herterich.  1777 

Ideal  female  figure  floating  on  the  clouds,  lulling  little  Cupids  to  sleep  by  the  music 
of  her  violin. 

AFTERNOON  IN  HYDE  PARK J.  v.  Chelminski.  1821 

Sporting  scene  in  Rotten  Row. 

AFTER  THE  BATH G.  Papperitz.  2109 

Female  figure. 

AFTER  WATERLOO A.  Gow.  2119 

Napoleon  and  his  troops  on  the  retreat  after  the  battle  of  1814. 

AHASVER.  (Original  in  the  Metropolitan  Museum  of  New  \ork)  . . G.  Marr.  1217 

ALLEGRO J-  C.  Herterich.  1862 

Ideal  female  figure  arousing  little  Cupids  from  sleep. 

AMUSING  STORY Ed.  GrOtzner.  1189 

Jolly  monks  reading  a humorous  book. 

ARRIVAL  AT  SAKKINGEN  . . . ...  . R.  Assmus.  2215 

Illustration  to  Scheffel's  poem  : “ The  Trumpeter  of  Sakkingen. 

ART  WINS  THE  HEART p-  Thumann.  2123 

Young  Pompeiian  painting  a vase,  while  a young  girl  looks  admiringly  at  his  work. 

See  illustration  on  page  35. 

THE  ARTIST  AND  HER  MODEL  . L-  Knaus.  1S87 

Woman  artist  painting  little  Cupid  from  life. 

65 


66 


Berlin  ipbotocirapbic  Co.,  IRcvv  l?ork. 


TITLE.  ARTIST. 

AS  THE  OLD,  SO  THE  YOUNG L.  Knaus. 

A picnic  party  of  the  last  century. 

AT  THE  WELL  G.  Schroedter. 

Nymph. 

AURORA.  (See  illustration  on  page  65)  Guido  Reni. 

BATH  OF  PSYCHE Sir  Fred.  Leighton. 

Psyche  preparing  to  descend  into  the  bath. 

BERLIN  CONGRESS,  1878 A.  v.  Werner. 

This  picture  gives  portraits  of  all  the  prominent  members  of  that  famous  Congress. 

BISMARCK  IN  VERSAILLES C.  Wagner. 

Prince  Bismarck  stipulating  the  terms  of  peace  with  Thiers  and  Jules  Favre. 

BOARS  FIGHTING C.  F.  Deiker. 

BONJOUR,  PETITE  MAMAN  .........  E.  Munier. 

Young  girl  bidding  her  mother  “ Good  Morning.” 

THE  BRIDE’S  DEPARTURE  FROM  HOME B.  Vautier. 

Bridal  scene  in  Alsatian  village. 

THE  BROKEN  PITCHER Greuze. 

Female  figure  ; (Original  painting  in  the  Louvre.) 

BROTHER  BUTLER  .........  Ed.  Grutzner. 

Old  monk  stealing  a sly  libation. 

BUILDING  THE  PYRAMIDS.  (Original in  the  Maximilianeum,  Munich)  G.  Richter. 

CAPITULATION  OF  SEDAN A.  v.  Werner. 

Bismarck  and  Moltke  conferring  with  Wimpffen  and  other  French  Generals  after  the 
battle  of  Sedan. 

CAPTIVE  ANDROMACHE Sir  F.  Leighton. 

The  wife  of  Hector,  after  the  fall  of  Troy,  carrying  water  with  other  Greek  women. 

THE  CARD  PLAYERS Ed.  Grutzner. 

CARNIVAL  AT  VENICE . C.  Becker. 

Mediaeval  carnival  scene. 

CHARITY L.  Knaus. 

Ideal  group  of  Mother  and  children. 

CHARLES  V.  AT  FUGGER’S C.  Becker. 

Fugger,  the  rich  merchant,  having  invited  the  Emperor  to  dinner,  burns  the  bills  his 
Majesty  owes  him,  during  the  progress  of  the  dinner.  (Original  in  the  Berlin 
National  Gallery.) 

CHERUB  CHOIR Sir  J.  Reynolds. 

Angel  heads  (Original  in  the  London  National  Gallery.) 

THE  CHILD  HANDEL  Margaret  Dicksee. 

The  great  composer,  when  a small  boy,  steals  into  the  attic  in  his  nightrobe,  and  while 
playing  upon  an  old  spinet,  is  surprised  by  his  parents. 

See  illustration  on  page  33. 

CHOOSING  THE  CASKETS F.  Barth. 

From  “ Merchant  of  Venice.” 

“CHOPIN” F.  M.  Bredt. 

Young  lady  sitting  in  the  twilight  and  playing  from  her  favorite  composer. 

See  illustration  on  page  37. 

CHRIST  AND  THE  DISCIPLES  IN  EMMAUS C.  Muller. 

Christ  blessing  the  bread. 

CHRIST’S  ENTRANCE  INTO  JERUSALEM Ernst  Deger. 

CHRIST  IN  THE  GARDEN  OF  GETHSEMANE.  (The  original 

of  this  painting  is  in  the  possession  of  the  Berlin  Photographic  Co.)  . II.  Hofmann. 
See  illustration  on  page  17. 


NO. 

834 

2198 

117a 

2096 

1350 

1608 

1890 

2276 

74i 

noa 

455 

427 

1620 

1920 

1166 

1575 

1786 

799 

1 18a 
2314 

616 

2303 

1845 

2071 

2037 


iv.— Sgnopsis  of  Cities. 

67 

TITLE. 

ARTIST. 

NO. 

CINDERELLA 

1685 

CLEARNESS  AFTER  RAIN  . 

Marine. 

204I 

“COME  UNTO  ME  ALL  YE  WHO  ARE  WEARY,”  etc.  . 
Christ  healing  the  sick. 

A.  Dietrich. 

1872 

CONGRESS  OF  DOGS  FOR  EMANCIPATION 

FROM  MASTERS  . A.  Gilli. 

2180 

THE  CONNOISSEURS  ....  I 

Scenes  in  C 

. Ed.  Grutzner. 

971 

COOK  AND  BUTLER 

1 wine-cellar  | 
1 of  a 'j 

. 

669 

THE  COOPERAGE  OF  THE  MONASTERY.  J 

I monastery.  [ 

“ 

1470 

A CORNER  OF  THE  LAKE L.  C.  Nightingale. 

Young  ladies  lounging  in  a boat,  while  another  picks  apples  upon  shore. 

See  illustration  on  page  74. 

2277 

A CRITICAL  MOMENT 

Sporting  scene. 

G.  Koch. 

n6o 

CRUCIFIXION 

. . E.  Deger. 

2052 

CUPIDS  IN  AMBUSH 

2227 

CUPID  IN  DISGRACE 

Cupid  crying  with  his  broken  arrow. 

1982 

A DAY  WITH  THE  OAKLEY  . 

Series  of  four  fox-hunting  scenes. 
See  illustration  on  page  10. 

A DEAD  HEAT A.  J.  Elsley. 

Puppies  climbing  up  a staircase  at  the  top  of  which  sits  a little  girl  with  a morsel  in 
her  outstretched  hands. 

2281 

DEJEUNER 

Dogs,  kittens,  and  chickens  at  breakfast. 

201 1 

DEPARTURE  FROM  SAKKINGEN  . 

Companion  to  “Arrival  at  Sakkingen.” 

1861 

DIANA 

Figure  of  goddess  with  moon  as  arrow. 

. L.  Perrey. 

2145 

A DREAM 

Maiden  asleep  on  bench,  surrounded  by  playful  Cupids. 

1851 

DURER  IN  VENICE 

The  German  artist  visiting  Titian. 

298 

AN  EARTHLY  PARADISE  . . . . 

Young  mother  caressing  her  first-born. 

L.  Alma-Tadema. 

2226 

ECCE  AGNUS  DEI 

Madonna  with  Child. 

. F. Ittenbach. 

640 

ECCE  COR  QUOD  MUNDUM  TANTOPERE  DILEXIT 
Sacred  heart  of  Christ. 

F.  Ittenbach. 

879 

ECCE  FIOMO  (Oval  head) 

II2a 

THE  ECHO 

Half-length  female  figure. 

2272 

EGO  DILECTO  MEO  ET  AD  ME  CONVERSIO  EJUS  . 
Madonna  and  child. 

. F.  Ittenbach. 

998 

ELAINE 

I.  M.  Strudwick. 

2151 

Female  figure  lost  in  thought. 


EMPEROR  NAPOLEON  CONDUCTED  TO  EMPEROR  WILLIAM 
BY  BISMARCK  ON  THE  MORNING  AFTER  THE  BATTLE 

OF  SEDAN W.  Camphausen.  784 


68 


JScrlin  ipbotograpbfc  Go.,  IRcw  I)orh. 


title.  artist. 

FAIRY  OF  THE  ALPS  . . . . . . . . . . K.  Dielitz. 

A chamois  hunter  sleeping  near  a rocky  precipice  while  a mountain  fairy  guards  his 
slumber. 

FAIRY  TALE  ............  G.  Graef. 

A raven  is  about  to  bear  away  the  fish  skin  which  a river  nymph  is  casting  off. 

FALSTAFF  SERIES: 

1.  F ALSTAFF  AND  HIS  PAGE Ed.  GRUTZNER. 

2.  “ Here  I Lay  and  thus  I Bore  My  Point  ” ....  “ 

3.  Falstaff  in  Boar’s  Head  Tavern 

4.  Falstaff  on  the  Battle-field  “ 

5.  F ALSTAFF  AND  Mrs.  FORD 

6.  Falstaff  Recruiting “ 

7.  Falstaff  and  Bardolph “ 


FARAGLIONI  NEAR  CAPRI  A.  Leu. 

THE  FAVORITE  MARK  .........  Ed.  Grutzner. 

FELICIE  . G.  Graef. 

Female  figure. 

LA  FIANCEE  ............  E.  Bisson. 

Female  figure,  half  length,  with  Cupids. 

FIGHT  BEHIND  THE  FENCE . L.  Knaus. 

Boys  settling  a dispute. 

FIRE  K.  Dielitz. 

Wotan’s  farewell  to  Brunhilde  from  “ Walkure.” 


NO. 

1274 


1629 


891 

892 

893 

894 

895 

896 
2223 

2045 

628 

1163 


2204 


2229 

1528 


FIRST  CLOUD C.  Schweninger.  2118 

Lovers  in  rococo  costume  ; the  young  man  is  trying  to  reconcile  his  pouting  sweetheart. 

See  illustration  on  page  46. 

FIRST  LOVE C.  v.  Bodenhausen.  2040 

Female  figure,  half-length. 

FLOREAL . E.  Bisson.  2238 

Female  figure  with  flowers. 

See  '.llustration  on  page  25. 

A FLOWER  OF  THE  HEATH H.  Schwenzen.  1597 

Little  girl  standing  in  the  heather. 

FORETASTE  OF  SUMMER  . . . . . . L.  C.  Nightingale.  2093 

Maiden  sitting  in  a boat  on  the  lake. 

FORTUNE  TELLER F.  Vinea.  2056 

Scene  in  an  Italian  tavern  in  the  XVI Ith  Century. 

GOETHE  AND  FRIEDERIKE H.  Kaulbach.  1937 

Goethe  reciting  his  poems  to  Friederike. 

GOETHE  IN  SESENHEIM A.  Borckmann.  561 

The  young  poet  introduced  into  the  family  of  the  parson. 

A GRECIAN  SLAVE  VASE-BEARER II.  Nonnenbruch.  2027 

Female  figure,  half-length. 

GRETCHEN  IN  CHURCH H.  Kaulbach.  1999 

HAPPY  SLEEP L.  Perrault.  2217 

Cupid  asleep. 

HARMONY R.  Poetzelberger.  2033 

Young  girl  standing  at  the  piano,  with  one  hand  gliding  over  the  keyboard,  lost  in 
thought. 

See  illustration  on  page  59. 

HARMONY  (A  Rehearsal) W.  Firle.  2258 

Young  girls  playing  and  singing  to  an  old  woman,  who  is  listening  attentively  in  an 
armchair. 

See  illustration  on  page  52. 


iv.— synopsis  of  attics.  69 

title.  artist.  no. 

HEAVY  LOAD  ............  F.  Morgan.  1826 

Two  children  carrying  their  little  brother  in  a basket. 

HOLY  FAMILY F.  Ittenbach.  i860 

See  illustration  on  page  57. 

HOLY  FAMILY  IN  EGYPT  ........  F.  Ittenbach.  927 

With  lamb. 

HOLY  FAMILY.  (Original  painting  in  the  Metropolitan  Museum  of  New 

York) L.  Knaus.  81 1 

HOLY  FAMILY.  (Original  in  the  Metropolitan  Museum  of  New  York.)  . C.  Muli.er.  304 

HOLY  NIGHT.  (Original  in  the  possession  of  the  Berlin  Photographic  Co.),  C.  Muller.  1589 

Companion  to  the  above. 

HOLY  NIGHT.  (Original  in  the  Dresden  Gallery)  .....  Correggio.  63a 

HUNT  AFTER  FORTUNE R.  Hf.nneberg.  800 

Fortune  on  a bubble,  decoying  a knight  upon  a frail  bridge,  over  a frightful  chasm, 
into  which  Death,  who  is  riding  at  his  side,  is  about  to  hurl  him. 

THE  HUNTER’S  STORY Ed.  Grutzner.  627 

A Hunter  telling  his  adventures  to  an  interested  audience. 

HYPATIA A.  Seifert.  1977 

The  Greek  philosopher  sitting  in  a landscape  view. 

IDYL  G.  Papperitz.  1836 

Nymphs  in  a grove. 

IMMACULATE  CONCEPTION.  (Original  in  the  Louvre)  . . . Murillo.  119a 

IMMACULATE  CONCEPTION C.  Muller.  1164 

The  Virgin  standing  on  the  head  of  a dragon. 

INFANT  CHRIST  WITH  THE  IVth  COMMANDMENT  . . H.  J.  Sinkel.  1795 

Bust.  See  illustration  on  page  47. 

INFANT  JESUS F.  Ittenbach.  1857 

Bust. 

IN  GREAT  DISTRESS L.  Knaus  240 

A little  girl  eating  bread  and  butter  is  attacked  by  geese. 

IN  HONOR  OF  HIS  EMINENCE  .......  Ed.  GrOtzner.  1959 

Monks  playing  before  the  Cardinal. 

IN  LOVE Marcus  Stone.  1863 

Lovers  sitting  opposite  each  other  at  a table  in  the  park,  talk  in  love  glances. 

IN  THE  CLOISTER  CELLAR Ed.  Grutzner.  474 

Brother  Butler  found  by  his  Abbot  asleep  in  the  wine  cellar. 

JAIRUS’  DAUGHTER.  (Original  in  the  Berlin  National  Gallery)  G.  Richter.  856 

JUDGMENT  OF  PARIS J.  J.  Solomon.  2195 

The  Three  Goddesses  awaiting  the  decision  of  Paris. 

THE  LAST  SUPPER.  (Original  in  the  Berlin  National  Gallery)  . . E.  Gebhardt.  184 

LITTLE  PEPITA C.  Mucke.  576 

A little  girl  dancing  before  her  grandfather  who  is  playing  a harmonica. 

LITTLE  RED  RIDINGHOOD F.  IIiddemann.  1634 

MADONNA.  (Original  in  Darmstadt) Holbein.  1830 

For  particulars  see  Part  V. 

MADONNA  DELLA  SEDIA  ...  Raffaf.l.  116a 

Madonna  of  the  chair. 

MADONNA  DI  SAN  SISTO Raffael.  221b 

For  editions  from  the  original , both  full  length  and  bust,  see  Part  V. 


?o  ^Berlin  Ipbotocirapbic  Co.,  Ittew  H)orb. 

TITLK-  ARTIST. 

MADONNA  ENTHRONED  F.  Ittenbach 

MADONNA  OF  THE  GROTTO C.  Muller 

MADONNA  OF  THE  HOLY  ROSARY  ......  U.  Ribustini. 

Pope  Leo  XIII.  kneeling  before  the  Madonna. 

THE  MAIDEN’S  DILEMMA E.  Grutzner. 

Girl  between  two  admirers  both  of  whom  offer  her  a bunch  of  flowers. 

MARIA  VIRGO  ...........  F.  Ittenbach. 

Bust. 

MATER  CHRISTI . . F.  Ittenbach. 

Half  length. 

MATER  DOLOROSA  ...........  Murillo. 

Head  of  Madonna  (square).  Companion  : Penitent  Magdalen,  by  Guido  Reni. 

MATER  DOLOROSA  Dolci. 

Head  of  Madonna  (oval.)  Companion  : Ecce  Homo,  by  Guido  Reni. 

MILL  IN  THE  EIFEL  MOUNTAINS  . C.  Schultze. 

Landscape. 

MORNING  BATH  ..........  B.  Vautier. 

A boy  stands  in  the  bath-tub  crying,  while  his  little  sister  is  leisurely  putting  on  her 
stockings. 

MORNING  PRAYER  AT  J.  S.  BACH’S T.  E.  Rosenthal. 

The  family  of  the  great  composer  practising  music. 

MOTHER’S  HAPPINESS  . . . . . . . . C.  v.  Bodenhausen. 

Young  mother  with  child. 

MOZART’S  DEATH H.  Kaulbach. 


The  dying  composer  listening  to  the  angelic  melodies  of  his  “ Requiem,”  which  his 
friends  are  singing. 

MOZART  AND  HIS  SISTER  PLAYING  BEFORE  MARIA  THERESIA. 


A.  Borckmann. 

MUCH  ADO  ABOUT  NOTHING B.  Vautier. 

A little  boy  sits  crying  in  a bath-tub  because  a goat  looks  in  at  the  door. 

NEAPOLITAN  BOY G.  Richter. 

Head. 

THE  NEW  CAVALIER F.  Vinea. 

Young  man  dressed  in  costume  of  XVI  Ith  Century  introduced  to  a gathering  of  Ladies. 

NYMPH  BATHING G.  Papperitz. 

NYMPH  AND  CUPID G.  Papperitz. 

Nymph  is  sitting  on  the  bank  of  a brook,  while  a Cupid  whispers  into  her  ear. 

THE  OLD  CHRONICLE Ed.  Grutzner. 

A monk  reading  from  an  old  book. 

OLD  FRIENDS Ed.  Grutzner. 

“ A clover  leaf.” 

OLD  SONGS  . . . , R.  Poetzelberger. 

Young  girl  (half  figure)  sitting  at  a piano  reading  music. 

AN  OLD  STORY L.  Alma-Tadema. 

Old  Roman  couple  sitting  on  a bench. 

“ OF  THEE  I THINK  ” W.  Firle. 

Young  girl,  half  figure,  sitting  at  a window. 

OTHELLO  DEFENDING  HIMSELF  BEFORE  THE  DOGE.  . . . C.  Becker. 

OTHELLO  NARRATING  HIS  ADVENTURES  TO  DESDEMONA 

AND  HER  FATHER C.  Becker. 


NO. 

537 

783 

1808 

650 

1436 

2086 

114a 

Ilia 

1799 

r993 

740 

2228 

490 

1324 

1978 

26 

2108 

2288 

2210 

2161 

1190 

2032 

1603 

2295 

1678 

1252 


iv.— Synopsis  of  titles.  71 


TITLE.  • ARTIST.  NO. 

PENITENT  MAGDALEN  (Bust) Guido  Reni.  113a 

Companion  : Mater  Dolorosa  by  Guido  Reni. 

PHOEBE L.  Perrey.  2060 

Floating  female  figure,  holding  a star  above  her  head. 

PHRYNE  AT  ELEUSIS H.  Siemiradzki.  1957 

Scene  from  the  Eleusinian  festivals  in  old  Greece,  where  beautiful  Phryne,  representing 
the  Goddess  Venus,  is  preparing  to  dive  into  the  sea  before  an  admiring  audience. 

THE  PIPER  OF  IIAMELN  .........  H.  Kaulbach.  1935 

Representing  the  old  German  legend  of  the  Rat-catcher,  who  kidnapped  first  the  rats 
and  then  the  children  of  the  town  of  Hameln,  through  the  magic  of  his  pipes. 

POINTER  AND  SETTER C.  F.  Deiker.  1455 

PORTRAITS  : 

A UGUSTA  VICTORIA,  EMPRESS  OF  GERMANY  (full  length ).  . Kiesel.  1934 

BARNAY  AS  MARC  ANTHONY  (half  length)  ....  Alma-Tadema.  1435 

BEETHOVEN  (half  length)  ..........  Rodig.  2351 

BEETHOVEN  (bust)  ...........  Rodig.  2352 

BISMARCK  (half  length) Lenbaeh.  1664 

BISMARCK  (bust)  ...........  Lenbaeh.  1817 

B ISM A RCK  (bust,  cuirassier' s uniform)  . .......  Dielitz.  ngi 

BLUCHER  (on  horseback)  .........  Neuhaus.  2163 

CUR  TIUS  (full  figure)  ..........  Lepsius. 

From  the  portfolio  “ Secession,"  see  Part  VI. 

CHARLOTTE,  PRINCESS  OF  MEININGEN Lenbaeh.  1895 

COPERNICUS  ( full  figure ) Brausewetter.  2140 

COUNTESS  POTOCKA  (bust)  .......  Unknown  artist.  65 

FREDERICK  III.,  EMPEROR  OF  GERMANY  (on  horseback)  . . Steffeck.  779 

FREDERICK  III.,  EMPEROR  OF  GERMANY  (half  length)  . . v.  Angeli.  618 

FREDERICK  III.,  EMPEROR  OF  GERMANY  (bust)  . . . v.  Angeli.  1617 

FREDERICK  THE  GREAT  (on  horseback)  ......  Camphausen.  174 

FREDERICK  THE  GREAT  (half  length) Meyn.  1776 

FREDERICK  WILLIAM,  THE  GREAT  ELECTOR  (on  horseback ) . Camphausen.  1043 
GERHAR  T HA  UPTMANN,  THE  GERMAN  PL  A Y WRIGHT  (bust).  Liebermann. 

From  the  portfolio  “ Secession,"  see  Part  VI. 

v.  HELMHOLTZ  (full  length) Knaus.  1583 

KOSSUTH  (full  length) Parlaghi.  1831 

KOSSUTH  (bust)  ...  .......  Parlaghi.  1832 

LEO  XIII.  (bust)  ...........  Ribustini.  1901 

LESSING  AS  A YOUTH Tischbein.  1599 

LISZT  (bust)  ............  Lenbaeh.  2-jq 

LUTHER  (full  figure)  ........  Brausewetter.  2139 

LUTHER  (bust)  ...........  .Ziegler.  1506 

■v.  MANTEUFFEL  (on  horseback)  . . .....  Schuler.  1508 

v.  M A NTEUFF EL  ( half  length)  ........  v.  Angeli.  1210 

MARIA  TH  ERE  SI  A (on  horseback)  ......  .Camphausen.  1636 

v.  MOLTKE,  IN  HIS  STUDY  AT  VERSAILLES  (full  length).  . v.  Werner.  317 
v.  MOLTKE  ( half  length)  .........  Lenbaeh.  1615 

v.  MOLTKE  (bust) Lenbaeh.  1616 

MOMMSEN  (full  figure) Knaus.  1584 

MOZART  SITTLNG  A T THE  PIANO  (full figure) Rodig.  2411 

MOZART  (bust)  - Rodig.  2412 

NORDENSKJOLD  (full figure) . Rosen.  1730 


72 


JBcrlln  ipbotograpbic  Co.,  IRcw  l?orh. 


TITLE.  ARTIST.  NO. 

PADEREWSKI  (bust) Alma-Tadema.  2329 

HANS  RICHTER.  THE  ORCHESTRA  LEADER  (bust)  . . Alma-Tadema.  1434 

LUDWIG  RICHTER,  THE  ARTIST  (full figure) Pohle.  1284 

PRINCE  FREDERICK  CHARLES  (half  length) v.  Angeli.  842 

PRINCE  FREDERICK  CHARLES  (bust) v.  Werner.  1239. 

QUEEN  LOUISE  (full  length) Richter.  1171 

See  illustration  on  page  4Q 

QUEEN  LOU I SE  ( half  length, part  from  above)  .....  Richter.  1864 
QUEEN  LOUISE  (bust,  part  from  above)  ......  Richter.  1646 

QUEEN  LOUISE  AND  HER  TWO  SONS Steffeck.  1682 

v.  SEYDLITZ  (on  horseback)  ........  Camp  hausen.  757 

v.  UHDE  (bust)  ...........  Samberger. 

From  the  portfolio  “ Secession,”  see  Part  VI. 

RICHARD  WAGNER  (bust) Lenback.  278 

WILLIAM  /.,  EMPEROR  OF  GERMANY  (on  horseback)  . . . Camphausen.  613 

WILLIAM  /.,  EMPEROR  OF  GERMAN  V (full figure)  . . . Richter.  901 

WILLIAM  /.,  EMPEROR  OF  GERMANY  (full  fgure)  . . .Camphausen.  1535 

WILLIAM  I.,  EMPEROR  OF  GERMANY  (half  length)  . . . v.  Angeli.  667 

WILLIAM  I.,  EMPEROR  OF  GERMANY  (bust)  ....  Richter.  1053 
WILLIAM  II.,  EMPEROR  OF  GERMANY  (on  horseback)  . Wimmer.  1867 

WILLIAM  II.,  EMPEROR  OF  GERMANY  (full  fgure)  . . . . Koner.  2099 

WILLIAM  II.,  EMPEROR  OF  GERMANY  (half  length)  . . . v.  Werner.  1989 

WILLIAM  II.,  EMPEROR  OF  GERMAN  Y (bust)  ....  Holtzbecher.  1882 
WILLIAM  II.,  EMPEROR  OF  GERMANY  (admiral's  uniform)  . . Prell.  1921 

WILLIAM  II.,  EMPEROR  OF  GERMANY  (hunting  costume)  . . . Fatal.  1751 

ZIETHEN  (on  horseback) Camphausen.  993 

QUEEN  LOUISE  OF  PRUSSIA.  (See  under  Portraits) 

A QUESTION Blair  Leighton.  2229 

A young  girl  leaning  against  the  garden  wall  while  her  lover  in  riding  suit  is  stand- 
ing before  her. 

RACING  AT  EPSOM  DOWNS J.  D.  Cullin.  2147 

THE  RAPE  OF  HELENA.  (Original  in  the  Berlin  National  Gallery).  R.  v.  Deutsch.  1122 

READING  FROM  HOMER.  (Original  in  the  Metropolitan  Museum 

of  New  York) L.  Alma-Tadema.  1672- 

See  illustration  on  page  23. 

RECREATION.  (Single  figure) Ed.  Grutzner.  853. 

ROMEO  AND  JULIET  BEFORE  FATHER  LORENZO  . . . C.  Becker.  1490 

ROMEO  AND  JULIET G.  Papperitz.  2004 

The  “ Balcony  Scene.” 

SACRED  HEART E.  Deger.  2089 

Christ,  full  figure,  sitting. 

SACRED  HEART F.  Ittenbach.  879 

Full  figure,  standing. 

SAPPHO  AND  ALKAEUS L.  Alma-Tadema  1342 

SAVED H.  Sperling.  2311 

A kitten  protected  by  a large  dog  from  the  attacks  of  other  dogs. 

See  illustration  on  page  30. 

TPIE  SEASONS  ....  Wislicenus.  1105-8 

Series  of  four  pictures  representing  allegorical  female  figures. 

SERAPHINE E.  Bisson.  2237 

Female  figure,  half  length. 


iv.— Sgnopsis  of  trifles. 


73 


TITLE.  ARTIST.  NO. 

SHkINE  OF  VENUS L.  Alma-Tadema  1899 

Girls  in  the  irigidarium  of  a bath  in  Ancient  Rome. 

SIESTA  IN  THE  MONASTERY  .......  Ed.  Grutzner.  1317 

A concert  of  monks. 

SPRING  FLOWERS  (See  illustration  on  page  41)  .....  H.  Rae.  2255 

Female  head  with  wreath  of  flowers. 

SPRING  TIME  OF  LOVE  .........  O.  Lingner.  2241 

A maiden  walking  through  the  fields,  finds  Cupid  asleep  behind  a bush. 

ST.  ANNE  WITH  INFANT  MARY  . . . . C.  MOller.  1446 

ST.  ANTHONY  OF  PADUA  .........  Murillo.  155a 

The  saint  surrounded  by  angels  caressing  the  Christ  child.  (Original  in  the  Berlin 
Museum.) 

ST.  ANTHONY  OF  PADUA  .........  Murillo.  189a 

The  same,  oval  bust  of  St.  Anthony  with  child. 

ST.  CECILIA  ............  C.  Dolci.  150a 

Half  figure  at  the  organ  with  lily.  (Original  in  the  Dresden  Gallery.) 

ST.  CECILIA G.  Naujok.  2219 

Half  figure  at  the  organ  looking  upwards,  from  where  a group  of  angel  cherubs  are 
shedding  flowers  over  the  organ  keyboard. 

See  illustration  on  page  45. 

ST.  ELISABETH F.  Ittenbach.  539 

ST.  FRANCIS  OF  ASSISI “ 538 

ST.  JOHN  THE  BAPTIST “ 1858 

Full  figure. 

ST.  JOSEPH  WITH  INFANT  JESUS C.  Muller.  1447 

ST.  MARY  AND  ELISABETH “ 1698 

“ SUFFER  LITTLE  CHILDREN  TO  COME  UNTO  ME”  . C.  G.  Pfannschmidt.  1772 
Christ  blessing  children. 

SUMMER R.  Stephens.  2196 

Group  of  girls  lounging  upon  a bench  surrounded  by  garlands  of  flowers. 

SUMMER  OF  LIFE  ...........  O.  Begas.  1558 

Mother  and  child. 

SUNSET  NEAR  CAPRI A.  Leu.  2046 

SUSPENSE  . L.  C.  Henley.  2115 

Lover  kneeling  before  his  sweetheart. 

SWEETHEARTS PI.  Koch.  2256 

A young  couple  walking  through  an  alley  of  blossoming  trees. 

STUDY  HEAD  TO  THE  PORTRAIT  OF  QUEEN  LOUISE  . . G.  Richter.  1561 

TAKE  CARE,  DOGGY! C.  F.  Deiker.  1526 

A pointer  chasing  a hare. 

TANNHAU3ER  AND  VENUS.  (Original  in  the  Berlin  National  Gallery)  . O.  Knille.  409 

PRAYER  TIME  IN  THE  MONASTERY  INN Ed.  Grutzner.  780 

THE  TIRED  GLEANERS F.  Morgan.  1906 

Two  peasant  girls  walking  home  through  the  fields  from  their  work. 

TRIO G.  Mader.  1874 

Round  picture  ; boys  playing  various  instruments. 

TRIO  IN  THE  MONASTERY Ed.  Grutzner.  1321 

Monks  practising  music. 

THE  TRYSTING  TREE  ....  ...  H.  Koch.  2273 

Lovers  sitting  on  a bench  under  a tree. 


74  JScrlin  photographic  Co.,  IHcw  porfc. 

TITLE-  ARTIST.  NO. 

TWO  STRINGS  ..........  Blair  Leighton.  2327 

See  illustration  on  page  40. 

UNCONSCIOUS  RIVALS  ........  L.  Alma-Tadema.  2328 

Two  Roman  maidens  on  a balcony  under  a Pompeian  arch. 

See  illustration  on  page  4. 

VENETIANS Luke  Fildes.  2152 

Group  of  girls  on  the  stoops. 

VICTORS  RETURNING  HOME.  (Original  in  the  Berlin  National  Gallery) 

Tyrolese  warriors  returning  from  battle.  F.  Defregger.  864 

A VISI  T TO  /ESCULAPI  US.  (Original  in  the  South  Kensington  Museum,  London) 

Venus  and  the  three  Graces  consulting  the  old  physician.  E.  J.  Poynter.  2094 

VOISINS  DE  CAMPAGNE  ..........  J.  Aubert.  2000 

Maiden  reading  a book  in  the  fields,  while  Cupid  stands  leaning  on  a fence  at  her  side. 

A VOW A.  Seifert.  2315 

Female  figure. 

WATCHING  AND  WAITING  .........  F.  Morgan.  2146 

Young  girl  guarding  her  sleeping  brother 

WATCHING  FOR  STRAGGLERS  ........  W.  Strutt.  2337 

Lions  in  wait  for  their  prey. 

See  illustration  on  page  14. 

WATER  K.  Dielitz.  1529 

The  Rhine  Daughters,  from  Wagner’s  “ Rhinegold.” 

WEIMAR,  1803  ............  O.  Knille.  1606 

Group  of  German  celebrities,  poets,  historians,  etc.,  at  the  beginning  of  this  century. 

WELL  RETRIEVED C.  F.  Deiker.  2266 

WERTHER  AND  LOTTE  .........  H.  Kaulbach.  1936 

Werther  listening  to  I.otte  playing  on  the  piano. 

THE  WINE  TESTER  . Ed.  Grutzner.  456 

Single  figure. 

WINTER  IN  THE  FOREST  ........  L.  Munthe.  2078 

WOMAN  OR  VASE  H.  Siemiradzki.  2073 

Old  Roman  hesitating  in  choosing  between  a beautiful  slave  and  a costly  vase,  both  of 
which  are  offered  to  him  as  bargains. 

WOOING C.  Wunnenberg.  2346 

Young  boy  and  girl. 

See  illustration  on  page  31. 


YOUNG  LUTHER  INTRODUCED  AT  MRS.  COTTA’S  HOUSE  . G.  Spangenberg.  1707 


Copyright,  1893,  by  Photographische  Gesellschaft. 


2277.  NIGHTINGALE — A CORNER  OF  THE  LAKE. 


V 


REPRODUCTIONS  FROM  OLD  MASTERS 

TAKEN  FROM  THE  ORIGINALS  IN  EUROPEAN  GALLERIES, 


75 


This  part  contains  the  list  of  our  reproductions  from  paintings  in  the 
following  galleries  : 

Berlin  (Royal  Museum)  ; Brunswick  (Ducal  Gallery)  ; Cassel  (Royal  Gal- 
lery) ; Dresden  (Royal  Gallery)  ; Floretice  (Pitti  and  Uffizi  Galleries)  ; 
London  (National  Gallery)  ; Paris  (Louvre). 

While  the  larger  part  of  them  is  published  as  Photographs,  we  have  in  recent 
years  applied  the  Gravure  process  in  our  reproductions  of  ancient  master-pieces, 
obtaining  most  excellent  results.  This  has  encouraged  us  to  continue  the  publica- 
tion of  such  standard  works  of  the  “ old  school  ” and  we  shall  frequently  make 
additions  to  our  list  of  Gravures,  which  will  thus  eventually  contain  the  foremost 
works  of  art  in  this  novel  and  eminently  perfected  mode  of  reproduction. 


PHOTOGRAPHS. 


The  letters  e,  ?i,  i,  r,f,  after  each  title,  indicate  the  sizes,  in  which  the  same 
is  published  as  photograph,  viz.  : 

Mounted.  Unmounted. 


e = Extra  size 
n = Normal  “ 
i — Imperial  “ 
r — Royal  “ 

/ = Folio 

“ per  dozen 


$15 

OO 

$12 

OO 

10 

OO 

8 

OO 

4 

OO 

3 

OO 

2 

OO 

I 

5° 

75 

60 

. 6 

OO 

A reduction  of  price,  subject  to  a special  agreement,  will  be  made  to  purchasers 
of  entire  sets  of  single  schools  of  art  or  galleries. 


GRAVURES. 

“ gr  ” means  that  the  respective  number  is  published  as  Gravure.  The 
pictures  of  the  Brunswick  Gallery  thus  marked  are  published  as  Gravures  in  folio 
size,  printed  o?i  India  paper  at  the  price  of  $1.50  each. 

For  the  complete  collection  of  the  Brunswick  Gallery  in  Portfolio  and  the 
Rembrandts  in  the  Cassel  Gallery,  see  Part  VI. 

For  the  Gravures  of  the  Sistine Madonna  and  the  Holbein  Madonna  see  pp.  102 
and  103. 


76 


47-  Fra  Angelico — The  Last  Judgment. 


V. 

REPRODUCTIONS  FROM  OLD  MASTERS. 


764 

Albani.  Diana  and  Actaeon  . ..... 

Dresden 

i 

765 

— Dancing  Cupids  ....... 

“ 

i 

766 

— The  Toilet  of  Venus  ...... 

Brunswick 

f 

175 

Altdorfer,  Albr.  Repose  on  the  Flight  into  Egypt 

Berlin 

f 

176 

— Landscape  illustrating  the  German  proverb  : 

“ Beggary  Ever  Sits  on  the  Trail  of  Pre- 
sumption ”...... 

,, 

f 

180 

Amberger.  Portrait  of  the  Cosmographer  Munster 

‘ ‘ 

i f 

181 

— Portrait  of  Emperor  Charles  V. 

“ 

f 

i 

47 

Fra  Angelico  (Giovanni  da  Fiesole).  The  Last  Judg- 
ment (main  panel)  ..... 

48 

— The  Last  Judgment  (side  panel)  .... 

— The  Last  Judgment  ( “ ) 

r 

49 

‘ ‘ 

r 

50 

— The  Last  Judgment  (by  a pupil  of  Fra  Angelico)  . 

il 

i 

51 

— Coronation  of  the  Virgin  and  the  Miracles  of 
Saint  Dominicus  ...... 

Paris 

i f 

52 

— Christ  Surrounded  by  the  Angels  in  the  Midst  of 
the  Blessed  ....... 

London 

r 

53 

— Marriage  of  the  Virgin  ..... 

Florence 

f 

54 

— Transfiguration  of  the  Virgin  .... 

‘ ‘ 

f 

55 

— Coronation  of  the  Virgin  ..... 

“ 

f 

56 

— Madonna  della  Stella  ...... 

‘ * 

f 

* The  letters  e n i r f gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p.  76. 

77 


78 


Berlin  ipbotocirapbtc  Co.,  IHcw  Jl)orb. 


490 

Aart  van  Antum.  Marine  .... 

Berlin 

/ 

632 

Asselyn.  Battle  of  Liitzen  ..... 

Brunswick 

f 

491 

van  Averkamp.  Landscape  in  Winter  . 

Berlin 

f 

693 

Backer,  Adr.  Rape  of  the  Sabinians  . 

Brunswick 

/ 

647 

Bakhuizen.  Stormy  Sea  with  Rocky  Coast  . 

Berlin 

i 

648 

— A Light  Breeze  ...... 

( i 

i 

544 

Bailleurthe  Elder.  The  Adulteress  before  Christ 

Brunswick 

/ 

177 

Baldung,  H.,  called  Grien.  Head  of  an  Old  Man 

Berlin 

/ 

178 

— Crucifixion  ....... 

f 

179 

— Altar  (Centre,  Adoration  of  the  Magi  ; sides,  St. 

Maurice  and  St.  George) 

f 

99 

Fra  Bartolommeo.  Madonna  .... 

Paris 

i 

/ 

IOO 

— The  Descension  from  the  Cross 

Florence 

f 

IOI 

— Assumption  of  the  Virgin  .... 

Berlin 

i 

269 

Basaiti.  Madonna  and  Child 

London 

i 

584 

van  Bassen.  Interior  of  a Church 

Berlin 

i 

585 

— Interior  of  a Hall  .... 

“ 

i 

79 1 

Battoni,  Penitent  Magdalen  ..... 

Dresden  e 

i 

f 

792 

— Achilles  at  the  Court  of  Lycomedes 

Florence 

/ 

670 

Begeyn.  Landscape,  Woods  ..... 

Brunswick 

f §r 

612 

Beerstraaten.  Winter  Landscape 

Berlin 

f 

669 

Bellevois,  J.  Sea  Storm  on  a Rocky  Coast  . 

Brunswick 

f gr 

153 

Giovanni  Bellini.  Dead  Christ  Supported  by 

Two 

Angels  ...... 

Berlin 

i 

f 

154 

— Christ  Mourned  by  Angels  .... 

“ 

i 

f 

155 

— Madonna  and  Child  (School  of  Bellini) 

< t 

f 

156 

— Leonardo  Loredano  ..... 

Dresden 

i 

157 

— The  Doge  Leonardo  Loredano 

London 

i 

158 

— Madonna  and  Child  ..... 

“ 

i 

558 

Bent,  P.  Annunciation  ..... 

Brunswick 

f gr 

624 

Berchem,  Nic.  Winter  Landscape 

Berlin 

i 

625 

— Landscape  ....... 

Dresden 

i 

626 

— Landscape  with  Cattle  ..... 

“ 

r 

103 

Bigio,  Francia.  Portrait  of  a Young  Man  . 

Berlin 

i 

104 

— Portrait  of  a Young  Man  .... 

“ 

i 

105 

— David  sees  Bathseba  bathing 

Dresden 

i 

776 

Biscaino.  The  Nativity  ..... 

Brunswick 

f gr 

557 

Bleker,  D.  Bust  of  a Man  ..... 

“ 

f gr 

671 

Du  Bois.  Landscape,  Woods  .... 

f gr 

533 

Bol,  F.  Portrait  of  an  Elderly  Lady 

Berlin 

i 

534 

— Jacob’s  Dream  ...... 

Dresden  e 

i 

f 

535 

— Tobias  and  Sarah  ...... 

Brunswick 

f gr 

536 

— Male  Portrait  ...... 

< t 

f 

537 

— C.  Duilius  being  Crowned  with  a Wreath  of  Laurel  . 

fgr 

538 

— Pyrrhus  and  Fabritius  ..... 

“ 

J gr 

306 

Paris  Bordone.  Madonna  Enthroned,  with  Child  and 

Saints  ...... 

Berlin  e 

i 

f 

307 

— Female  Portrait  ...... 

London 

i 

135 

Borgognone.  Madonna  Enthroned,  with  Child 

and 

Saints  ...... 

. 

Berlin 

f 

136 

— Christ  in  the  Garden  of  Gethsemane. 

Ma- 

donna  Enthroned  ; Christ  Bearing 

the 

Cross  ; 3 pieces  ..... 

London 

f 

67 

Botticelli,  Sandro.  The  Virgin  Mary  Enthroned 

with 

Child  and  Angels  .... 

Berlin 

i 

f 

68 

— Portrait  of  a Young  Woman 

‘ 4 

f 

69 

— Portrait  of  Giuliano  de  Medici 

f 

70 

— Madonna  and  Child  Enthroned,  and  both 

St. 

Johns  ....... 

44 

f 

7i 

— Venus  ........ 

1 

f 

72 

— St.  Sebastian  ...... 

44 

i 

f 

73 

— The  Annunciation  ..... 

it 

1 

74 

— The  Nativity 

London 

1 

75 

— Madonna  and  Child  ..... 

i 

76 

— Madonna  and  Child  ..... 

Paris 

f 

* The  letters  e n i r f gr  indicate  the  editions  published  of  the  respective  picture.  For  prices  see  p.  76. 


v.— TRcproDucttoim  from  ©ID  /Ifcasters. 


79 


815.  Lancret — Dancers. 


77 

Botticelli  Sandro.  Madonna 

Florence 

f 

78 

— Holy  Family  ....... 

“ 

f 

817 

Boucher.  Venus  and  Cupid  ... 

Berlin 

f 

818 

— Infant  Christ  and  John  ..... 

Florence 

f 

819 

— Diana  After  the  Bath  ..... 

Paris 

/ 

820 

— Shepherd  and  Shepherdess  ..... 

“ 

f 

821 

— Pastoral  Scene  ....... 

f 

25 

Dirk  Bouts.  The  Prophet  Elijah  in  the  Wilderness 

Berlin 

f 

26 

— Celebrating  the  Passah  ...... 

“ 

f 

607 

Brakenburgh.  Peasants  at  Home  ... 

Brunswick 

f gr 

532 

Bramer.  Jesus  and  the  Scribes  ..... 

“ 

f gr 

593 

Brekelenkam.  Man  and  Woman  Playing  Cards  . 

“ 

f 

347 

Bril,  P.  Landscape  with  Roman  Ruins 

f gr 

497 

Bronkhorst.  Young  Man  Playing  the  Guitar 

“ 

f 

247 

Bronzino.  Portrait  of  Ugolino  Martello 

Berlin 

i 

f 

248 

— Cosmo  II. 

Dresden 

i 

249 

— Duchess  Eleonore  ....... 

“ 

r 

250 

— Venus  and  Cupids  ....... 

London 

i 

454 

Brouwer,  A.  The  Sleeper  ...... 

Berlin 

f 

342 

Jan  Brueghel.  The  Paradise  ..... 

“ 

f 

343 

— Flowers  ........ 

“ 

i 

344 

— Landscape  with  St.  Hubert  ..... 

“ 

i 

345 

— Landscape  ........ 

Dresden 

i 

346 

— Concert  of  Birds  ....... 

Brunswick 

f 

831 

Mme.  Le  Brun  La  Vigee.  Portrait  of  the  Artist  and 

her  Daughter  ...... 

Paris 

i 

f 

832 

— Portrait  of  Herself  ...... 

Florence 

f 

208 

de  Bruyn,  Barthel.  Portrait  of  John  von  Rydt,  Burgo- 

master  of  Cologne  ..... 

Berlin 

f 

166 

Burgkmair.  Holy  Family 

‘ ‘ 

f 

496 

van  Bylert.  Man  Eating  Pancakes  and  Wafers 

Brunswick 

f 

319 

Calderari.  Portrait  of  Two  Men  ..... 

Berlin 

i 

* The  letters  e n i r f gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p.  76. 


So 


JBerlln  photographic  Co.,  IWevv  i?or'R. 


730.  Murillo — Young  Beggar. 


In  ordering  from  this  part  it  is  well 
to  bear  in  mind  that  all  damages  and 
cracks  existing  in  the  ancient  paintings 
are  faithfully  reproduced  in  the  photo- 
graphs. IV, e do  not , however , repro- 
duce paintings  which  have  been  too 
greatly  injured  to  give  an  adequate  idea 
of  the  original  perfection. 


793 

Canaletto.  View  of  the  Dogana  di  Mare  and  of  the 

Church  Sta.  Maria  della  Salute,  Venice 

Berlin 

i 

/ 

794 

— View  of  the  Church  Sta.  Maria  della  Salute,  Venice 

“ 

i 

795 

— View  of  the  Ducal  Palace,  the  Piazetta  and  the 

Tower  of  St.  Marcus  ..... 

Berlin 

i 

796 

— View  of  Venice  ...... 

Berlin 

i 

797 

— View  of  the  Market  Place  at  Pirna 

Dresden 

i 

/ 

798 

— View  of  the  Church  Sta.  Maria  della  Salute  . 

Paris 

/ 

717 

Cano.  St.  Agnes  ........ 

Berlin 

i 

/ 

642 

Van  de  Capelle.  Calm  at  Sea 

‘ ‘ 

/ 

750 

Caracci.  Head  of  Christ  ...... 

Dresden 

i 

75i 

— Genius  of  Fame  ....... 

44 

r 

752 

— Shepherd  and  Shepherdess  ..... 

Brunswick 

f 

753 

Caravaggio.  Entombment 

Berlin  e 

i 

f 

754 

— St.  Matthew  ........ 

e 

i 

f 

755 

— Portrait  of  a Young  Woman  ..... 

44 

i 

756 

— Cupid  as  Regent  ....... 

“ 

i 

757 

— Cupid  Vanquished  ...... 

‘ ‘ 

i 

758 

— Portrait  of  Himself  ...... 

Brunswick 

f 

144 

Carpaccio.  Madonna  and  Child  with  Saints 

Berlin 

f 

145 

— Confirmation  of  St.  Stephen  ..... 

“ 

f 

777 

Castiglione.  Angels  Appearing  to  the  Shepherds 

Brunswick 

fi 

270 

Catena.  Portrait  of  Count  Raimund  Fugger 

Berlin 

i 

493 

van  Ceulen.  Bust  of  a Man  ..... 

Brunswick 

806 

Champaigne.  Male  Portrait  ..... 

Florence 

/ 

780 

Cignani.  Joseph  and  Potiphar’s  Wife  .... 

Dresden 

i 

f 

146 

Cima  da  Conegliano.  Madonna  Enthroned  with  Child 

and  Saints  ....... 

Berlin 

f 

147 

— Madonna  and  Child  ...... 

“ 

f 

148 

— Christ  ......... 

Dresden  e 

i 

149 

— Head  of  Christ  ....... 

“ 

r 

150 

— Presentation  of  Mary  ...... 

Dresden 

i 

1 51 

— Madonna  and  Child  ...... 

London 

i 

152 

— Madonna  and  Child,  St.  John  and  St.  Magdalen  . 

Paris 

f 

808 

Claude  Lorrain.  Flight  into  Egypt  .... 

Dresden 

i 

f 

809 

— Coast  of  Sicily  ....... 

‘ ‘ 

i 

f 

810 

— Landscape  ........ 

Berlin 

i 

* 

The  letters  entry gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices 

see p.  76. 

v.— TRepro&ucttons  from  ©IC>  /Hbastcrs.  8i 


799 

Clouet.  Portrait  of  Jeanne  de  Pisselen  . 

Dresden 

r 

160 

School  of  Cologne.  Madonna  and  Child  with  Saints  . 

Berlin 

c 

J 

470 

Coques,  G.  Portrait  of  a Family  ..... 

Dresden 

i 

257 

Correggio.  Leda  and  Her  Companions  Bathing  . 

Berlin 

e 

i 

f 

258 

— Io  Embraced  by  Jupiter  in  Form  of  a Cloud  . 

“ 

e 

i 

f 

259 

— Penitent  Magdalen  ...... 

Dresden 

r f 

260 

— Madonna  of  St.  George  ..... 

“ 

e 

i 

f 

261 

— Madonna  of  St.  Sebastian 

“ 

e 

i 

f 

262 

— The  Holy  Night  ....... 

“ 

e 

i 

f 

263 

— Cupid  and  Children  (School  of  Correggio) 

“ 

i 

264 

— Mercury,  Venus,  and  Cupid  (called,  The  Bringing 

tip  of  Cupid)  ...... 

London 

i 

265 

— Ecce  homo  ........ 

“ 

i 

266 

— Holy  Family  ....... 

“ 

r 

267 

— Jupiter  and  Antiope  ...... 

Paris 

f 

Piero  di  Cosimo.  See  Piero. 

I2Q 

Costa,  Lorenzo.  Presentation  in  the  Temple 

Berlin 

i 

195 

Cranach  the  Elder.  Portrait  of  a Young  Patrician 

“ 

f 

I06 

— Portrait  of  Catharine  of  Bora,  the  Wife  of  Luther 

f 

197 

— Portrait  of  the  Cardinal  Albrecht  of  Brandenburg 

“ 

f 

198 

— Portrait  of  (ohn  Frederick,  the  High-Minded,  of 

Saxony  ....... 

“ 

i 

199 

— George  of  Brandenburg  ..... 

Dresden 

r 

200 

— Hercules  and  Omphale  .... 

Brunswick 

f 

201 

Cranach  the  Younger.  The  Fountain  of  Youth  . 

Berlin 

i 

f 

202 

— Portrait  of  a Man  ...... 

“ 

f 

203 

— August,  the  Elector  ...... 

Dresden 

r 

204 

— Melanchthon  in  His  Shroud  ..... 

“ 

r 

205 

— Moritz  of  Saxony  ....... 

“ 

r 

206 

— John  the  Baptist  Preaching  ..... 

Brunswick 

f gr 

86 

Lorenzo  di  Credi.  Maria  of  Egypt  .... 

Berlin 

i 

./ 

87 

— Virgin  and  Child  ....... 

“ 

i 

88 

— Virgin  and  Child  with  St.  Julian  and  St.  Nicholas 

Paris 

r f 

89 

— The  Annunciation  ...... 

Florence 

f 

90 

— The  Annunciation  ...... 

“ 

f 

22 

Petrus  Cristus.  Annunciation  and  Nativity 

Berlin 

f 

23 

— The  Last  Judgment  ...... 

‘ ‘ 

f 

The  harmony  of  the  reproductions 
produced  during  recent  years  by  the 
ISOCHROMA  TIC  PROCESS  makes 
them  especially  adapted  for  wall  decor- 
ations, which  even  the  uninitiated  will 
not  fail  to  appreciate.  A ll  the  GRA  V- 
URES  published  by  us  from  the  old 
Masters  are  based  upon  this  process. 


559.  Franz  Hals — Male  Portrait. 


* The  letters  e n i r / gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p.  76. 


JScrltn  ipbotocjrapbic  Co.,  TRcw 


621 

Cuyp,  A.  Landscape  . 

Berlin 

f 

622 

— Landscape  with  River  . 

44 

f 

623 

— Boy  with  a Spaniel 

Dresden 

i 

698 

Cuyp,  G.  Portrait  of  a Young  Dutch  Couple 

Berlin 

i 

42 

Gerard  David.  The  Crucifixion  . 

Berlin 

f 

43 

— Canonicus  with  His  Patron  Saints  . 

London 

i 

44 

Style  of  Gerard  David.  Christ  at  the  Mount  of  Olives 

Berlin 

f 

834 

David,  J.  L.  Portrait  of  Mme.  Recamier  . 

Paris 

f 

835 

— Paris  and  Helena  . 

44 

f 

580 

Dirk  van  Delen.  Court  of  a Castle  with  People  . 

Brunswick 

f gr 

839 

Denner.  Portrait  of  an  Old  Man  . 

Berlin 

i 

f 

840 

— Portrait  of  a Man  . 

44 

f 

447 

Diepenbeeck.  Marriage  of  St.  Catherine 

“ 

i 

841 

Dietrich.  The  Waterfall  at  Tivoli 

44 

i 

774 

Dolci.  Jesus  Christ 

Dresden 

e 

i 

f 

775 

— St.  Cecilia  .... 

44 

e 

i 

f 

767 

Domenichino.  Portrait  of  the  Architect  Vincenzo  Sea- 

mozzi  .... 

Berlin 

i 

f 

524 

Dou,  G.  Penitent  Magdalen 

“ 

f 

525 

— Portrait  of  an  Old  Woman  . 

44 

f 

526 

— The  Hermit  .... 

Dresden 

i 

f 

527 

— Portrait  of  Himself 

44 

r 

528 

— The  Schoolmaster . 

“ 

i 

f 

529 

— Violin  Player 

14 

r 

530 

— Dropsical  Woman 

Paris 

f 

53i 

— Portrait  of  Himself 

Brunswick 

f gr 

60 1 

Droogsloot.  View  of  a Village  Street  .... 

Dresden 

i 

451 

Duchatel.  Portrait  of  a Young  Flemish  Nobleman 

Berlin 

i 

f 

800 

Dughet.  Roman  Landscape  . 

Dresden 

i 

167 

Diirer.  Madonna  .... 

Berlin 

f 

168 

— Portrait  of  Jacob  Muffel 

44 

i 

f 

169 

— Bernhard  of  Ressen 

Dresden 

r 

170 

— Christ  on  the  Cross 

44 

f 

171 

— Apostle  St.  Philipp 

Florence 

f 

172 

— Apostle  St.  Jacob  . 

4 4 

f 

173 

— Portrait  of  Himself 

44 

f 

174 

— Portrait  of  a Senator 

London 

f 

1670 

— Madonna  with  the  Finch 

Berlin 

i 

f 

(Purchased  by  the  Old  Museum  in  1893.) 

— Complete  collection  of  photographs  from  Engravings 

and  Woodcuts  in  the  Royal  Museum  at  Berlin  : 

Sundry  Subjects,  34  folio  photos,  at 

Life  of  the  Virgin  Mary 

70c.  ; 12  cabinet  photos  at  35c. 

Folio  photos  at 

. . 7OC. 

Four  Subjects  from  the  Revelations 

Cabinet  44  44 

• 35C. 

of  St.  John.  Folio  photos  at 

The  Large  Passion  : 

70c. 

Folio  photos  at 

. . 7OC. 

Sixteen  Subjects  from  the  Small 

Cabinet  44  44 

• 35C* 

Passion  from  Diirer’s  Engravings. 

The  Small  Passion  : 

Cab.  photos  at  35c. 

36  Cabinets  at 

• 35C. 

(From  Diirer  s original  woodcuts.) 

630 

Dujardin.  Evening 

Berlin 

/ 

631 

— Ox  and  Goats 

Dresden 

r 

608 

Dusart.  Peasants .... 

Brunswick 

f gr 

412 

van  Dyck.  Portrait  of  Isabella,  Daughter  of  Philipp  II. 

Berlin 

e 

i 

f 

413 

— Pieta  ..... 

4 l 

e 

i 

J 

414 

— The  Children  of  Charles  I.  of  England 

4 4 

e 

i 

f 

415 

— The  Penitent  Sinners  . 

l 4 

e 

i 

f 

416 

— Portrait  of  Thomas  Francois  Carignan  . 

4 4 

e 

i 

f 

417 

— Christ  ..... 

4 4 

e 

i 

f 

418 

— Portrait  of  a Man  in  Armor  . 

Dresden 

i 

f 

419 

— Bust  of  a Man 

. 

“ 

i 

f 

420 

— Danae  ..... 

“ 

i 

f 

421 

— Henrietta  Maria,  Queen  of  England 

4 4 

e 

i 

f 

422 

— Charles  I.,  King  of  England 

4 4 

e 

i 

f 

423 

— The  Children  of  Charles  I. 

4 4 

e 

i 

f 

424 

— Mary,  Queen  of  Heavens 

4 4 

e 

i 

f 

* The  letters  e n i r / gr  indicate  the  editions  published  of  the  respective  picture.  For  prices  see  p.  76.. 


v.— IRcproCmctiona  from  ©ID  Masters. 


i- 


414.  Van  Dyck — The  Children  of  Charles  I. 


425 

Van  Dyck.  Portrait  of  a Man  ..... 

Dresden 

fc* 

i 

f gr 

426 

— 

Male  Portrait  ....... 

“ 

i 

f 

427 

— 

Portrait  of  a Man  ....... 

“ 

i 

f 

428 

— 

Rubens’  Brother  ....... 

44 

f 

429 

— 

Thomas  Parr.  ....... 

i 

f 

430 

— 

Portrait  of  a Woman  ...... 

44 

e 

i 

f gr 

431 

— 

Drunken  Silen  ....... 

“ 

i 

432 

— 

Portrait  of  Cornelius  van  der  Gest 

London 

i 

433 

— 

Portrait  of  Himself  ...... 

“ 

i 

434 

■ 

Portrait  of  Rubens  ...... 

44 

i 

435 

— 

Madonna  and  Donors  ...... 

Paris 

i 

f 

436 

— 

Portrait  of  a Man  ....... 

44 

f 

437 

— 

Charles  I.  of  England  and  Henriette  of  France 

Florence 

f 

438 

— 

Repose  on  the  Flight  into  Egypt  .... 

“ 

f 

439 

— 

Portrait  of  a Man  ....... 

Brunswick 

f gr 

4120 

— 

Family  Portrait  of  Sebastian  Leers  with  wife  and 

child  ........ 

Cassel 

i 

4121 

— 

Portrait  of  the  Artist  Snyders  and  his  wife 

“ 

i 

4122 

— 

Female  Portrait  ....... 

“ 

i 

539 

v.  d 

Eeckhout.  Salomon  Giving  Offering  to  Foreign 

Gods  ........ 

Brunswick 

f gr 

540 

— 

Mother  and  Child  ....... 

“ 

f gr 

54i 

— 

Tobias  Giving  his  Father  Sight  .... 

“ 

f gr 

542 

— 

Sophonisbe  Receiving  the  Viol  which  Masinissa 

Sends  to  Her  ...... 

‘ ‘ 

f 

836 

Elsheimer.  Mountain  Landscape  with  Ruins 

“ 

f gr 

718 

Espinoso.  Christ  Bearing  the  Cross  .... 

Dresden 

i 

488 

Esselins.  Rocky  Landscape  with  a Bathing  Nymph  . 

Brunswick 

f gr 

652 

Everdingen.  Waterfall  with  Huts  .... 

4 ‘ 

f gr 

653 

— 

Norwegian  Highlands  ...... 

4 4 

f gr 

I 

Jan  and  Hubert  van  Eyck.  Singing  Choir  of  Angels  . 

Berlin 

71 

r t 

2 

— 

Angels  Playing  Organ  and  Violin  (St.  Cecilia) 

‘ ‘ 

71 

r f 

3 

— 

The  Just  Judges  ....... 

‘ 4 

71 

r f 

4 

— 

The  Soldiers  of  Christ 

44 

71 

r f 

5 

— 

The  Holy  Anchorites  ...... 

44 

71 

r f 

6 

— 

The  Holy  Pilgrims  ...... 

44 

71 

r f 

7 

— 

Portrait  of  the  Donor’s  Wile,  Isabella  Vyt  . 

4 4 

71 

r f 

8 

— 

Portrait  of  the  Donor,  Jodocus  Vyt 

44 

71 

r f 

* The  letters  e n i r f gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p.  76. 


JBcrltn  ipbotoctrapIMc  Co.,  IRcw  l?orb. 


To  those  wishing  to  become  more  con- 
versant with  the  history  of  ancient  art , a 
visit  to  OUR  GALLER  Y 14  EAST  2gd 
STREET , (Madison  Square , South J, 
New  York,  will  be  found  attractive  and 
instructive,  as  the  entire  collections  are  con- 
stantly o)i  view,  arranged  according  to  the 
different  schools. 


i.  Van  Eyck — Sing- 
ing Angels. 


2.  Van  Eyck — Angels 
Playing  Organ,  etc. 


9 

Jan  and  Hubert  van  Eyck.  The  Virgin  Mary  . 

Berlin 

n 

V f 

10 

— Gabriel  (The  Angel  of  the  Annunciation) 

n 

r J 

II 

— St.  John,  the  Evangelist  ..... 

“ 

n 

r f 

12 

— St.  John,  the  Baptist  ...... 

* ‘ 

11 

r f 

13 

(No.  I to  12  from  the  altar  of  St.  Bavo  in  Ghent). 
Jan  van  Eyck.  Portrait  of  a Man  with  Pinks 

i 

f 

14 

— Christ  as  King  of  Kings  ..... 

“ 

i 

15 

— The  Virgin  Mary  with  Child  (Copy) 

“ 

i 

16 

— Altarpiece  ........ 

Dresden 

i 

17 

— Annunciation  (2  parts)  ...... 

“ 

f 

18 

— Portrait  of  a Flemish  Merchant  and  his  Wife 

London 

i 

!9 

— Portrait  of  an  Unknown  Man  .... 

“ 

r 

20 

— Portrait  of  a Man  ....... 

“ 

r 

21 

— Madonna  ........ 

Paris 

r f 

543 

Fabritius,  B.  Peter  in  the  House  of  Cornelius 

Brunswick 

f gr 

108 

Firenzo  di  Lorenzo.  Madonna  and  Child  . 

Berlin 

f 

545 

Flinck,  G.  Female  Portrait  ...... 

Berlin 

i 

7 

546 

— Young  Girl  in  the  Dress  of  a Shepherdess 

Brunswick 

f gr 

333 

Floris,  Fr.  The  Falcon  Hunter  ..... 

“ 

f gr 

783 

Franceschini.  Penitent  Magdalen  Surrounded  by 
Women  ....... 

Dresden 

e i- 

f 

124 

Francia.  Virgin  and  Child  ...... 

“ 

i 

125 

— Holy  Family  ....... 

Berlin 

i 

126 

— Pieta  ......... 

London 

i 

127 

— Christ  on  the  Cross  ...... 

Paris 

i 

f 

128 

School  of  Francia.  Madonna  and  Child  with  St.  John. 

Berlin 

i 

35i 

Francken  the  Younger.  Neptune  and  Galatea  . 

Brunswick 

f gr 

443 

Fyt,  J.  Diana  with  Her  Game  ..... 

Berlin 

i 

444 

— Two  Horses  ........ 

Brunswick 

f gr 

445 

— Birds  ......... 

“ 

f 

864 

Gainsborough.  Portrait  of  Mrs.  Siddons 

London 

e i 

865 

— Portrait  of  Sir  Bate  Dudley  ..... 

‘ * 

i 

866 

— Orpin,  Parish  Clerk  of  Bradford  .... 

“ 

i 

91 

Raffaelino  del  Garbo.  Virgin  with  Child  and  Angels  . 

Berlin 

i 

I 

92 

— The  Virgin  Mary  and  Child  with  Saints 

“ 

f 

252 

Garofalo.  Marriage  of  Bacchus  and  Ariadne 

Dresden 

i 

253 

— Mars,  Venus,  and  Cupid  ..... 

‘ ‘ 

i 

254 

— Madonna  Adoring  the  Child  ..... 

‘ ‘ 

e i 

* The  letters  e ?t  i r / gr  indicate  the  editions  published  of  the  respective  picture.  For  prices  see  p.  76. 


v.— IRcproCmcttons  from  CMC*  Masters. 


833  Gerard.  Cupid  and  Psyche  .... 

93  Ghirlandajo.  Portrait  of  a Cardinal 

94  — St.  Vincent  Ferrerius  .... 

95  — St.  Antonin  ...... 

96  — The  Resurrection  ..... 

97  — Madonna  with  Child  and  Saints  . 

98  — Meeting  of  Mary  and  Elizabeth 

255  Gimignano.  Madonna.  .... 

782  Giordano.  The  Judgment  of  Paris 

275  Giorgione.  Pietro  Aretino  .... 

276  — Venus  Asleep  (formerly  attributed  to  Titian) 

277  — Adam  and  Eve  ..... 

Giovanni  da  Fiesole.  See  Fra  Angelico. 


Paris 

Berlin 


Paris 
Dresden 
Berlin  e 

Dresden 

“ e 

Brunswick 


1 

i 

i 

i 

i 

i 

i 

i 

i 


f 

f 


rf 

f 

f 

f gr 


728.  Murillo — Madonna. 


24 

van  der  Goes.  Madonna  on  the  Throne 

London 

i 

354 

J.  Gossart.  See  Mabuse. 

Goyaerts.  Landscape  with  Figures  representing  the 
Four  Elements  ...... 

Brunswick 

f gr 
i 

617 

van  Goyen.  A Wide  Stream  ..... 

Dresden 

618 

— A Frozen  Lake  ....... 

“ 

i 

619 

— A View  of  Arnheim  ...... 

Berlin 

i 

620 

— View  of  a Village  with  Warriors  .... 

Brunswick 

f gr 

842 

Graff.  Portrait  of  the  Artist  Dietrich  . . . 

Berlin 

* / 
l 

827 

Greuze.  Girl  with  Apple  ...... 

London 

828 

— Plead  of  a Girl  ....... 

“ 

i 

829 

— Head  of  a Girl  ....... 

Berlin 

r f 

830 

— The  Broken  Pitcher  ...... 

Paris 

i f 

674 

Griffier.  Winter  Amusement  on  the  Ice 

Brunswick 

f gr 

482 

Cornelisz  van  Haarlem.  The  Deluge 

“ 

f gr 

* The  letters  e n i r / gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p.  76. 


86 


JBcrlin  ipbotograpbic  do.,  IRcw  l?orb. 


573 

559 

560 

561 

562 

563 

564 

565 

566 

567 

568 

569 

570 

571 

572 
5590 

333 

334 

574 

575 

576 

577 

578 
628 
673 

654 

655 

857 

858 

859 

860 

861 

862 

183 

184 

185 

186 

187 

188 

189 
1830 

190 

191 

192 

193 

194 
707 

494 

495 
353 

713 

714 

715 

716 

633 

446 

4460 

4461 

843 

844 


Dirk  Hals.  The  Drinkers 

Berlin 

f 

Franz  Hals.  Male  Portrait  . . . . 

t t 

i f 

— Female  Portrait  ...... 

< ( 

i f 

— Hille  Bobbe,  the  Witch  of  Harlem 

< t 

i f gr 

— Portrait  of  Tymann  Oosdorp 

“ 

* f 

— Portrait  of  a Young  Man  .... 

( ( 

1 f 

— Portrait  of  the  Clergyman  Joannes  Acronius  . 

l i 

f 

— Portrait  of  a Nobleman  . .... 

“ 

f 

— Boy  Singing  ....... 

i i 

i 

— Portrait  of  an  Aged  Man  .... 

^ « 

i 

— Nurse  with  Child  ...... 

( ( 

i 

— The  Jovial  Trio  (Copy) . .... 

“ 

i 

— Male  Portrait  ...... 

Dresden 

/ 

— Male  Portrait  ...... 

/ 

— Old  Woman  ...... 

“ 

i 

— The  Singing  Boys  ...... 

Cassel 

i 

Heemskerk  (Otto  van  Veen).  Portrait  of  a Young 

Girl  ....... 

Berlin 

f 

— Baptism  of  Christ  ...... 

Brunswick 

f 

van  der  Heist.  Portrait  of  an  Old  Woman  . 

Berlin 

1 f 

— Portrait  of  an  Old  Woman  .... 

“ 

/ 

— Male  Portrait  ...... 

Dresden 

i 

— Male  Portrait  ..... 

Florence 

/ 

— Family  Portrait  ...... 

Brunswick 

f gr 

de  Heusch.  Rocky  Italian  Landscape  . 

Brunswick 

f gr 

van  der  Heyden.  Landscape  with  Old  Castle  and 

Bridge  ...... 

“ 

f gr 

Hobbema.  Landscape  with  Woods 

Berlin 

f 

— Landscape  ....... 

Paris 

f 

Hogarth.  The  Marriage  Contract 

London 

i 

— After  the  Wedding  ..... 

“ 

i 

— At  the  Quack’s  ...... 

< ( 

i 

— In  the  Dressing  Room  of  the  Countess  . 

‘ * 

i 

— The  Duel  and  Death  of  the  Earl  . 

“ 

i 

— The  Death  of  the  Countess  . 

f C 

i 

Holbein  the  Younger.  Portrait  of  a Man 

Berlin 

* f 

— Portrait  of  a Young  Man  .... 

“ 

i f 

— Portrait  of  the  Merchant  George  Gisze  . 

“ 

e 

1 f 

— Portrait  of  a Young  Man 

{ f 

— Portrait  of  the  Merchant  Fallenn  . 

Brunswick 

f gr 

— Madonna  ....... 

Dresden 

e 

i f 

— Madonna  (Bust)  ...... 

“ 

e 

— • Madonna  of  the  Burgomaster  Meyer  (For  particu- 

lars  see  page  32)  ..... 

Darmstadt 

gr 

— Portrait  of  Hubert  Morett  .... 

Dresden 

e 

1 f 

— Sir  Thomas  and  John  Godsalue 

“ 

r 

— Portrait  of  an  Old  Man  ..... 

Florence 

f 

— Portrait  of  Himself  ..... 

“ 

f 

— Portrait  of  a Lady  ...... 

London 

i 

Hondekoeter.  Cattle  with  the  Ark  of  Noah  in  the  Back- 

ground  ...... 

Brunswick 

f 

Honthorst.  The  Game  of  Backgammon 

Berlin 

f 

— Boy  with  Flute  ...... 

Brunswick 

f gr 

van  Hulst.  Flemish  Fair  ..... 

“ 

f gr 

Huysum.  Flowers  ...... 

Dresden 

r 

— Flowers  and  Fruit . ..... 

Florence 

f 

— Flowers  in  a Vase  ...... 

Berlin 

i 

— Bouquet  ....... 

“ 

i 

de  Jong,  M.  Gustavus  Adolphus  in  the  Battle 

of 

Liitzen  ...... 

Brunswick 

/ 

Jordaens.  The  Beans  Feast 

f gr 

— The  Satyr  at  the  Farmer’s  .... 

Cassel 

l 

— Family  Portrait  ...... 

“ 

i 

Angelika  Kauffmann.  Portrait  of  Herself  . 

Berlin 

* / 

— Vestal  Virgin.  ...... 

Dresden 

e 

z / 

The  letters  e n i r / gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p.  76. 


v.— TRcproOuctions  from  ©ID  /ifcastcre. 


87 


487 

Keirincx.  Landscape  with  Nymphs  .... 

Brunswick 

478 

de  Keyser.  Portrait  of  an  Elderly  Man  with  his  Son  : 
Portrait  of  an  Elderly  Lady  with  Her 

Daughter  ........ 

Berlin  i 

479 

— Portrait  of  a Family  ...... 

i 

480 

— Portrait  of  Cornelius  de  Graef,  Burgomaster  of 

Amsterdam  ....... 

i 

481 

— Portrait  of  Katarina  Hooft,  Wife  of  the  Burgo- 

master de  Graef  ...... 

“ i 

548 

Koning.  Old  Man 

Dresden  i 

549 

— The  Hermit  ........ 

“ e i 

550 

— Old  Man  with  Beard  ...... 

i 

55i 

— Learned  Man  Studying  ...... 

Brunswick 

831.  Mme.  le  Brun — Portrait  of  Herself  and  Her  Daughter. 


182 

Hans  von  Kulmbach.  Adoration  of  the  Magi 

Berlin 

/ 

692 

de  Lairesse,  G.  Achilles  and  the  Daughter  of  Lyco- 
medes  ....... 

Brunswick 

/ 

815 

Lancret.  Dancers 

Dresden 

l 

816 

— Pastoral  Scene  ....... 

Berlin 

f 

492 

Lastman.  David  in  the  Temple 

Brunswick 

f gr 

807 

Mme.  le  Brun.  See  B. 

Le  Brun.  Portrait  of  Eberhard  Jabach  of  Cologne  and 
His  Family  ...... 

Berlin 

i 

856 

Lely.  Portrait  of  a Girl  ...... 

London 

i 

45 

Lucas  van  Leyden.  Portrait  of  Himself  . 

Brunswick 

f gr 

499 

Lienvensz,  J.  Bust  of  a Young  Man  .... 

Dresden 

i 

500 

— The  Sacrifice  of  Abraham  ..... 

Brunswick 

fgr 

700 

van  Lint.  Return  from  the  Hunt  Near  Rome 

“ 

f 

130 

Lionardo  da  Vinci.  Christ  with  the  Flag  of  Victory  . 

Berlin 

1 f 

131 

— Virgin  and  Child  with  St.  Anne  .... 

Paris 

f 

* The  letters  e n i r f gr  indicate  the  editions  published  of  the  respective  picture.  For  prices  see  p.  76. 


Berlin  ipbotocirapblc  Co.,  Ittew  lorb. 


In  selecting  FRAMES  for  photographs  from 
the  old  masters , one  should  judge  of  the  effect  on 
the  wall.  The  jnost  suitable  are  usually  those  of 
natural  woods , which  harmonize  best  with  the 
lints  in  the  photograph.  The  effect  will  be  more 
artistic,  if  the  photographs  are  framed  without 
allowing  any  margin. 


837.  Seibold — Male  Portrait. 


132 

133 
133 
845 
849 

61 

62 

63 

64 

65 

66 
79 

583 

297 

138 

472 

485 

327 

328 

329 

330 

555 

556 

120 

121 

122 

123 

778 

779 

853 

854 

57 

58 

59 

60 

321 

322 

323 

324 

325 


Lionardo  da  Vinci.  Portrait  of  Joconda  (Mona  Lisa) 

— La  Monaca  ....... 

School  of  Lionardo.  Christ  and  the  Scribes 
Liotard.  The  Vienna  Chocolate  Girl  . 

— Mademoiselle  Laverge  ..... 
Fra  Filippo  Lippi.  Madonna  and  Child 

— Madonna  Adoring  the  Child  .... 

— The  Virgin  Mary  as  Mother  of  Mercy  . 

— John  the  Baptist  and  Six  Saints 

— The  Annunciation ...... 

— Madonna  ....... 

Filippino  Lippi.  Portrait  of  a Young  Man  . 
van  Loo.  Rest  During  the  Hunt  .... 

Lorenzo  Lotto.  Portrait  of  Himself  . 

Luini.  Holy  Family  ...... 

Luykx.  Dead  Game  ...... 

van  der  Lys.  Landscape  with  Bathing  Nymphs  . 
Mabuse  (Jan  Gossaert).  Madonna  with  Child  . 

— Neptune  and  Amphitrite  .... 

— Woman  Weighing  Gold  .... 

— Portrait  of  a Man  ...... 

Maes.  Portrait  of  the  Baron  Godard  of  Reede 

— A Learned  Man  ...... 

Mantegna.  Madonna  and  Child  .... 

— Portrait  of  a Clergyman  .... 

— Presentation  in  the  Temple  .... 

— Madonna  Enthroned,  St.  John,  and  Magdalen 
Maratti.  Madonna  and  Child  .... 

— Virgin  and  Child  ...... 

Maron.  Own  Portrait  ...... 

— Julie  Mengs  ....... 

Masaccio.  Adoration  of  the  Kings 

— Martyrdom  of  St.  Peter  and  St.  John  . 

— Portrait  of  Himself  ..... 

— Portrait  of  an  Old  Man  ..... 
Quinten  Matsys.  Madonna  Enthroned  and  Child 

— St.  Jerome  in  His  Cell  ..... 

— Portrait  of  a Young  Man  .... 

— The  Saviour  ....... 

— Virgin  Mary  ....... 


Paris 

i 

f 

Florence 

f 

London 

i 

Dresden 

i 

f 

Berlin 

V 

f 

“ 

i 

f 

Berlin 

f 

London 

r 

“ 

r 

Florence 

f 

Berlin 

f 

Paris 

f 

Berlin 

f 

Paris 

f 

Brunswick 

f, 

“ 

f 

Berlin 

f 

“ 

f 

f 

London 

i 

Dresden 

i 

Brunswick 

f 

Berlin 

f 

“ 

f 

“ 

f 

London 

i 

Dresden 

i 

“ 

r 

“ 

r 

Berlin 

f 

“ 

f 

Florence 

f 

“ 

f 

Berlin 

i 

f 

“ 

f 

1 ‘ 

/ 

London 

r 

The  letters  e n i r f gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p . 76. 


v.— TRcproOuctions  from  ©10  /toasters?, 


89 


We  make  a specialty  of 

ARTISTIC  FRAMING 
in  all  styles  and  will  gladly  furnish  estimates 
and  suggestions  on  application.  Special  attention 
is  given  to  careful  boxing  and  shipping  of 
framed  pictures  to  all  parts  of  this  country. 


838.  Seibold — Female  Portrait. 


675 

van  d.  Meer  v.  Delft.  Lady  with  Necklace  of  Pearls. 

Berlin 

i f 

676 

— Country  House  ....... 

“ 

f 

677 

— Girl  Reading.  ....... 

Dresden 

i f 

678 

— Girl  with  Glass  . . .... 

Brunswick 

fgr 

668 

van  d.  Meer  v.  Haarlem.  Dutch  Marshy  Landscape. 

“ 

f gr 

106 

Melozzo  da  Forli.  Allegorical  Representation  of  the 
Culture  of  Science  at  the  Court  of  Urbino  . 

Berlin 

f 

107 

— Another  representation  of  the  above 

“ 

f 

37 

Hans  Memling.  The  Virgin  Mary  with  the  Child 

“ 

\ f 

38 

— Anthony  of  Burgundy  ...... 

Dresden 

i 

39 

— Madonna  Enthroned  ...... 

London 

i 

40 

— Madonna  with  Child  ...... 

“ 

r 

41 

— St.  Lorenzo  and  St.  John  the  Baptist 

“ 

i 

847 

Raffael  Mengs.  Cupid 

Dresden 

{ f 

848 

— Portrait  of  Himself  (en  face) . .... 

1 ‘ 

1 f 

849 

— Portrait  of  Himself  (profile)  ..... 

“ 

1 f 

850 

— Mengs’  Father  ....... 

“ 

\ f 

851 

— Mme.  Thiele  ....... 

“ 

i 

852 

— Friedrich  August  the  Just  (child)  .... 

“ 

i 

141 

da  Messina,  A.  Madonna  and  Child  .... 

Berlin 

i f 

142 

— Portrait  of  a Young  Man  ..... 

f 

143 

— St.  Sebastian ........ 

Dresden  e 

1 f 

594 

Metsu,  G.  The  Family  of  the  Merchant  Gelfing  . 

Berlin 

* / 

595 

— The  Cook  ........ 

1 

596 

— Portrait  of  a Woman  ...... 

“ 

i 

597 

Metsu,  G.  Girl  Reading  ...... 

Dresden 

i 

598 

— Lace  Maker  ....... 

* ‘ 

r f 

599 

— The  Tavern  ....... 

“ 

r 

600 

— The  Bar-maid  ....... 

Brunswick 

f gi- 

469 

Meulener,  P.  A Battle  of  the  Duke  Christian  of 
Brunswick  ...... 

<* 

f'  g~ 

l 

243 

Michel  Angelo.  Madonna  and  Child  .... 

London 

244 

— Entombment  ....... 

“ 

i 

245 

— Holy  Family  ....... 

Florence 

f 

476 

Mierevelt.  Portrait  of  a Man  ..... 

Dresden 

r 

477 

— Portrait  of  a Family  ...... 

Brunswick 

f gr 

686 

F.  v.  Mieris.  Studio  of  the  Artist  . 

Dresden 

i f 

687 

W.  v,  Mieris.  Man  in  a Window  Playing  at  the 
Trumpet  ....... 

« 

r 

805 

Mignard.  Portrait  of  Maria  Mancini  .... 

Berlin  c 

i f 

* 

The  letters  e n i r / gr  indicate  the  editions  published  of  the  respective  picture . For  prices  see  p.  76. 

9o 


JBerlin  jpbotocirapIMc  Go.,  IRcw  H?orh. 


712 

Mignony.  Flowers  in  a Glass 

Dresden 

i 

268 

School  of  Milan.  Handkerchief  of  Veronica 

Berlin 

i 

/ 

611 

Molenaer.  Landscape  with  Women  Washing 

Brunswick 

f 

616 

Molyn  the  Elder.  Sandy  Hill  with  Trees  . 

“ 

f gr 

348 

de  Momper  the  Younger.  Summer  . 

“ 

f gr 

335 

Antony  Mor.  Portrait  of  Cornelisz  van  Horn 

and  An- 

tonis  Taetz  ..... 

Berlin 

i 

f 

336 

— Portrait  of  a Man  ..... 

Dresden 

r 

337 

— Man  with  Gloves  ..... 

Brunswick 

f gr 

552 

Moyaert.  The  Calling  of  Matthew 

“ 

f gr 

473 

Moreelse.  Portrait  of  a Man  in  Black  . 

Dresden 

i 

298 

Moretto.  Mary  and  Elizabeth  with  Infant  Christ 

and 

Infant  John,  Adored  by  Fra  Bartolommeo 

Arnoldo  ..... 

Berlin 

n i 

f 

299 

— Italian  Nobleman  .... 

London 

i 

300 

— Male  Portrait  ..... 

“ 

i 

301 

Moroni.  Italian  Nobleman  .... 

“ 

i 

302 

— Portrait  of  a Tailor 

“ 

i 

303 

— Female  Portrait  ..... 

“ 

i 

304 

— Italian  Clergyman  .... 

4 4 

i 

305 

— Portrait  of  a Man  of  Letters 

Berlin 

i 

726 

Murillo.  St.  Anthony  of  Padua  and  the  Infant  Christ  . 

e 

i 

f 

727 

— Female  Portrait  ..... 

“ 

n i 

f 

728 

— Madonna  ...... 

Dresden 

e 

i 

f 

729 

— St.  Rodrigues  ..... 

U 

e 

i 

f 

730 

— Spanish  Peasant  Boy  .... 

London 

i 

73i 

— Immaculate  Conception 

Paris 

i 

f 

732 

— Birth  of  the  Virgin  .... 

“ 

i 

f 

733 

— Madonna  and  Child  .... 

“ 

i 

f 

734 

— Young  Beggar  ..... 

“ 

i 

f 

735 

— St.  Virgin  and  Child  .... 

Florence 

f 

736 

— Madonna  del  Rosario  .... 

“ 

f 

649 

A.  v.  d.  Neer.  Winter  Landscape 

Brunswick 

f gr 

650 

— Winter  Landscape  .... 

Berlin 

i 

651 

— Moonshine  Landscape  .... 

44 

i 

694 

E.  v.  d.  Neer.  Woman  Playing  Guitar 

Dresden 

r 

688 

Netscher,  C.  The  Letter  Writer 

Dresden 

i 

689 

— The  Sick  Woman  .... 

* ‘ 

f 

690 

— The  Music  Lesson  .... 

“ 

i 

691 

— Shepherd  and  Shepherdess  . 

Brunswick 

f gr 

586 

A.  v.  Ostade.  Portrait  of  an  Old  Woman 

Berlin 

f 

587 

— Studio  of  the  Artist  .... 

Dresden 

; 

588 

— Village  Inn  ..... 

4 4 

i 

589 

— Tavern  ...... 

“ 

i 

590 

— The  Annunciation  .... 

Brunswick 

f gr 

591 

J.  v.  Ostade.  Winter  Amusement 

Dresden 

r 

581 

Palamedesz.  Portrait  of  a Young  Girl 

Berlin 

i 

582 

— Portrait  of  a Boy  ..... 

“ 

i 

271 

Palma  Vecchio.  Female  Portrait 

4 4 

i 

f 

272 

— The  Three  Sisters  .... 

Dresden 

e 

i 

f 

273 

— Madonna  and  Child  .... 

“ 

i 

274 

— Venus  ....... 

44 

e 

i 

f 

46 

Patinier.  Repose  on  the  Flight  into  Egypt  . 

Berlin 

i 

613 

Bonaventura  Peeters.  On  the  Shore  of 

a Large 

River  ...... 

Brunswick 

f 

207 

Pencz.  Portrait  of  a Young  Man  . 

Berlin 

f 

159 

Pennacchi.  Christ  in  his  Tomb  Supported 

by 

Angels  ..... 

“ 

f 

log 

Perugino.  Madonna,  and  Child  with  St.  Tohn 

London 

i 

no 

— Archangel  St.  Michael,  Madonna  and  Child, 

and 

Archangel,  St.  Rafael  and  Tobias  . 

“ 

i 

hi 

— Virgin  and  Child  with  Saints  and  Angels 

Taris 

r f 

823 

Pesne.  Portrait  of  the  Engraver  Schmidt 

and 

His 

Wife 

Berlin 

■i 

f 

824 

— Portrait  of  Frederick  the  Great 

4 4 

i 

f 

* The  letters  e n i r / gr  Indicate  the  editions  published  of  the  respective  picture.  For  prices  see  p.  76. 


v.— iReproDuctiona  from  ©ID  Masters. 


91 


825 

Pesne.  Portrait  of  Himself  . 

Dresden 

i 

826 

— Portrait  of  a Young  Lady  from  Salzburg 

Brunswick 

102 

Piero  di  Cosimo.  Venus,  Cupid,  and  Mars  . 

Berlin 

711 

Pierson.  Fruitpiece 

“ 

113 

Pinturicchio.  Portrait  of  a Youth 

Dresden 

i 

246 

484 

Seb.  del  Piombo.  Christ  Bearing  the  Cross 
Poelemburg.  Landscape  with  Nymphs  and  a Dancing 
Satyr  .... 

Brunswick 

i 

80 

Pollajuolo.  The  Annunciation 

Berlin 

81 

— The  Annunciation 

Dresden 

i 

82 

— Wisdom 

Florence 

83 

— St.  Sebastian 

“ 

84 

— Madonna  Adoring  the  Child  . 

London 

i 

139 

Pordenone.  A Woman  in  Black 

Dresden 

i 

609 

Potter.  A Herd  . 

“ 

i 

610 

— Cattle  ........ 

“ 

i 

/ 

/ 

/ 

/ 

/ 

/ 

/ 

/ 


67.  Botticelli — The  Virgin  and  Child  Enthroned 
with  Angels. 


339  Pourbus  the  Elder.  Portrait  .... 

340  — Man  with  Glass  ...... 

801  Poussin.  Landscape  (The  Roman  Campagna) 

802  — Armida  Bearing  away  Rinaldo 

803  — Infant  Jupiter  Fed  by  the  Goat  Amalthea 

804  — Time  Extracting  Truth  from  Calumny  . 

8010  — Bacchantic  Scene  ..... 

629  Pynacker,  A.  Italian  Landscape  with  Mules 
592  Quast,  P.  Gin  Seller  ...... 

216  Rafael,  Madonna  Colonna  ..... 

217  — Madonna  with  the  Gold  Finch 

218  — Madonna  Terranuova  ..... 

219  — Madonna  and  Child  with  St.  Jerome  and  St 

Francis  ...... 

220  — Madonna  and  Child  with  St.  John 


Dresden  i 

Brunswick 
Berlin  i 

i 

“ i 

Paris 

Cassel  i 

Brunswick 
Brunswick 
Berlin  e i 
i 
i 

“ i 


f Sr 


f 

f gr 

fgr 

f 

f 

f 

f 

f 


* The  letters  e n i r f gr  indicate  the  editions  published  0/  the  respecti 


e picture. 


For  prices  see  p.  76. 


92 


aSerlin  iPbotograplMc  Co.,  IRcw  H?ork. 


In  the  reproduction  of  the  ancient  paintings  by 
the  GRA  VURE  process  most  extraordinary 
results  have  been  obtained , notably  in  our  col- 
lection of  one  hundred  paintings  in  the 
BRUNSWICK  GALLERY , and  the  recent 
publication  of  REMBRAND T’ S PICTURES 
IN  THE  CASSEL  GALLERY. 


664.  Jacob  Ruysdael — Waterfall. 


221 

222 
222c 

223 

224 

225 

226 

227 

228 

229 

230 

231 

232 

233 

234 

235 

236 

237 

238 

239 

240 

241 

242 

474 

475 

501 

502 

503 

504 

505 

506 

507 

508 

509 

510 

511 


Rafael.  Madonna  di  San  Sisto  (for  particularsseep.  102) 

— Madonna  and  Child  (oval  portion  of  the  foregoing) 

— The  same  (square)  ...... 

— St.  Sixtus  ........ 

— St.  Barbara  ........ 

— Cherubs  ........ 

— La  Vierge  d’Aldobrandini  ..... 

— Sta.  Catharina  of  Alexandria  ..... 

— Vision  of  a Knight  ...... 

— La  Belle  Jardiniere  ...... 

— La  Vierge  au  Voile  ...... 

— La  Sainte  Famille  de  Franfois  I. 

— Portrait  of  Jean  d’Arragon  . . . . . 

— Portrait  of  Himself  ...... 

— Abundantia  (Model  of  a Fountain) 

— Portrait  of  Himself  ...... 

— Madonna  del  Granduca  . 

— Cardinal  Bibbiena  ...... 

— - Magdalena  Doni  ....... 

— Angelo  Doni  ....... 

— La  Madonna  della  Seggiola  (called  “Sedia”) 

— Holy  Family  ....... 

— The  Vision  of  Ezechiel  . . . . . 

Ravesteyn.  Portrait  of  a Man  in  Armor 

— Large  Portrait  of  a Family  ..... 

Rembrandt.  Saskia  . 

— Portrait  of  Himself  ...... 

— Young  Woman  as  Judith  . 

— Joseph’s  Dream  ....... 

— The  Rape  of  Proserpina  ..... 

— Susannah  and  the  Elders  ..... 

— The  Vision  of  Daniel  ...... 

— Landscape  (Dutch  Low  Lands)  . 

— Portrait  of  Himself  ...... 

— Ganymede  ......■• 

— Portrait  of  a Man  ...... 


Dresden 


London 


Paris 


Florence 

Florence 


Dresden 

Brunswick 

Berlin 


e 1 
n i 


f gr 


f 

f 

f 

f 

f 

rf 

f 

f 

f 

f 

f 

f 

f 

f 

f 

f gr 

f 

f 

f 

f 

f 

f 

f 

f 


e i f 

e 1 f 


* The  letters  enir  / gr  indicate  the  editions  published  of  the  respective  picture.  For  prices  see  p.  76. 


v.— TRopcoDuctions  from  ©ID  /llbaeters. 


93 


512 

513 

514 

515 

516 

517 
513 

519 

520 

521 

522 


Rembrandt.  Saskia  ..... 

— Rembrandt  and  Saskia  .... 
Portrait  of  Himself  .... 

— Portrait  of  an  Old  Woman 

— Portrait  of  a Man  . 

— Portrait  of  Himself  .... 

— Portrait  of  an  Unknown  Man 

■ — Portrait  of  the  Wife  of  the  Unknown  Man 

— Christ  and  Magdalen  .... 


— Landscape  with  Storm  ...... 

• — - Portrait  of  a Family  ...... 

Rembrandt' s Etchings.  A collection  of  165  Photographs 
from  the  choicest  etchings  in  the  possession  of  the 
Royal  Museum,  Berlin  : 


Price,  50  cents  (small  folio  size).  A few  copies  in  smaller  size  at  20 
cents  each.  Price  of  the  entire  set,  $75.00. 

Rembrandt' s paintings  in  the  Gallery  of  Casset.  A portfolio  con- 
taining 17  Gravures  on  Japan  paper.  For  particulars  see 
Part  VI. 

Portrait  of  Saskia  (from  the  above  portfolio).  Gravure  Edition 
de  Luxe,  printed  on  Satin,  $48.00. 


759 

760 

761 

762 

763 
863 

719 

720 

721 

722 

723 

724 

725 
7190 


Guido  Reni.  Ecce  Homo 
— Venus  and  Cupid  . . . . 

— The  Annunciation 
— The  Virgin  Mary  . . . . 

— Cephalus  and  Procris  . 
Reynolds.  Portrait  of  Two  Gentlemen  . 
Ribera.  Martyrdom  of  Bartholomew 
— Holy  Family  . . . . 

— Diogenes  . ...  . 

— - Sancta  Maria  of  Egypt  . 

— Adoration  of  the  Shepherds  . 

— Entombment  of  Christ  . 

— Portrait  of  the  Painter  Zurbaran  . 
— Mater  Dolorosa  . . . . 


Dresden  i 

e i 
“ i 

London  i 

“ i 

“ i 

Brunswick 


i 


f 

f 

f 


f gr 
f gr 
f gr 
f gr 
f gr 


Dresden  i 

e i 

Paris  i 

i 

Brunswick 
London  i 

Berlin  e 

“ e i 

Dresden  i 

“ e i 

Paris  i 

Brunswick 
Cassel  i 


f 

f 

f 

f 

f gr 


f 

f 

f 

f 

f 


We  beg  to  call  special  attention  to 
our  new  editions  of 

TWO  STANDARD  WO R RTS 
..  of  . . 

ANCIENT 
RELIGIOUS  ART: 
RAFAEL , “ Si stine  Madonna, 
and  HOL  BE  IN,  ‘ ‘ Madonna , ' ' 

( Darmstadt .) 

For  particulars  see  pp.  102  and  103. 


132.  Lionardo  da  Vinci — Mona  Lisa. 


* The  letters  e n i r f gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p.  76. 


94 


JBcrliit  ipbotocirapbic  Co.,  Iftcw  ]t>orh. 


822  Rigaud. 


White 


and  a 


Maria  d 


Brunswick 

Beilin 

Dresden 

Brunswick 

London 

Berlin 

Dresden 

Berlin 


Berlin 

Dresden 


Dresden 


Portrait  of  the  Dutchess  Elizabeth  Charlotte  of 
Orleans  .... 

209  Ludger  tom  Ring  the  Younger.  The  Wedding  at 
Cana  ... 

251  Giulio  Romano.  Madonna  della  Catina 
672  Rombouts.  Landscape,  Woods 
326  Marinus  von  Romerswale.  Two  Usurers 
781  Salvator  Rosa.  Mountain  Landscape  . 

790  Rotari.  St.  Magdalen  .... 

355  Rubens.  The  Resurrection  of  Lazarus  . 

356  — Infant  Christ  with  Infant  John  and  Angels 

357  — Perseus  Liberating  Captive  Anromeda 

358  — St.  Cecilia  ..... 

359  — Neptune  and  Amphitrite 

360  Rubens  and  Snyder’s  Diana  at  the  Chase 

361  Rubens.  Bust  of  a Man 

362  — St.  Sebastian  .... 

363  — Pieta 

364  — Portrait  of  One  of  the  Artist’s  Children 

365  • — Madonna  and  Child  with  Saints  . 

366  — Old  Man  ..... 

367  — Bathseba  ..... 

368  — Portrait  of  Rubens’ Second  Wife  . 

369  — Portrait  of  an  Old  Woman  . 

370  — Portrait  of  a Young  Woman  . 

371  — Portrait  of  a Young  Woman  in  Black  with 

Collar  ..... 

372  — The  Last  Judgment 

373  — The  Judgment  of  Paris  . 

374  — The  Garden  of  Love 

375  — Drunken  Hercules  Supported  by  a 1 

Bacchant  .... 

376  — Diana  and  Nymphs 

377  — Diana  and  Satyrs  .... 

378  — Helen  Fourment  .... 

379  — Portrait  of  a Man  .... 

380  — Male  Portrait  .... 

381  — Meleager  and  Atalante 

382  — Mercury  and  Argus 

383  — Rubens’  Sons  .... 

384  — St.  Jerome  ..... 

385  — Portrait  of  a Woman 

386  — Chapeau  de  Faille 

387  — Lot’s  Flight  ..... 

388  — Madonna  Surrounded  by  Angels  . 

389  — Christ  on  the  Cross 

390  — The  Destiny  of  Maria  de  Medici  and  the  Triumpl 

of  Truth  .... 

391  — Birth  of  Maria  de  Medici 

392  — Education  of  Maria  de  Medici 

393  — Henry  IV.  Receiving  the  Portrait  of 

Medici  .... 

394  — Marriage  of  Maria  de  Medici 

395  — Maria  de  Medici  Landing  in  Marseilles 

396  — Marriage  of  Henry  IV.  and  Maria  de  Medic 

397  — Birth  of  Louis  XIII.  in  Fontainebleau  . 

398  — Henry  IV.  Going  to  War  against  Germany 

399  — Journey  of  Maria  de  Medici  to  Pont  de  Ce 

400  — Changing  the  Princess  on  the  River  Andaye 

401  — Prosperity  under  the  Reign  of  Mary 

402  — Majority  of  Louis  XIII. 

403  — Flight  of  the  Queen  from  Blois 

404  — Maria  de  Medici  Meeting  Her  Son 

405  — Portrait  of  Maria  de  Medici  . 

406  — Portrait  of  the  Baron  Henry  de  Vicq 

* The  letters  e n i r / gr  indicate  the  editions  published  0/  the  respective  picture . For  prices 


London 

Paris 


f gr 


f 


f 
f 
f 
f 
f 
f 
r f 
f 
f 
f 


f 

/ 

/ 


/ 

f 

f 

f 


f 

t 

f 

f 

f 

f 

f 

f 

f 

f 

f 


f 
f 
f 
f 
f 
f 
f 
f 
f 
f 
f 
f 
r f 
1 f 

see  p.  76* 


v.— IRepro&uctions  from  ©ID  /^asters. 


95 


185.  Hans  Holbein  the  Younger — Portrait  of 
the  Merchant  Gisze. 


407 

Rubens.  Portrait  of  a Lady  ..... 

Paris 

i 

f 

408 

— Portrait  of  the  Marchese  Ambrogio  Spinola  . 

Brunswick 

f 

409 

— Portrait  of  a Man  ...... 

“ 

f gr 

410 

— Judith  with  the  Head  of  Holof  ernes 

“ 

i 

f gr 

411 

— Portrait  of  the  Duke  of  Buckingham 

Florence 

f 

3550 

— Jupiter  and  Kallisto  ..... 

Cassel 

i 

656 

Jacob  Ruysdael.  Aroused  Sea  with  Coming  Storm 

Berlin 

i 

f 

657 

— Turbulent  Sea  ...... 

“ 

f 

658 

— View  of  the  Dam  Place  in  Amsterdam  . 

“ 

i 

659 

— Harlem  Looking  from  the  Beach  . 

“ 

f 

660 

— Deep  Forest  ....... 

“ 

f 

661 

— The  Cloister  ....... 

Dresden 

i 

662 

— The  Hunt  ....... 

“ 

i 

f 

663 

— The  Jew  Cemetery  ..... 

“ 

i 

664 

— Waterfall  ....... 

i 

665 

— Mountainous  Landscape  .... 

Brunswick 

fgr 

666 

— Waterfall  and  Castle  ..... 

“ 

f gr 

667 

— Waterfall  and  Tower  ..... 

“ 

f gr 

602 

Ryckaert,  D.  The  Village  Fool  .... 

Dresden 

i 

137 

Sacchi.  Christ  on  the  Cross  and  Saints . 

Berlin 

i 

112 

Giovanni  Santi.  Madonna  and  Saints  . 

“ 

f 

210 

Andrea  del  Sarto.  Abraham’s  Sacrifice 

Dresden 

i 

211 

— Portrait  of  Himself  ..... 

London 

i 

212 

— Charity ........ 

Paris 

f 

213 

— Holy  Family.  ...... 

Florence 

f 

214 

— Madonna  Enthroned  and  Child  with  Saints  . 

Berlin 

i 

215 

— Holy  Family  with  Elizabeth  and  Infant 

John 

(School  of  Andrea)  .... 

“ 

i 

772 

Sassoferrato.  Virgin  Mary  Praying 

Dresden 

i 

773 

— Madonna  and  Child  ..... 

Paris 

f 

* The  letters  e ?i  i r / gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p.  76 


JGcrlin  ipbotograpbic  Co.,  IRcw  Jf)otk. 


06 


With  reference  to  the  photographic 
editions  specified  on  page  76,  according 
to  the  different  sizes , the  FOLIO 
SIZE  is  suitable  for  collections  either 
to  be  put  unmounted  in  scrap-books , or 
mounted  for  portfolios.  The  larger 
sizes  are  generally  framed  for  wall 
decorations. 


156.  Bellini — Leonardo  Loredano. 


695 

Schalcken,  G.  Boy  Angling 

Berlin 

f 

696 

— Young  Man  Playing  with  a False  Face  . 

Brunswick 

f gr 

352 

Schaubroek,  P.  St.  John  the  Baptist  Preaching  . 

“ 

f gr 

119 

Schiavone.  Madonna  Enthroned  and  Child  . 

Berlin 

f 

320 

Schidone.  Landscape  with  the  Repose  on  the  Flight 

Into  Egypt  ....... 

Brunswick 

f 

331 

Scoreel.  Portrait  of  a Young  Woman  .... 

Berlin 

f 

332 

— Portrait  of  Cornelisz  Aerntz  der  Van  Dussen  . 

“ 

f 

471 

Seghers,  D.  Flowers  ....... 

“ 

f 

837 

Seibold.  Male  Portrait ....... 

Dresden 

r 

S3S 

— Female  Portrait  ....... 

“ 

r 

114 

Signorelli.  Panels  from  an  Altar  (Left  Side  : Clara, 

Magdalen,  St.  Jerome.  Right  Side  : Au- 

gustin, St.  Cathrine,  Anthony  of  Padua) 

Berlin  e 

i 

f 

1 15 

— Pan,  God  of  Nature  ...... 

‘ ‘ 

f 

697 

van  Slingeland.  The  Poultry  Dealer  .... 

Dresden 

r 

440 

Snyders.  Bear  Hunt  ....... 

Berlin  e 

i 

f 

441 

— Cock  Fight  ........ 

“ 

i 

f 

442 

— A Boar  Hunt  ....... 

Brunswick 

f gr 

116 

Solario.  Portrait  of  Giovanni  Christoforo  Longano 

London 

i 

117 

— Virgin  and  Child  ....... 

Paris 

f 

118 

— Head  of  St.  John  on  a Plate  .... 

Paris 

/ 

784 

Solimena.  Madonna  with  Saints  ..... 

Dresden 

i 

785 

— Mater  Dolorosa  ....... 

“ 

i 

553 

Sorgh,  H.  The  Workers  of  the  Vintage 

Brunswick 

f gr 

554 

— The  Fish  Dealer  ....... 

Dresden 

i 

641 

Stech.  Burgomaster  Stech  Out  Walking  Before  the 

Gates  of  Danzig  ...... 

Brunswick 

f 

603 

Jan  Steen.  A Merry  Crew  ...... 

Berlin 

f 

604 

— The  Garden  of  the  Inn  ...... 

4 ‘ 

i 

605 

— The  Expulsion  of  Hagar  ..... 

Dresden 

i 

606 

— The  Marriage  Contract  ...... 

Brunswick 

f gr 

* The  letters  e n i r / gr  indicate  the  editions  published  of  the  respective  picture.  For  prices  see  J . 76. 


v.— IReproOuctions  from  ©ID  Masters. 


We  have  photographs  from  the  collec- 
tions of  REMBRANDT' S ETCH- 
INGS an<l  DORER'S  WOOD- 
CUTS,  of  which  particulars  will  be 
found  on  page  104. 


515  Rembrandt — Portrait  of  an 
Old  Woman. 


non  Players 


162  Bernhard  Strigel.  St.  Vitus  and  St.  Margaret  . 

163  — Elizabeth  of  Thuringia  and  Emperor  Henry  II. 

164  — Christ  Bidding  His  Mother  Farewell 

165  — Portrait  of  John  Cuspinian  and  His  Family 

768  Strozzi.  A Woman  Holding  a Bass  Violin  . 

769  — David  and  Bathseba  .... 

449  Sustermans.  Portrait  of  Galilei  . 

627  Swanevelt,  H.  Italian  Landscape  with  Bridge 
579  van  den  Tempel.  A Nobleman  and  His  Wife 

455  Teniers  the  Elder.  Village  Fair 

456  — Dutch  Bleachery  . 

457  — Dutch  Fair  . 

458  — Landscape  with  Cattle  on  Hill 

459  Teniers  the  Younger.  The  Backgamm 

460  — Temptation  of  St.  Anthony 

461  — The  Artist  with  His  Family 

462  — Flemish  Fair. 

463  — Temptation  of  St.  Anthony 

464  — Village  Fair  . 

465  — Fair  in  a Dutch  Village  . 

466  — Festival  in  a Village 

467  — Old  Woman  Peeling  a Pear 

478  — The  Alchemist 

679  Terburg.  The  Father’s  Advice 

680  — Portrait  of  the  Lord  of  Marienburg 

681  — Portrait  of  the  Lady  of  Marienburg 

682  — Lady  in  Satin  .... 

683  — Lady  Washing  Her  Hands 

684  — The  Lute  Player  .... 

685  — Music  Lesson  .... 

448  van  Thulden.  Triumphant  Procession  of  Galatea. 

786  Tiepolo.  Ceremonious  Reception . 

787  — After  the  Bath  ..... 

788  — St.  Dominick  Distributing  the  Rosary  . 

789  — Martyrdom  of  St.  Agathe 

749  Tintoretto.  A Knight  Liberating  Two  Women 

7490  — Portrait  of  a Man  ..... 


Berlin 


Dresden 

Florence 

Brunswick 

Berlin 

Dresden 


Brunswick 

Berlin 


Dresden 


London 

Brunswick 

Berlin 


Dresden 


London 

Berlin 


Dresden 

Cassel 


/ 

/ 

/ 

/ 


/ 

/ gr 

f 

f 


f Sr 

f 

f 

f 

f 


f gr 
f 
f 
f 


f 

f 

f 

f 


* The  letters  e n i r f gr  indicate  the  editions  published  of  the  respective  picture.  For  prices  see  p.  76. 


98 


Berlin  ipbotograpbic  Co.,  IRew  lock. 


278 

Titian.  Portrait  of  a Daughter  of  Robert  Strozzi  . 

Berlin 

e 

i 

f 

279 

— 

Lavinia  ......... 

4 ‘ 

e 

i 

f 

280 

— 

The  Tribute  Money  ...... 

Dresden 

n i 

f 

281 

— 

Girl  with  Fan  ....... 

44 

i 

f 

282 

— 

Girl  with  Vase  ....... 

“ 

e 

i 

f 

283 

— 

Madonna  Di  Lucrezia  Borgia.  .... 

44 

e 

i 

/ 

284 

— 

Madonna  and  Woman  in  White  .... 

44 

e 

i 

f 

285 

— 

Part  of  the  Above  ....  ... 

“ 

e 

286 

— 

Lavinia  ......... 

“ 

i 

287 

— 

Venus  Reposing  ....... 

44 

e 

i 

f 

288 

— 

Venus  with  the  Mirror  ..... 

44 

i 

f 

289 

— 

A Concert  ........ 

London 

i 

290 

— 

Madonna  and  Child  with  St.  John  and  St.  Cath- 

erine  ........ 

4 4 

i 

291 

— 

Holy  Family.  ....... 

44 

i 

292 

— 

Portrait  of  Francis’I  ...... 

Paris 

f 

293 

— 

Titian’s  Mistress  ....... 

44 

i 

f 

294 

— 

La  Bella  di  Tiziano  ...... 

Florence 

f 

295 

— 

St.  Magdalen  ....... 

44 

f 

296 

— 

The  Redeemer  ....... 

44 

f 

2780 

— 

Portrait  of  a Nobleman  ..... 

Cassel 

i 

867 

Trevisani.  The  Triumphal  Procession  of  Galathea 

“ 

i 

814 

de  Troy.  Breakfast  ....... 

Berlin 

f 

483 

Uitewael.  A Feast  of  the  Gods  ..... 

Brunswick 

/ g 

710 

van 

Utrecht.  Fruitpiece  ...... 

44 

f 

341 

van 

Valckenborgh,  H.  Rocky  Landscape  with  Mill  . 

4 4 

f 

738 

de  Valdes  Leal.  St.  Basco 

Dresden 

i 

770 

Varotari.  Judith  ........ 

“ 

i 

771 

— 

Study  Head  ........ 

44 

r f 

256 

Vasari.  Portrait  of  Cosmo  1.  of  Medici 

Berlin 

i 

Otto  van  Veen.  See  Heemskerk.  .... 

739 

Velasquez.  Allessandro  del  Borro.  .... 

44 

i 

f 

740 

— 

Maria  Anna,  Wife  of  Ferdinand  III 

“ 

i 

f 

74i 

— 

Portrait  of  a Young  Man  ..... 

4 4 

i 

f 

742 

— 

Bustof  a Young  Man  ...... 

Dresden 

i 

f 

743 

— 

Caspar  de  Guzmann  ...... 

Dresden 

i 

f 

744 

— 

Male  Portrait  ....... 

44 

i 

/ 

832.  Mme.  le  Brun — Fainted  by  Herself. 


THE  BRUNSWICK 

G ABLER  Y. 
100  Photogravures  from  the 
original  paintings , with  text  by 
Prof.  Riegel.  Large  folio  size. 
Pull  leather ,,  artistically  em- 
bossed. $ryo. 


* The  tetters  e n t r fftr  indicate  the  editions  published  of  the  respective  picture.  For  prices  see  p.  76. 


v.— iRcproDuctions  from  ©1C*  /toasters, 


99 


A REDUCTION 

OF  PRICE, 

subject  to  a special  agreement,  will  be 
allowed  to  purchasers  of 
ENTIRE  SETS 

of  the  single  schools  of  art  or  galleries. 


865.  Gainsborough — Portrait 
of  Sir  Bate  Dudley. 


745 

Velasquez.  Philipp  IV 

London 

i 

746 

— Portrait  of  the  Infant  Maria  Theresa 

Paris 

f 

747 

— Portrait  of  a Group  of  Hunters 

“ 

f 

748 

— Portrait  of  Philipp  IV.  ..... 

“ 

f 

643 

A.  v.  de  Velde.  Landscape  with  River 

Berlin 

f 

644 

— Winter  Landscape  ..... 

Dresden 

r 

645 

W.  v.  de  Velde.  Light  Breeze  .... 

“ 

i 

646 

— A Light  Breeze  ...... 

Berlin 

i 

614 

A.  v.  de  Venne.  Summer  ..... 

“ 

f 

615 

— Winter  ........ 

“ 

f 

698 

Verkolje.  The  Trumpeter  ..... 

Dresden 

i 

85 

Verrocchio.  Virgin  and  Child  .... 

Berlin 

f 

308 

Veronese.  Christ  on  the  Cross  .... 

Dresden 

i 

f 

309 

— Daniel  Barbaro  ...... 

i ( 

i 

310 

— Christ  in  Emmaus  ..... 

( < 

e i 

f 

3ii 

— Finding  of  Moses  ...... 

< l 

n i 

/ 

312 

— The  Marriage  of  Cana  ..... 

1 1 

n i 

f 

313 

— Leda  . . ...... 

t ( 

i 

f 

3U 

— Susanna  and  the  Elders  .... 

Dresden 

i 

f 

315 

— St.  Helen  ....... 

London 

i 

316 

— Christ  and  Magdalen  ..... 

‘ ‘ 

i 

317 

— Female  Portrait  ...... 

Louvre 

f 

318 

— Portrait  of  the  Artist’s  Wife  .... 

Brunswick 

f gr 

3080 

— Cleopatra  Dying  ...... 

Cassel 

i 

486 

Vertangen.  Landscape  with  Diana 

Brunswick 

f gr 

547 

Victors,  Jan.  The  Capture  of  Sampson 

‘ ‘ 

f gr 

350 

Vinckboons,  D.  Flemish  Fair  .... 

‘ ‘ 

fgr 

140 

Vivarini.  Virgin  Enthroned  and  Child  with  Saints 

Berlin 

e i 

f 

450 

Voet.  Portrait  of  Cardinal  Dezio  Azzolini 

“ 

f 

452 

de  Vos,  C.  Portrait  of  a Man  with  his  Wife  on 

the 

Terrace  of  their  House 

“ 

f 

453 

— The  Daughters  of  the  Artist 

“ 

i 

349 

Vrancx,  S.  Cavalry  Skirmish  .... 

Brunswick 

f gr 

811 

Watteau.  Breakfast  in  the  Park  .... 

Berlin 

f 

812 

— Amusing  Conversation  .... 

Dresden 

i 

f 

813 

— (Imitator).  Musical  Party  in  the  Woods 

Berlin 

i 

* The  letters  e n i r / gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p.  76. 


ioo  JBcrlin  photographic  Co.,  IRcw  JJorfc. 


708 

Weenix,  Jan.  Dead  Game  ..... 

Dresden 

i 

709 

— Dead  Hare  and  Bird  ...... 

Berlin 

i 

355 

Weitsch.  The  Former  Oak  Forest  at  Quorum,  near 

Brunswick  ....... 

Brunswick 

f 

701 

van  der  Werff.  Penitent  Magdalen  .... 

Berlin 

f 

702 

— Portrait  of  the  Artist  and  his  B’amily 

Dresden 

i 

f 

703 

— The  Expulsion  of  Hagar  ..... 

i 

f 

704 

— Penitent  Magdalen  ...... 

i 

f 

705 

— Adam  and  Eve  ....... 

Brunswick 

f gr 

706 

— Two  Chess  Players  ...... 

“ 

f 

27 

Roger  van  der  Weyden.  Altar  of  the  Chancellor 

Bladelin  (3  pieces)  ..... 

Berlin 

i 

f 

28 

— Altar  of  St.  John  (3  panels)  ..... 

“ 

i 

f 

29 

— Altar  of  Miraflores  (3  panels)  .... 

“ 

i 

f 

30 

— Descent  from  the  Cross  (copy)  .... 

“ 

i 

31 

— Christ  Crucified  ....... 

Dresden 

f 

32 

— Burial  of  Christ  ....... 

London 

i 

CATALOGUES 

of  Foreign  Galleries  and  Art  Exhi- 
bitions will  cheerfully  be  procured  by 
us.  We  shall  also  gladly  give  in- 
formation about  foreign  publications , 
attd  import  them  if  so  desired. 


433.  van  Dyck — Portrait  of  Himself. 


33 

34 

35 

36 
489 
699 

634 

635 

636 

637 

638 

639 

640 
6340 


Roger  van  der  Weyden  the  Younger.  Mater  Dolo- 
rosa   London 

— Ecce  Homo  ........ 

— Portrait  of  Himself  ...... 

— Portrait  of  liis  Wife 

Willaerts,  A.  Coast  with  Church  Steeple  . . . Brunswick 

van  der  Wilt.  Playing  Checkers  .....  Berlin 
Wouvermann,  Ph.  Riding  School  .... 

— Rest  of  a Blunting  Party  at  a River 

— Horses  in  Front  of  a Blacksmith’s  Shop 

— Hay  Wagon  ....... 

— Starting  for  a Hunt  ......  Dresden 

— Leaving  for  a Falcon  Hunt  ..... 

— Christ  Ascending  into  Heaven  ....  Brunswick 

— The  Return  from  the  Falcon  Hunt  . . . Cassel 


r 

r 


i 

i 


i 

i 

i 


f gr 

f 

f 

f 

f 

f 

f 

f 

f ?r 


The  letters  e n i r / gr  indicate  the  editions  published  0/  the  respective  picture.  For  prices  see  p.  76. 


v.— TReproCmctions  from  ©IC>  /Masters. 


101 


161  Zeitblom.  The  Handkerchief  of  Veronica  . . . Berlin  f 

737  Zurbaran.  The  Miracle  of  the  Cross  at  the  Francis- 
can’s ........  “ f 

* The  letters  e n i r / gr  indicate  the  editions  published  of  the  respective  picture . For  prices  see  p.  76. 


62.  Filippo  Lippi — Madonna  Adoring  the  Child. 


TWO  STANDARD  WORKS  OF 


IRafael. 

“SISTINE  MADONNA.” 

THE  FIRST  GRAVURE  FROM  THIS  MASTERWORK. 


Size  of  Plate,  26  X 35  inches. 


PRICE,  $15.00. 


The  important  improvements  of  the  photographic  process  in  the  last  few  years 
have  made  the  issuing  of  new  editions  of  the  most  prominent  paintings  of  the 
European  Galleries  very  desirable. 

At  the  head  of  the  list  of  such  works,  as  we  are  about  to  publish,  and  to  which 
the  portfolio  of  Rembrandt’s  pictures  of  the  Cassel  Gallery  (see  Part  VI.)  is 
another  addition,  we  have  put  Rafael's  “ Sistine  Madonna,”  and  are  glad  to 
state,  that  both  our  recent  photographs  and  the  large  gravure,  have  met  with 
the  general  approval  of  all  connoisseurs  and  art  critics. 

102 


ANCIENT  RELIGIOUS  ART. 


Ibolbein. 

“MADONNA.” 

THE  FIRST  GRAVURE  FROM  THE  ORIGINAL  IN  DARMSTADT. 


Size  of  Plate,  24^  X 35  inches. 


PRICE,  $i$.oo. 


The  unforeseen  success,  which  our  new  edition  of  the  “ Sistine  Madonna  ” 
has  found,  has  induced  us  to  apply  the  same  care  to  the  artistic  reproduction  of 
another  masterpiece,  the  Holbein  “Madonna,”  which  is  justly  considered  the 
standard  work  of  ancient  German  religious  art. 

Our  reproduction  is  taken  from  the  original  in  the  possession  of  the  Grand- 
duke  of  Hessen  Darmstadt,  which  was  originally  painted  for  the  Burgomaster 
Meier  of  Basel. 


103 


Berlin  photographic  Co.,  IRew  l?orh. 


REMBRANDT’S  ETCHINGS. 


Our  collection  of  photographs  from  the  choicest  etchings  of  this  eminent 
master  contains  165  subjects  which  are  in  the  possession  of  the  Royal  Museum, 
Berlin.  The  price  for  each  copy  (about  small  folio  size)  is  50  cents.  There  is  a 
number  of  still  smaller  subjects  in  this  collection  which  cost  only  20  cents  each. 

We  shall  be  happy  to  forward,  to  those  who  are  desirous  of  acquiring  the 
complete  collection,  a sample  book  for  reference  containing  an  arrangement  of  the 
whole  collection. 

The  demand  for  these  superior  specimens  of  the  great  Dutch  master,  increasing 
year  by  year,  enables  us  to  offer  the  complete  collection  for  $75. 


ALBRECHT  DURER. 


Photographs  from  Engravings  and  Woodcuts  of  Durer  in  the  Royal 

Museum  at  Berlin. 


SUNDRY  SUBJECTS. 


LIFE  OF  THE  VIRGIN  MARY. 


34  Subjects  in  Folio  a 70  cts. 

12  “ in  Cabinet  Size  a 35  cts. 


From  Diirer's  Original-woodcuts. 

20  Subjects. 

In  Folio  a 70  cts.  ; in  Cabinet  a 35  cts. 


4 SUBJECTS  FROM  THE  REV- 
ELATIONS ST.JOHN. 

In  Folio  Size  a 70  cts. 


16  SUBJECTS  FROM  THE 
SMALL  PASSION. 


THE  LARGE  PASSION. 


From  Diirer's  Original-woodcuts. 

12  Subjects. 

In  Folio  a 70  cts.  ; in  Cabinet  a 35  cts. 


THE  SMALL  PASSION. 

From  Diirer's  Original-woodcuts. 

36  Subjects. 

In  Cabinet  Size  a 35  cts. 


From  Diirer's  Engravings. 
In  Cabinet  Size  a 35  cts. 


Vi. 

miscellaneous: 

ART  PORTFOLIOS,  ETC.,  SCULPTURES  AND  VIEWS. 


105 


Berlin  ff>botOi?rapbtc  Co.,  IHcvv  JJ)orb, 


106 


Saskia  van  Ulenburgh. 


m 

A PORTFOLIO  WITH 

17  PHOTOGRAVURES 

DIRECTLY  AFTER 

REMBRANDT’S 

ORIGINAL 

PAINTINGS 

IN  THE 

CASSEL  GALLERY. 

13  plates  measuring  about  183  x 15 $ inches  each 
4 u 44  44  6 x 14  44 

all  printed  on  Japan  paper.  Price,  $75.00. 


TABLE  OF  CONTENTS 


PORTRAIT  OF  AN  OLD  MAN. 

PORTRAIT  OF  THE  WRITING-MASTER  COP- 
PENOL. 

PORTRAIT  OF  THE  POET  JAN  HERMANSZ 
KRUL. 

PORTRAIT  OF  SASKIA. 

PORTRAIT  OF  REMBRANDT  IN  HELMET. 
PORTRAIT  OF  A YOUNG  GIRL. 

UNKNOWN  PORTRAIT. 

HOLY  FAMILY  (KNOWN  AS  THE  “WOOD- 
CHOPPER”). 


THE  RUIN. 

PORTRAIT  OF  NICHOLAS  BRUYNINGH. 

A MAN  IN  ARMOUR  (KNOWN  AS  “THE 
WATCH  ”). 

PORTRAIT  OF  AN  ARCHITECT. 

JACOB  BLESSING  THE  SONS  OF  JOSEPH. 
STUDY  OF  AN  OLD  MAN. 

STUDY-HEAD. 

PORTRAIT  OF  REMBRANDT  BY  HIMSELF. 
WINTER  SCENE. 


Every  connoisseur  is  aware  that  among  all  galleries  the  one  at  Cassel  can 
boast  of  an  almost  unequalled  collection  of  Rembrandts.  Numerically  it  is  the 
largest  but  one  collection,  and  in  regard  to  artistic  eminence  these  specimens  of 
Rembrandt’s  Works  rank  second  to  none. 

While  it  goes  without  saying  that  no  public  or  private  gallery  should  be 
without  our  Rembrandt  Work,  we  appeal,  when  issuing  it,  not  only  to  students 
and  the  untold  number  of  admirers  of  the  great  Dutch  master,  but  to  every 
cultured  home,  to  which  we  trust  it  will  find  its  way. 


JBerlin  ipbotograpbic  Co.,  IRcw  |)orfc. 


107 


SECESSION. 

A PORTFOLIO  OF  62  GRAVURES,  FROM  PAINTINGS  AND 
STUDIES  BY  MEMBERS  OF  THE  “ VEREIN  BILDEN- 
DER  KUNSTLER  MUNCHENS.” 

Containing  characteristic  works  by  KLINGER , 
KUEHL,  LIEBERM A NN,  SKARBI- 
NA,  STUCK,  THOM  A,  v.  UHDE,  etc. 

PUBLISHED  IN  TWO  DIFFERENT  EDITIONS  : 

ARTIST  PROOFS  ON  JAPAN  PAPER. 

Each  Proof  signed  by  the  Artist.  Price,  $100. 


PRINT  EDITION  ON  INDIA  PAPER. 
Price,  $35.00. 


Frontispiece  of  the  Portfolio  “ Seces- 
sion,” Designed  by  Max  Klinger. 


Rcferrmg  to  this  work  the  New  York  Tribune , March  25th,  1894 , says : 

We  have  received  from  the  Berlin  Photographic  Company  some  plates  of  an  extremely 
interesting  publication,  a portfolio  issued  in  illustration  of  the  work  of  the  Munich  “ Seces- 
sionists.” These  painters  are  the  men  who  revolted  against  the  rule  of  the  Academic  con- 
tingent and  gave  their  art  free  swing  under  liberal  conditions  of  their  own  devising.  They 
count  among  their  ranks  some  of  the  most  advanced  artists  in  the  German  school.  Lenbach  is 
not  of  the  group,  but  Uhde  is,  and  Max  Liebermann,  Franz  Stuck,  Hans  Thoma,  L.  von 
Hofmann,  Theodor  Heine,  and  Franz  Skarbina — in  other  words,  the  whole  emancipated  wing 
of  German  art — have  come  into  the  fold.  The  portfolio  referred  to  is  composed  of  sixty-two 
plates  done  by  photographic  process  and  printed  well  on  Japanese  paper.  The  reproductive 
work  has  been  accomplished  most  satisfactorily , and  the  plates  give  a good  idea  of  an  important 
movement.  They  present  the  individualities  of  the  painters,  and,  as  many  of  the  latter  have 
entered  upon  the  path  of  realism  plus  mysticism,  which  has  been  in  vogue  recently  in  Paris 
and  London,  the  interesting  nature  of  the  publication  may  be  imagined.  The  “Adam  and 
Eve  ” of  Franz.Stuck,  now  before  us,  is  a remarkable  composition.  The  attention  of  amateurs 
is  directed  toward  what  is  without  question  a valuable  side-light  on  one  phase  of  modern  Euro- 
pean art. 


The  Collector , published  by  A.  Trumble , writes : 

The  Berlin  Photographic  Company  has  made  an  admirable  album  of  photogravures  from 
pictures  by  the  clique  of  Munich  artists  who  have  taken  as  a title  for  themselves  that  of  the 
Secessionists.  Artistic  Munich  keeps  a close  eye  on  Paris,  and  when  something  occurs  on  the 
banks  of  the  Seine,  something  kindred  in  Nature  occurs  on  the  banks  of  the  Isaar,  afterwards. 
The  secession  movement  probably  had  its  inception  in  the  upheaval  in  Paris  which  created 
the  new  Salon.  As  they  could  not  get  a footing  in  Munich,  the  Secessionists  went  to  Berlin, 
where  they  made  their  first  show,  and  as  they  included  in  their  ranks  men  of  such  merit  as 
Max  Liebermann,  Fritz  von  Uhde,  Skarbina,  Klinger,  and  Kuehl,  it  was  but  natural  that 
their  display  should  make  a hit.  Following  up  their  Berlin  success,  the  Society  established 
itself  on  its  own  account  in  Munich,  but  its  Berlin  commencement  had  made  a mark,  which 
that  city,  always  in  rivalry  with  Munich  as  an  art  centre,  was  not  slow  to  take  advantage  of. 
The  result  of  this  rivalry,  always  amiable  but  always  active,  was  the  production  by  the  Berlin 
Photographic  Company  of  the  album  of  some  sixty  odd  plates  from  their  productions.  The 
reproductions  in  the  “ Album  ” are  deliciously  beautiful  and  it  is  a work  which  deserves  a place 
in  every  art-lover' s collection. 


MAX  LIEBERMANN’S  ETCHINGS. 

A PORTFOLIO  OF  ORIGINAL  ETCHINGS  WITH  TEXT  BY  DR.  RICHARD  GRAUL. 
Only  100  copies  published.  Price,  $35.00. 


Gbe  Brunswick  (Ballerp, 


EDITED  BY  DIRECTOR  HERMANN  RIEGEL. 

ioo  PHOTOGRAVURES  FROM  THE  ORIGINALS , 

Folio  Size,  about  7 x 9 inches. 

$150.00 
100.00 


In  embossed  leather  binding 
In  calico  portfolio 


peter  von  Cornelius. 

CARTOONS  OF  THE  FRESCOES  OF  THE  GLYPTOTHEK  IN  MUNICH. 

From  the  originals  in  the  National  Gallery  at  Berlin. 


Published  in  extra  size,  14  numbers  complete $100.00 

\\  folio  photographs  in  portfolio  . . . . . . . . . . $10.00 


Single  numbers  in  extra  size,  $15  each  ; in  imperial,  $4  each  ; folio  size  $1.00  each. 


CARTOONS  OF  THE  HOHENZOLLERN  TOMB  (CAMPO  SANTO). 

From  the  originals  in  the  National  Gallery  at  Berlin. 

Published  in  extra  size,  17  numbers  complete  in  portfolio,  $150  ; single  numbers  . $12.00  each 

Published  in  folio  size,  9 numbers  in  tasteful  portfolio,  $10  ; single  numbers  $i.oO  each. 


posthumous  TPttlorfts  b\?  Hlfreb  IRetbel. 

Photographs  from  original  drawings. 


32  numbers  itt  imperial  size  @ . ..........  $2.50  each 

50  numbers  in  folio  size  @ ..........  $1.00  each 


PORTFOLIOS. 


With  Selected  Photographs  from  the  best  works  of  art  of 
the  following  Galleries  : 


Berlin  ©allerg— Dresden  <3allerg— Cbe  lUattonal  ©alien?  at  Berlin. 


Each  portfolio  containing  1 5 photographs  in  folio  size  @ . 

108 


. $10.00 


Hrtist^  albums, 


CONTAINING  A SELECTION  OF  THE  MOST  PROMINENT  WORKS  OF  THE  RESPECTIVE  MASTERS. 


Each  album  contains  15  photographs  in  folio  size  (size  of  mount  12x15  inches),  in  calico  port- 
folio, gold-embossed  cover.  Full  contents  of  each  album  will  be  furnished  on  application. 

Price  of  each  alb  m ..............  $10.00 


'em.  Bmberg*2Ubum. 
Carl  S3echer=Blbum. 
Ibaus  Dabl=Blbum. 

JEC>.  <3ruct3ner=Slbum. 
Xubvvlg  IRnaugsBlbum. 


/Ibcger  von  3Bremeit=Blbum. 

©ustav  1Rlcbter=Blbum 

(21  photographs  in  folio  size,  in  leather 
portfolio,  $12.) 

36.  Dautlcr=Hlbum. 


ffalat,  Julius.  SOUVENIR  OF  THE  BEAR  HUNT  OF  KAISER  WILHELM  It.  IN 
NIESWIEZ,  1886.  10  photographs  from  water-color  paintings  in  canvas  portfolio  . $12.00 

(Sructjner,  l£b.  FALSTAFF  SERIES.  7 folio  photographs  in  calico  portfolio,  with  German 
text  by  Prof.  Dr.  Ileigel  in  Munich.  Price  ........  $7.50 

IRtebter,  ©UStaV.  PORTRAIT  ALBUM,  containing  26  photographs  in  portfolio  . $15.00 

Scblrmer,  J.  W.  landscapes  from  the  bible. 

6 pair  of  photographs  in  imperial  size,  with  portfolio  .......  $20.00 

Edition  in  folio  size  .............  $7.50 

v.  Werner,  Bnton,  auD  36racbt,  t£.  panorama  of  the  battle  of  sedan. 

8 folio  photographs  in  portfolio  ...........  $7. 50 


JTbe  3franCO=(3crman  War,  lS70=7l.  15  photographs  from  original  paintings  by  Adam 

Bleibtreu,  Camphausen,  Freiberg,  Hiinten,  von  Werner. 

Folio  size,  in  calico  portfolio,  price  ..........  $10.00 

Sporting  Scenes,  15  photographs  from  originial  paintings,  by  Camphausen,  von  Ernst, 
Freiberg,  Koch,  Steffeck. 

Folio  size  in  calico  portfolio  ...........  $10.00 

Ibuntlng  Scenes.  15  photographs  from  original  paintings,  by  Deiker,  Freese,  Henke,  Kroner, 
Sperling,  Steffeck. 

Folio  size,  in  calico  portfolio  ...........  $10.00 


Ipfanttscbmlbt,  C.  0.  weckstimmen  aus  der  iieiligen  schrift. 

Eight  compositions  from  Scripture. 

Edition  in  photogravures,  with  artistic  binding  ........  $8.00 

Edition  in  heliogravures,  elegantly  bound  .........  $6.00 

TRatfaePS  AMOR  AND  PSYCHE.  (From  the  frescoes  in  Villa  Farnesina  in  Rome). 

With  German  text  by  C.  F.  Waagen.  Folio  edition,  12  numbers,  in  calico  portfolio  . $10.00 


Two  fine  Art  Books  with  photogravures,  text  in  German. 
Price  of  each  book  in  gilt  and  edges  ......... 


“ 3BUDernovellen,”  f 
“fmnstlerbumor.”  ) 


log 


$7-50 


I IO 


JBerltn  photographic  Co.,  IHevv  ©orh. 


SCULPTURES. 


PHOTOGRAPHS  FROM  ORIGINAL  ANCIENT 
WORKS  OF  SCULPTURE  AND  OF  CASTS 
in  the  Royal  Museum  at  Berlin. 

FOLIO  SIZE,  UNMOUNTED,  . . 75c. 

Modern  Works  of  Sculpture 

Photographed  from  the  originals  in  the  National  Gallery 
at  Berlin. 

Special  Catalogue  mailed  on  application. 

VIEWS 

OF  BERLIN,  POTSDAM,  AND  VICINITY, 

Taken  from  nature. 

FOLIO  SIZE,  UNMOUNTED, 50c. 

List  of  views  mailed  on  application. 


The  Brandenburg  Gate  in  Berlin. 


1 89? 

STJPPLEME1TT 

TO  THE 

CATALOGUE 

OF  THE 

BERLIN  PHOTOGRAPHIC  COMPANY 

FINE  ART  PUBLISHERS 


14  EAST  TWENTY-THIRD  STREET 

MADISON  SQUARE  (SOUTH) 

NEW  YORK 


NOTICE  : The  present  supplement  contains  all  our  new  publications  since  the  issue  of  our 
Illustrated  Catalogue  of  1894  up  to  October  1,  1895.  The  edition  published  thereof  and  prices  will 
be  found  in  each  respective  part,  with  the  exception  of  the  photographs  mentioned  in  Part  III.,  of 
which  the  following  table  gives  an  explanation  regarding  sizes  and  prices. 

PHOTOGRAPHS 


Most  of  the  photographs  are  published  in  different  sizes,  indicated  by  the 
letters  e,  n,  i,  r,f  \ after  each  title,  as  follows. 

e = Extra,  size  of  mount  35^x47  inches Price,  $15  00 

n = Normal,  size  “ 31^x43  “ “ 10  00 

i = Imperial,  size  “ 26  X33I  “ “ 4 00 

r — Royal,  size  “ 19IX25I  “ “ 3 00 

f ~ Folio,  size  either  mounted  as  Boudoir  Cards  on  black 

cardboard \ size  about  8x10  inches “ 1 00 

Or  as  Folio  on  India  Paper  15x20  inches  ....  “ 1 00 


hi 


ARTISTS’  PROOFS 


%.  Blma*Trafcema 

SPRING  (Size  35x15^  inches.) 

2 50  Japan  Proofs  ...... 

150  India  Proofs  ...... 


all  sold 
all  sold 


Copyright  1895  by  Photographische  Gesellschaft. 


Between  the  marble  columns  of  a narrow  street 
winds  one  of  those  processions  which  have  so  fre- 
quently taken  place  on  religious  festivals  at  Athens 
and  Rome.  I)i  the  foreground  of  the  picture  a few 
steps  lead  down  to  the  level  of  the  pavement , crowded 
with  the  joyful  procession.  Bare-footed  children 
carrying  baskets  out  of  which  they  strew  the  fra- 
grant blossoms  of  the  welcome  Spring-time , lead  the 
way,  accompanied  by  a few  maidens  who  bear  fur- 
ther witnesses  of  the  awakening  Spring  in  their 
hands.  They  are  followed  by  servants  of  the  Tem- 
ple of  Flora,  playing  on  lyres  and  cymbals , and 
carrying  the  statuettes  of  Pan,  the  great  symbol  of 
ATature.  IVe  observe  the  reverend  face  of  the  priest 
behind  this  group  under  the  shade  of  a batmer 
carried  by  two  slaves,  followed  by  virgins  'with 
palms  in  their  hands.  An  innumerable  mass  of 
followers  is  seen  far  back  into  the  distant  street. 

The  rapture  of  this  procession  seems  to  find  a 
htnidred-fold  echo  in  the  mass  of  spectators  who 
watch  the  procession  from  the  balustrades,  windows, 
and  balconies  of  the  houses,  whose  marble  columns 
are  wound  with  garlands,  and  front  7 vhose  very 
tops  arises  incense  to  greet  the  Goddess  of  Spring. 

(For  Prints  see  p.  117.) 


FORTUNE’S  FAVORITE  (Size  17^x12^  inches.) 

400  Japan  Proofs  .... 


112 


$20  00 


I. — Xlrtists'  proofs. 


1 1 3 


W.  Dendy  Sadler,  “ A Cure  for  Gout.” 


Copyright  1895  by  Photographische  Gesellschaft. 


5.  HnDerson 

A FLIGHT  OF  DOVES  (Size  1 1^x20  inches.) 

100  India  Proofs  ..... 


TTb.  Blinfcs 

A COUPLE  FROM  THE  OAKLEY  (Size  14^x19^  inches.) 

50  India  Proofs  ...... 

HARK  TO  FOWLER  (Size  14-JX22  inches.) 

150  India  Proofs  ...... 

NOW  RIDE,  LADS!  (Size  15x22  inches.) 

150  India  Proofs  ...... 


$15  00 


15  00 


20  00 


20  00 


/ID.  Bicksee 

THE  FIRST  AUDIENCE  (Oliver  Goldsmith  reading  his  Vicar  of  Wakefield.)  (Size  14x20^  inches.) 

50  India  Proofs  , . . . . . . . . . . 15  00 


H.  3.  Elsies 

WAIT  A MINUTE  (Size  20^x15  inches.) 

150  India  Proofs  . . . . . . . . . . 15  00 

X.  jfalero 

TOWARDS  A BETTER  WORLD  (Size  20jXl2i  inches.) 

150  India  Proofs 


15  00 


(Berlin  fl>botocirapblc  Co.,  IRcw  Pork. 


114 


3.  jfaroubarson 

OVER  SNOWFIELDS  WASTE  AND  PATHLESS  (Size  224x174  inches.) 

150  India  Proofs  ...........  $20  00 


L.  Falero, 

“ Toward  a Better  World.” 


Copyright  1895  by  Photographische 
Gesellschaft. 


3.  TK1L  (Bobwarb 

YES  OR  NO  ? (Size  30x16  inches.) 

India  Proofs 

flDaube  (Boobntan 

SUSPENSE  (Size  i64x2g  inches.) 

200  India  Proofs  . 

Ibepwoob  Ibarbp 

A GIRL  OF  THE  PERIOD. 

25  India  Proofs  . 


Ualbot  Ibuobes 

THE  STIRRUP  CUP  (Size  9^x7^  inches.) 
200  India  Proofs  . 


JB.  m.  QLeaber 


SOLITUDE  (Size  22x174  inches.) 

50  fa  pan  Proofs 
150  India  Proofs 


all  sold 


25  00 


15  00 


10  00 


30  00 
20  00 


E.  JBlatr  XeiQbton 

JUST  BY  CHANCE  (Size  u|xS  inches.) 

200  Japan  Proofs  . . . . . . . . . . . 15  00 

200  India  Proofs  ...........  10  00 


Sir  jfr.  Xetgbton 

ATALANTA  (Size  12^x8  inches.) 

India  Proofs  ....... 


all  sold 


PHOEBE  (Size  16JX144  inches.) 

200  Japan  Proofs 
200  India  Proofs 


20  00 
15  00 


I. — SrUsts’  proofs. 


”5 


3obn  B.  Xomaj 

TO  BRING  THE  ROSES  BACK  (Size  13^x20  inches.) 

50  India  Proofs $15  00 


Briton  IRiviere 

THE  EMPTY  CHAIR  (Size  14x20  inches.) 

100  India  Proofs  . . . . . . - . . . 15  00 

If).  IRplanO 

NEAERA  (Size  13^x9  inches.) 

150  India  Proofs  ...........  15  00 

TKH.  2>ent>£  SaOler 

A CURE  FOR  GOUT  (Size  13x19  inches.) 


200  Japan  Proofs  ...........  20  00 

200  India  Proofs  . . . . . . . . . . . 15  00 


B.  Sawder 

EVOE  ! 10  BACCHE  ! (Size  7^x22^  inches.) 

20  India  Proofs  on  etching  paper  . 15  00 

3.  /lb.  StruDwicfc 

GOLDEN  STRINGS  (Size  14^x10  inches.) 

75  Japan  Proofs  . . , . 20  00 

75  India  Proofs  . . . . 15  00 

B.  WL.  Strutt 

LIVE  AND  LET  LIVE  (Size  14^x20  inches.) 

40  India  Proofs  . . . . 15  00 


jf.  V.  *1111)00 

ENTOMBMENT  OF  CHRIST  (Size  21x29  inches.) 

100  Japan  Proofs  . . . . 30  00 


E.  Blair  Leighton, 
“Just  by  Chance.” 


Copyright  1895  by  Photographische 
Gescllschaft. 


il 


FACSIMILE  GRAVURES  IN  COLORS. 


Ballavoine,  J.  L’envolee 

(Une  charmeuse.) 

io  X 7 inches. 

— Les  papillons  seduits. 

io  X 7 inches. 


5- 


Companions. 

each 


Bedini,  P.  Malheur,  si  la  pelotte  tombe  ! 
(The  lost  thread.) 

io  X 14  inches. 

— Souvenir  d’un  voyage  de  noce. 

10  X 14  inches. 


1 

Companions. 

each 


Dietrich,  A.  Christ’s  sermon  on  the  mount. 

21  X n inches. 


Eismann-Semenowski.  Pierrette. 

roT  X 7 inches. 

Perez,  A.  Pour  rien  au  monde. 

7 X 5s  inches. 

— Madame  est  sortie. 

7 X 5j  inches. 
Eismann-Semenowski,  “ Pierrette.” 


Companions. 

each 


$6.00 


10.00 


13-50 


6.00 


5.00 


Copyright  1895  by  Photographische  Gesellschaft. 

1 16 


Maudf.  Goodman,  “ Suspense.” 


Copyright  1895  by  Photographische  Gesellschaft. 


III. 

PHOTOGRAPHS  AND  GRAVURE  PRINTS 


ARRANGED 

ALPHABETICALLY  ACCORDING  TO  THE  NAMES  OF  THE  ARTISTS. 


No. 

ARTIST  AND  TITLE. 

Photographs. 

Sizes.* 

Gravures. 

Size.  Price. 

2492 

Achenbach.  A Mill  in  Moonlight  .... 

i5|x2oJ-$5 

2429 

Alma  Tadema  L.  Spring  (for  Artist’s  Proofs 

35ixi6  16  50 

see  p.  1 12.) 

2520 

— Fortune’s  Favorite  (for  Artist’s  Proofs  see  p.  112.) 

2515 

Anderson,  S.  A Flight  of  Doves  (for  Artist’s  Proofs 

see  p.  113.)  ...... 

/ 

2442 

Assmus,  R.  Reveille  before  the  Castle  of  Hohenzollern 

1 f 

2473 

Ballavoine,  J.  L’envolee  (for  facsimile  Gravures 

see  p.  1 16)  ...... 

2474 

— Les  papillons  seduits  (for  facsimile  Gravures  see 

P-  n6) 

2511 

Barlosius,  G.  Queen  Luise  with  the  Princes  on  her 

journey  to  Tilsit  ..... 

f 

2525 

Barstow,  M.  A Prude  on  the  Prowl  .... 

f 

2441 

Barthel,  P.  Revery  ....... 

f 

2426 

Beckert,  P.  Sacred  Heart  ..... 

f 

2451 

Bedini,  P.  The  Lost  Thread  (see  facsimilie  gravures 

P-  n6) 

2452 

— Reminiscences  of  a Honeymoon  (see  facsimile 

gravures,  p.  116)  ..... 

2465 

Bisson,  E.  Au  bal  . 

r f 

2466 

— En  observation  ....... 

r / 

2467 

— L’amour  entrainant  la  jeunesse  .... 

r f 

1 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published . For  prices  see  p.  in. 


nS 


Berlin  photographic  Co.t  IHcvv  H)ork* 


ARTIST  AND  TITLE. 


Photographs 

Sizes.* 


Gravures. 
Size.  Price. 


2470 

Blinks,  Th.  A Couple  from  the  Oakley  (for  Artist’s 

Proofs  see  p.  113) 

2482 

— Hark  to  Fowler  ((for  Artist’s  Proofs  see  p. 

2483 

— Now  Ride,  Lads  f 1 1 3) 

246Q 

Block,  J.  An  Accord  ...... 

10x15! 

$3 

2500 

Bodenhausen,  C.  v.  An  Autumn  Song 

i f 

2423 

Briton  Riviere.  The  Empty  Chair  (for  Artist’s 

Proofs  see  p.  115) 

14x20! 

b 

2414 

Clementz,  H.  The  Great  Elector  Receiving  the 

African  Chief  Janke  .... 

n i f 

2460 

Corelli,  A.  The  Mother  .... 

1 2^x22! 

6 

2439 

Dietrich,  A.  Sermon  on  the  Mountain  (see  facsimile 

Gravures  p.  116) 

n i f 

2 1 Xl  I 

5 

2453 

— Lord,  Take  Pity  on  Us 

i f 

15x21 

5 

2504 

Eismann-Semenowski.  Pierrette  (for  facsimile 

Gravures  see  p.  116)  . 

2434 

Elsley,  A.  J.  Wait  a Minute  (for  Artist’s  Proofs 

see  p.  1 1 3) 

f 

21x15 

5 

2413 

Falero.  Towards  a Better  World  (for  Artist’s  Proofs 

see  p.  1 1 3.)  

f 

21x12! 

5 

2433 

Farguharson,  J.  Over  Snowfields,  Waste  and  Path- 

less  (for  Artist’s  Proofs  see  p.  114) 

24x17! 

7 50 

2481 

Pellowes,  Prynne.  Magnificat  (Madonna  and  Child 

Surrounded  by  Angels)  .... 

i f 

2448 

Firle,  W.  Give  us  this  Day  Our  Daily  Bread 

f 

2449 

— Thy  Will  Be  Done  ...... 

f 

2450 

— Forgive  Us  Our  Trespasses  ..... 

f 

2427 

Gallegos,  J.  Holy  Communion  ..... 

r f 

2519 

— The  Mass  ........ 

r f 

2454 

Gebhardt,  t.  v.  I Will  Not  Let  Thee,  Except 

Thee  Bless  Me  . 

18x12 

5 

2497 

Goodman,  Maude.  Suspense  (for  Artist’s  Proofs 

see  p.  1 14) 

2490 

Hardy,  Heywood.  A Likely  Draw  .... 

20JX13! 

5 

2491 

— A Girl  of  the  Period  (for  Artist’s  Proofs 

see  p.  1 14) 

f 

2422 

Hitchens,  A.  Legend  of  the  Christmas  Rose 

f 

2443 

Hoffman,  H.  Head  of  Christ  ..... 

f 

2498 

Hughes,  Talbot.  The  Stirrup  Cup  (for  Artist’s  Proofs 

see  p.  x 14.)  ...... 

2440 

Kehren,  J.  Madonna  ....... 

* / 

2517 

Koch,  H.  Judgment  of  Paris  ..... 

n i f 

2431 

Koner,  M.  Emperor  William  II. 

i f 

2420 

Kroner,  Chr.  Woodcocks 

r f 

2421 

— Mountain  Cocks  ....... 

r f 

2486 

— Pheasants  ........ 

r 

2487 

— Partridges  ........ 

r 

2509 

Laudini,  A.  Fleurette  ...... 

f 

2510 

— La  bienvenue  de  la  jeune  epouse  .... 

if 

2425 

Leader,  B.  W.  Solitude  (for  Artist’s  Proofs 

see  p .114) 

22x17! 

7 50 

2476 

Leighton,  E.  Blair.  Just  by  Chance  (for  Artist’s 

Proofs  seep.  114)  ..... 

00 

* 

3 

2475 

Leighton,  Sir  Frederick.  Phoebe  (for  Artist’s 

Proofs  see  p.  1x4) 

2477 

Lenbach,  F.  v.  Portrait  of  Bismarck  painted  in  1894  . 

28!x24 

12 

50  prints  on  Japan  paper  at  $15.00 

2410 

Lieck,  J.  Prayer  of  Thanks  ..... 

i f 

2501 

— Carina  ........ 

r f 

2485 

Lomax,  John  A.  To  Bring  the  Roses  Back  (for 

f 

13!x20 

5 

Artist’s  Proofs  see  p.  116)  . 

2522 

Lossow,  H.  Old  Roman  ...... 

rf 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  hi. 


photographs  and  <3ravurc  prints, 


pbotograpbs  and  <3ravurc  prints. 

irg 

No. 

ARTIST  AND  TITLE. 

Photographs 
Sizes. # 

Gravures. 
Size.  Price. 

2463 

Madrazo,  R.  La  belle  anglaise 

r f 

2493 

March,  T.  Un  bapteme  en  Espagne  .... 

14x20^ 

$5 

2489 

Max-Ehrler  L.  An  Order  for  Santa-Claus 

f 

2479 

Menzler,  W.  In  Maiden  Meditation,  Fancy  Free 

i 

f 

2437 

Muller,  C.  Madonna  (oval,  part  from  No.  783)  . 

i 

r f 

2447 

— Madonna  (round,  part  from  No.  15S9) 

i 

f 

2416 

Muller,  Frz.  Marriage  of  St.  Mary  and  St.  Joseph 

i 

7 

2417 

— The  Holy  Family  at  Work  ..... 

i 

/ 

2418 

— Christ  in  the  Temple  ...... 

i 

/ 

2419 

— Death  of  St.  Joseph  ...... 

i 

/ 

2464 

Munier,  E.  The  Child's  Prayer  ..... 

i 

/ 

2478 

Munthe,  L.  Evening  in  the  Forest  (Winter  scene) 

12X21 

5 

2438 

Naujok,  G.  St.  Cecilia  (Bust)  ..... 

i 

/ 

2396 

Nonnenbruch,  M.  Christian  Woman  Praying 

20J-X12 

5 

2518 

— Iphigenia  ........ 

/ 

2526 

Orczy,  E.  Devouring  the  News  .... 

/ 

2499 

Papperitz,  G.  Diana  at  the  Hunt  . . . . 

n 

i 

/ 

2524 

Parker,  Sybil  C.  The  Door  of  the  Fold 

i 

/ 

2387 

Pauwels,  Fr.  “If  Thou  Seek  Him  with  all  Thy 

Heart,  etc.”  ...... 

I3fx2I 

5 

2455 

Perez,  A.  Tit  for  Tat  ...... 

i 

/ 

2456 

— Public  bal  ........ 

i 

/ 

2457 

— Pour  rien  au  monde  (see  facsimile  gravures  p.  116) 

2458 

— Madame  est  sortie  (see  facsimile  gravures  p.  116) 

2506 

Perrault,  L.  Bonne  petite  mere  ..... 

i 

/ 

2033 

Potzelberger,  R.  Harmony 

r 

2428 

Raupp,  K.  Evening  ....... 

f 

2415 

Richter,  0.  D.  v.  Lucas  Cranach  Asking  Catherine 

Bora’s  Hand  for  Dr.  Martin  Luther  . 

i 

f 

2462 

Roeber,  Fr.  The  Last  State  Council  of  the  Great 

Elector  ....... 

n 

i 

f 

2411 

Rodig,  M.  Mozart  ....... 

i 

f 

20x16 

5 

2412 

— Mozart  (Bust)  ....... 

i 

f 

1 7iXI 3i 

5 

2351 

— Beethoven.  ........ 

20x16 

5 

2352 

— Beethoven  (Bust)  ....... 

175X13I 

5 

2513 

— Schiller  ........ 

i 

f 

2514 

— Goethe  ........ 

i 

f 

2444 

Roessler,  A.  v.  Lieutenant  v.  Schmeling  at  Ligny 

i 

t 

2508 

— Durch ! ........ 

r 

2480 

Royer,  L.  Notre  Dame  de  Lourdes  .... 

i 

f 

2505 

— The  Triumph  of  Venus  ..... 

i 

f 

2rxioJ 

5 

2446 

Ryland,  H.  Neaera  (tor  Artist’s  Proofs  see  p.  115) 

135x9 

3 

2484 

Sadler  W.  Dendy.  A Cure  for  Gout  (for  Artist’s 

Proofs  see  p.  115)  . 

2445 

Saltini,  P.  The  Caricature  ..... 

i 

/ 

2472 

Sawyer,  A.  Evoe  ! Io  Bacche  (for  Artist’s  Proofs 

see  p.  1 1 5) 

2495 

Schmidt,  M.  Forestscene  ...... 

14x19! 

5 

2496 

— Marine  ........ 

14X20 

5 

2527 

Schmid,  J.  Charity  ....... 

i 

/ 

2502 

Seifert,  A.  The  Echo  ...... 

i 

/ 

2436 

Shields,  Fr.  The  Annunciation.  . . . . 

/ 

2503 

Sichel,  N.  Rest  on  me  your  dark  eyes 

i 

j 

2523 

— Sappho  ........ 

i 

/ 

2432 

Sperling,  H.  A Tete  a Tete  ..... 

f 

2516 

Strudwick,  J.  M.  Golden  Strings  (for  Artist’s  Proofs 

see  p.  1 1 5) 

2488 

Strutt,  A.  W.  Live  and  let  Live  (for  Artist’s  Proofs 

see  p.  1 1 5)  

f 

2512 

Thoma,  H.  Solitude  ....... 

2424 

Uhde,  Fr.  v.  Holy  Eve  ...... 

16x20 

5 

2471 

— The  Entombment  of  Christ  (for  Artist’s  Proofs  see  p. 

ns) 

2IX2g 

12 

* The  letters  e n i r / indicate  the  sizes  in  which  the  photos  are  published.  For  prices  see  p.  hi. 


Berlin  ipbotocirapbic  do.,  IRew  |)orb. 


1 2t 


No. 


2430 

2507 

2461 

I67I 

2521 

2468 


ARTIST  AND  TITLE. 


Veith,  E.  Madonna  ....... 

Wagner,  C.  Beethoven 

AVeisz,  A.  Othello  and  Desdemona  .... 
Werner,  A.  v.  Proclamation  of  the  German  Emperor 
at  Versailles,  1S71  ..... 

Wierusz  Kowalski,  A.  Winternight  in  I.itthauen 
AViinnenberg,  C.  On  the  Banks  of  the  Peneios  . 


Photographs 

Sizes.* 


Gravures. 
Size.  Price. 


1 f I3jxig  $5 

1 f 

1 f 13^x20^  5 


t6xiq  5 


* / 


*The  letters  e n i r / indicate  the  sizes  in  'which  the  photos  are  published.  For  prices  see  /.  in. 


John  A.  Lomax,  “ To  Brtng  the  Roses  Back.’' 


Copyright  1895  by  Photographische  Gesellschaft. 


IV. 


PORTFOLIOS,  ETC. 


REMBRANDT  IN  THE  BERLIN  GALLERY 


A PORTFOLIO  WITH  SEVENTEEN  PHOTOGRAVURES  DIRECTLY  AFTER  THE 
ORIGINAL  PAINTINGS,  PRINTED  ON  ETCHING  PAPER. 


1.  Portrait  of  himself. 

2.  Portrait  of  himself. 

3.  The  Vision  of  Daniel. 

4.  Simson  Menacing  his  Father-in-Law. 

5.  Portrait  of  Plendrikje  Stoffels. 

6.  Moses  Breaking  the  Tables. 

7.  Joseph  Accused  by  Potiphar's  Wife. 
S.  Susanna  and  the  Elders. 

9.  The  Wife  of  Tobias  with  the  Goat. 


CONTENTS : 

10.  Jacob  Wrestling  with  the  Angel. 

11.  Old  Man. 

12.  Johannes  Preaching. 

13.  Joseph’s  Dream. 

14.  The  Money-Changer. 

15.  The  Rape  of  Proserpina. 

16.  Portrait  of  a Rabbi. 

17.  Young  Woman  in  her  Chamber. 


PRICE,  COMPLETE,  $75 


The  portfolio  of  seventeen  of  Rembrandt’s  pictures  of  the  Cassel  Gallery 
published  by  us  last  year  has  met  the  unanimous  approval  of  competent  critics  for 
its  excellent  rendering  of  the  specific  qualities  of  this  artist.  It  has  found  its  way 
into  the  homes  of  collectors  as  well  as  into  several  of  the  best  known  Art  Institutes 
of  this  country. 

To  this  collection  the  present  one  will  form  a welcome  addition.  The 
majority  of  the  Cassel  pictures  were  portraits,  including  some  of  his  most 
renowned  works  of  this  class.  While  these,  being  productions  of  the  various 
periods  of  his  life,  give  a fair  idea  of  the  development  of  his  style,  the  new  series 
of  the  Berlin  Gallery,  with  a number  of  biblical  and  mythological  scenes,  is  even 
more  apt  to  impress  upon  one’s  mind  the  striking  originality  of  his  conception 
and  the  versatility  of  his  technique. 


121 


SELECTED  WORKS  OF  L.  ALMA  TADEMA 


A SKETCH  OF  HIS  LIFE  AND  WORK 

WITH 

PORTRAIT,  AUTOGRAPH,  AND  TWENTY-TWO  PHOTOGRAVURES 

Edited  by  F.  G.  STEPHENS. 


Edition  de  Luxe,  Small  Imperial  Folio,  limited  to  Four  Hundred 
Copies,  printed  on  Japanese  vellum,  stamped  and  each  signed  by  Mr. 

Alma  Tadema,  bound  in  blue  watered  silk  cloth,  lettered  in  silver 

from  special  designs,  and  edges  silvered  all  round.  Price  . . §60  00 

Library  Edition,  Small  Imperial  Folio,  printed  on  toned  paper,  bound 
in  green  cloth  with  gilt  top  and  lettered  in  gold  from  special  designs. 

Price  .............  $30  00 


LIST  OF  PHOTOGRAVURE  PLATES 

FOURTEEN  MEASURING  ABOUT  6x9  INCHES. 


L.  Alma  Tadema  in  his  studio. 
An  Audience  at  Agrippa’s. 

A Hearty  Welcome. 

Ave  Caesar  ! Io  Saturnalia  ! 
Sappho. 

The  Idyl  ; or,  Young  Affections. 
Antony  and  Cleopatra. 


A Reading  from  Homer. 
At  the  Shrine  of  Venus. 
An  Earthly  Paradise. 
Love’s  Votaries. 

In  My  Studio. 
Unconscious  Rivals. 
Spring. 


NINE  MEASURING  ABOUT  3}4x5}4  INCHES. 


A Sculptor’s  Model. 

Portrait  of  George  Henschel,  Esq. 

Professor  Dr.  Felix  Semon  and  Mrs.  Semon. 
Ludwig  Barnay  as  Mark  Antony. 

Portrait  of  Herr  Hans  Richter. 


Portrait  of  “ My  Daughter  Anna.” 

(Miss  Anna  Alma  Tadema.) 
An  Old  Story. 

Portrait  of  M.  Paderewski. 

Study  Head. 


—ALBUM 


Containing  ten  photographs  from  paintings  representing 
from  the  life  of  the  Chancellor.  Price 


famous  scenes 


122 


$10  00 


